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 Now online (1)DADONCK ...and 177 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613814 Today 36 Topics 127525 |
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Carlos & Pedro tearin' the house up for you bitches! . |
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haha fuck, I was ready for something that would do my head in but this is fucking tidy. Perfectly laid back and suitable for a quiet night in. I <3 it. I should really have kept up to date with the music you board people have been making...it's great. |
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<3!!! Merci! |
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I can imagine the video for this one being footage of a factory with big robots making car parts. The focus should be on the two guys disinterestingly operating the machine every now and then there should be a bullet time of one of them scratcing his arse, picking his ears, chewing with his mouth open. The rythm of the robot should be in time with the track until about 20 secdonds from the end one of the guys starts to dance around lika an octopus for the other ones amusement and accidently gets his arm in the machine, you don't see what happens the camara focuses on a slow motion clip of the uninjered guy pressing the kill switch blood splashes across the lens. Track ends |
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This is ace. Fits my mood perfectly at the moment. I will downloading this and taking it home so i can listen to it properly. |
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Very nice btw, second listen! |
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nice track drunkniorway |
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It's very good, I like. |
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<3 Thanks guys!!! |
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Have sex with me. |
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OK! |
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awesome! loved it. |
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Muchos gracias, señor! |
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Man, I love this! You are indeed one of the best musicians on this board. You write imaginative, killer melodies, always well produced and with an ever present sense of humour. No wonder you're from Bergen ;D. This particular track reminds me a bit of The Third Eye Foundation - and perhaps Plone - and I just adore the analogue synthpad thing that appears on top of everything else for the first time @ 01:03.. Well done! |
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yeah, this is top. nails a good lo-fi vibe. |
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<3 you guys!!! Thanks! Co: hahaha, Bergen rock city! This also reminds me that I have one of your tracks called my excuse or something, but I'm not sure if it's the full track; it just stops suddenly (1:52). It's lovely, though, and if it's longer, I want the longer version. |
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I'm afraid that's all there is. I seem to have retired from the whole music creating business altogether.. I don't even do extremely lofi stuff anymore, like the track you mentioned. I recently moved house so I have no time or space for recording music. I miss it though, so I will pick it up again later. I hope. Rock on! :D |
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Your style is wonderful as always, though I must say the tuning really ruins it for me. I'm sure that you're well aware of it, and that it is part of the sound, but would like to bring to your attention that it's really nasty for some people. Also, I feel that the opening riff needs some variation as it begins to repeat. Gradually decreasing the dynamic until the entrance of the other stuff could suffice. |
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You should get back in right away; it's fun! sneak: Thanks! <3! And, yes, the tuning is on purpose, but mostly for the sake of "texture" or whatever you would call it... The guitar stuff got its sound and dynamics from my reel-to-reel tape thingie, and it's a loop and the only sample in the song, so there's not much to do about it, really... |
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how'd you produce the stringed instrument sounds? |
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by that I meant bow-on-string |
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Most of them are played on a violin, but towards the end we just figured it'd be funny if we put a full-on synth orchestra on top. |
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okay, and the weird timbres came from just pitch bending, or also other filters? |
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There isn't much filtering. The violins are overdubbed so that you get that slight difference in phase and pitch, since you can't play exactly the same every time, but of course the other instruments also come into play in creating that. The saw probably cuts into the violin a bit since the waveforms are quite similar at times, and the rhodes wraps it all in. The guitar sample guides it all. |
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okay, thanks. The violin sounded quite odd at times, and the vibrato could flare rather violently, so I was wondering what was going on.. |
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Hahaha, yeah, neither one of us can really play the violin, so the technique isn't classical, but we can still make melodies on them! |
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well, it's very creative work, good job! |
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Thanks again! |
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real, serios music. |
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Music for films. Brilliant as usual! |
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Domo arrigato monsieurs! |
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I wanted to comment on this last night but my internet died shortly after I listened to it. It's very good. It definitely has a film-score-esque quality to it. I like how it seems to almost be a mix of lo-fi and hi-fi, in a way. I agree with sneakattack in that I would have liked slightly more variation in the melody, but it's a really good track overall. |
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Danke schön, mein herr! |
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It b fantastic and I'd like to know how it was made, the voice parts make me wonder if it was possibly mostly simply voice, mutated with software into tone stuff. The only thing I'd change is in the middle the first main part repeated again. And this part contained a small handful of higher pitch notes on top which was great the 1st and second time, but maybe on this repetition these should do something else like become longer notes and slightly different note changes if you know what I'm probably don't. Also the lol bla bla accompanying 'lyrics' are what make it idm, ie. elements that make it embarrassing to listen to in front of other people.. conventional normal people. Right. Left. A volcano is just god jerking off. |
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Hahahah! <3 w M w reviews! It's mostly all made by just playing the instruments. I think I know what you mean about the notes, yeah, and I think maybe we should have changed them up a bit, but alas, now it is too late. |
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Here-dee-dere is your super-dee-duper remix-dee-demix: I was going to put a burp in there but I forgot. But check out that awesome melody solo part I did. Like that simpsons episode when homer likes and imitates the out of tune terrible melody on lisa's sax. Technology is anything that doesn't quite work yet. - danny hillis |
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Hahaha, that's awesome! |
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In the land of xltronic IDM where only one person is likely to listen to your track anyway, the best memetic replicating strategy is to latch on as a parasite to a hosHht, or the remixee if you will, forcing at least one person to listen to it, with a loHHt of commas. Plus they are forHHHced to give you positive feedback out of reciprocal pity, even though the 'remix' was just half assHHHHedly importinHHHHHg chunks of their mpHHHHHH3 into audacitHHHHHHHy basically worsHHHHHHHHening it bHHHHHHHHHy comHHHHHHHHHHbiningHHHHHHHHHHH it witHHHHHHHHHHHHh yoHHHur own materiHal. |
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