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 Now online (1)recycle ...and 176 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613449 Today 2 Topics 127500 |
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But I’ve actually recently hired a Chinese programmer to make a music software for me. It’s taking the concept of mutation into music software. You give the program some sounds you made and then it gives you six variations of it and then you choose the one you like most and then it makes another six and it kind of keeps trying to choosing the variations by itself. It’s a bit like that, but more advanced, but basically it starts with a sound, analyzes it, then does different versions of variations. It randomizes, it compares all of them to the original and then it picks the best one. It sounds totally awesome, but it needs to be tweeked a little bit. I will continue with this. I have a whole book full of ideas for software and instruments. , want to see that book |
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20. Marcel Dettmann: What’s the current state of Rephlex and are you still involved with the label? “It has finished, it’s closed now, a few months ago. So that has also been another chapter. So that’s something that needed to be done a long time ago. There you go. |
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I blame Wisp. |
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he did it to make dubstep |
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why you seriously believe what he says in the media is a big question for me. |
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I actually don't believe anything he says except about the chemtrails, |
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If he used that program to write most of the analords and also allowed others to use it to write stuff for rephlex or collaborations I would not be surprised at all. You always get those aphex twin tracks that are absolutely brilliant but are always held back by some dumb shit, like an obvious collaboration where rdj let someone "mystery guest" produce on a certain section of the track, and those are the parts that always suck the worst, stick out like a sore thumb, and drag the rest of the track down. |
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You always get those aphex twin tracks that are absolutely brilliant but are always held back by some dumb shit, like an obvious collaboration where rdj let someone "mystery guest" produce on a certain section of the track, and those are the parts that always suck the worst, stick out like a sore thumb, and drag the rest of the track down. [citation needed] |
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True story for sure. . |
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i saw a blokey do a presentation on that in 2006 http://www.mcld.co.uk/supercollider/ (at bottom) i said to him after he should try it with a 4 op FM synth instead of letting it grow the signal proc graphs itself, he looked at me a bit funny. true story. |
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http://www.earslap.com/ this guy had something with an analysis stage aswell, can't find it now. genetic algorithms r cool |
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"basically all you need is one screen with the wave-form of the tracks you’re playing in different colours so you can put them on top of each other. Then you can mix without even listening." primary coloured waves, then creating the mixed parts as secondary colours could work... although saying that i'm colour blind. |
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"basically all you need is one screen with the wave-form of the tracks you’re playing in different colours so you can put them on top of each other. Then you can mix without even listening" perfectly plausible to me. as someone who's only been exploring single track .wav editing in much of a way. visual shape of a single track is child's play for bpm (if not exact quantization) but you can get a decent aural representation from not a visual fuckin lot if you get into it. made plenty of stuff half using it feeling perfectly natural. sounds alrightish tho always needs an edit here, a checkup there... multitracking plus colour on top you nobbing ginger mantis shrimp bumbag... get that shit on full microtonal too plz |
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definitive proof that aphex can't code for shit, finally. has to hire some desperate rice jockey |
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You and rice! And racist funnies! |
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aphex LORES programmer |
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Stay classy. |
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I have hired an aphex to program my programmer. |
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so global goon lives in china, now? |
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