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 Now online (1)big ...and 355 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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the happy couple?? |
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lol @ horsefactory that looks like natalie to me |
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not that im an all saints fanatic or anything... |
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you should be though...they're hot! |
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Hahahahaha! WARNING! This image is incorrect! |
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Bez just disappeared off the face of the planet with a loud POP |
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bez was the dealer, an integral part of the mondays, some would say the essense, the centre of which everyone and everything else revolved around. however if they did say that you would be quite entitled to call them a complete gobshite. |
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actually, maxim and keith aren't on the album at all. kool keith's on one track or two "Adam: What producers have you worked with in the last few years? Kool Keith: I worked with myself. I worked Liam [Howlett]. He sent me a track from Prodigy, which is a track that I rapped on. That was his own production I'm sure. Liam has the money to own his own equipment to say he produced me, which is true because I rapped on Prodigy's record. I participated in one of the songs they got coming out called, um, it's a hot song. I forgot the name of it. It's hot, I rapped on it. It's one of the top songs." juliette lewis (the actress/singer in her own band) is on two or more tracks (that's her vocals on girls) 3D from Massive Attack is on 'No Souvenirs' and some rapper named twista i think is going to be on one track |
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kool keith isn't keith flint. and who is adam? |
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did i say that he was keith flint? adam is the interviewer |
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sorry, my mistake, its just the way i read it. or you wrote it. or both. |
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OK just to set a few things straight because I can. Alberto, Kool Keith was the rapper on Deisel Power off FOTL so that is probably what is being referred to there. Last I heard the track with 3D wasn't on the album. As for the gang rape of oscillik in this topic I think had any of you known what you were talking about you would have found that up until at least FOTL Liam Howlett was/is the only one contracted to XL Recordings as The Prodigy / Prodigy. The other members were paid by Liam out of the money he made and are, or were not officially signed by XL. Kind Regards. Me with no place to go tonight :( |
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you've got no-where to stay? :( shit if i wasn't living at home with my mom, sis, and half bro i'd give you a place to crash for a few |
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Yes I have somewhere to stay :) ...I meant all my friends have fucked me off in favour of Big Brother followed by what I suspect is gay love. I couldn't be arsed staying in, I wanted to go out on the piss :( |
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yeah prodigy sucks anyway. sucks nuts. anyway. |
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i know he was the rapper in Diesel Power, i wouldn't have post if i didn't know him. i'm a fan of his. liam has hard on for kool keith, he sampled his vocals from the Ultramagnetic MC's 'critical breakdown' album, his old rapgroup from the late 80's. he's on out of space, smack my bitch up and a few others, you might say he's like the 5th element of prodigy. |
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yeah seems like no souvenirs (3D+Liam) won't make the album. this is suppose to be the official tracklisting: 01. Spitfire 02. Girls 03. Memphis Bells 04. Get Up Get Off 05. Hot Ride 06. Wake Up Call 07. Action Radar 08. Medusa's Path 09. Phoenix 10. You'll Be UNDER MY WHEELS 11. The Way It Is 12. Shoot Down |
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This thread was awesome until it got all "brit-celeb gossippy". Bleech! The link dont work no more either. Poo poo. Thanks for posting it through. I listened to it just as I was leaving for work and really really liked it. I would fuck a blender to hear it again right now. |
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Yaaay! I found the My penis lives another day! *gets down in his reebok pumps* |
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The Gallagher bros (of oasis (in)fame) will also be appearing on the new prodigy album. Good or bad thing, I don't know. Love Prodigy. Hate Oasis. |
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Wow, this isn't what I expected from The Prodigy -- I mean that in a good way... I am sooo anticipating the new album, it's been quite awhile. This track definitely is fun and 80s... I keep hearing the phrase "cash money" (an old sample?) but I can't decipher the lyrics coherently, I guess I'll have to wait for a proper "translation"! Fun how it starts out in the beginning and then the trademark hard-hitting Howlett beat section kicks in...... whoaaa lot of flange action going on towards the end, kind of reminds of the breakdown section of "Serial Killa" in an oblique way. Grandmaster Flash-esque?!? Nice synth stabs... listening second time around now . . . :) |
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jesus christ, this is a windowlicker remix with vocals.. ridiculous. |
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not to keen on this. Reminds me allot of the beastie boys. Even though I don't like the track I'm looking forward, maybe even more so, to the album as the track is quite different to what I expected |
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hmm getting better after a day maybe it`s just too long ago i listened (and loved) the ants :) |
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this song is fucking terrible. except, it's fucking horribly catchy, too. |
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the comparisons to windowlicker are absolutely rediculous... this is cool, i like it. windowlicker remix it certainly is NOT. |
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is it just me, or is the end very idm'ish? i'm not saying it's good, but hrm. still swear idm in some form or other's going to become reasonably popular in the next year or two. |
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idm has been in the mainstream for at least a couple of years now, just listen to timbaland god forbid the masses start enjoying our elite form of music unique only to us intelligent dancers :O |
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to a point, i'm talking where everybody likes it. hell, i've got nothing wrong with decent music becoming popular. fuck, i'd be all for the time when i can actually listen to the radio and enjoy it :-) people seem to like repetative, cheesy, annoying subgenres of a given genre, though (take hip-hop, for example. goddamn.). i'm fearing we'll see plenty of aphex ripoffs and such. |
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i dunno about aphex ripoffs, perhaps bands coming along with influences like that, which i for one would think would be pretty fucking cool... i love my bands, and i love my electronica, and the middle ground is lacking... im hoping for some mad fusion bands... i just get annoyed when these bands get bagged out for bringing in electronica influences, i mean this track "girls" is absolutely nothing like windowlicker, its slightly like the acid edit, but where do i begin on aphex's influences to make that track |
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you're from brisbane - you heard of cog? |
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and ya, i agree to a point. what becomes popular is usually fucking shit, though. i'd love to be proved wrong, believe me. |
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oh... yeah.. they play at the bar i work at all the time... i cant think of what they are like off the top of my head tho... |
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given, i haven't seen them live for over a year now (don't really go out much now; couldn't find anywhere decent here in adelaide, unfortunately), but i was into them pretty heavily before they were reasonably well known and doing pub gigs with small crowds. not quite idm, but very electronic-ish; quite cool. damn good songs, damn good messages behind them. they've got more songs than they've released on albums, and the album versions don't sound nowhere near as cool as they do live. suggest seeing them. hopefully they haven't changed; some bands do :-( |
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just listen to the beat how he build it up, and the sounds he can´t deny that he used it as an example/influence, if not.. then it is a big coincidence |
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I think it's great, personally. |
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I'm sorry but I think you're wrong. Indicate to me, more specifically, how this song is a "windowlicker ripoff". Otherwise, I think your claim is whack. And IDM has been influincing the mainstream for a while now. Listen to Hail The Thief by Radiohead. It really sucks but it has IDM influences. (One of the tracks sounded like it was made in Max/MSP) And teapot is right, Timbaland's work on Missy Elliot's album is very idm influenced. I showed my Hail To The Thief loving friend some ae tracks and he said, "It's cool but they're sorta ripping off Radio Head's New Album." I inflicted pain upon him with my fist a few times for that. |
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I showed my Hail To The Thief loving friend some ae tracks and he said, "It's cool but they're sorta ripping off Radio Head's New Album." I inflicted pain upon him with my fist a few times for that. that is probably one of the funniest things i've read this week :) |
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It certainly wasnt funny at the time. I was very dangeresque. Huzzah |
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heh, yeah, radiohead are big ae fans. they've mixed ae/squarepusher/afx/etc in their dj gigs. |
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its kinda catchy... ...but god damn it has "Reason" written all over it. *uhg* |
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I hate it when people say something sounds "Reasony" or "Fruityloopsy". |
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it really does though. I can hear it clear as day. With all of his old equipment, its a shame he decided to use something that's sound quality isnt as good as what it could be. |
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I'm more into what the song is all about, rather then the audio characteristics of the software it was made in. |
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its like a guitar player listening to a track, where the guitar was done with a digital modeling amp... not a real tube amp. sure, the music is the same, but the sound of it is some how unsettling. excuse me for being able to audibly hear a difference in sound quality. besides, sound design is a big part of electronic music imo. |
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take into account tho that this was recorded from a radio broadcast (i believe it was, said so in the original posts) |
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yep, i can hear Reason all over it He has said that he's used Reason extensively for this album, because it got him in the mood to make music again. From the interview with Liam Howlett on propellerhead.se About 2 years ago I started working again, but soon realized I needed to shift myself out of the formula I’d gotten into from working in the same environment all the time. I’d written everything in Cubase from 1993 onwards, with a bunch of hardware synths and Akai samplers as my main setup. I sat down and I thought, “well... this is just so boring. How can I ever get inspired doing the same old thing? How am I gonna write a fresh, inspired album? I’m not enjoying it, it’s not going anywhere, I hate my studio, I hate all the equipment in it.” What got you back on track again? I bought myself a laptop, which completely reanimated my creative process because I was able to write anywhere I went. At one point someone told me to check out this program Reason, “it’s really back to basics, you should check it out just for fun, you know?” So I did – I started out just writing beats on it and approached it in a sort of recreational sense, like you would a computer game. Then I’d go off somewhere like Scotland or New York and I’d take my laptop with me, with all my samples on the hard drive... and then it all just started happening. Reason was just like... it totally refreshed me, it was just amazing. It was like going back to how it was in the beginning. All of a sudden I was writing two or three songs a week, just messing around and having a laff again. I started something with it and got it rocking in ten minutes. That took a lot of pressure off of me. So, to summarize: What got me back on track was A) the laptop, and B) a program that let me feel I’ve gone back and taken all the complication out of writing music. |
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thank you much. |
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ive changed my mind, i think its pretty damn catchy, i can imagine it being all over tv and radio and adverts when the album is released |
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"i can imagine it being all over tv and radio and adverts when the album is released" that's NOT a good thing mate |
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