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 (nobody)...and 170 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Who is your favourite IDM artiste who has not been mentioned in this thread yet? Mine is Aphex Twin |
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fatboy slim |
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i have so many questions for fatboy slim ~ - what is your approach to panning? - do you focus on particular frequencies as a rule, or just mix as the track arises? - when you said big beat has "the pop sensibilities of the beatles," could you clarify? i understand the rest -- the percussion of hip-hop, the energy of acid... but, beyond a music teacher going on extensive rambles in college music theory classes, i don't really understand the whole beatles architecture - do you just wild out on chorus and wah or is it programmed? both? i mean the flangers are very clearly deliberate; no question there - can you please dig out your atari st again? etc. |
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the Cornish gimp boy |
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You didn’t read the question properly! You don’t change lol |
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My IDM vote, if I can't have Aphex Twin or, errr, Fatboy Slim, would have to go to X-Asp. |
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BT |
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kayne west |
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I read it, I just couldn't accept the premise of the thread |
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cant come up with one fucking name |
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D'Arcangelo? |
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Aleksi Perala |
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Autechre |
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Alan Greenspan |
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EpicMegatrax This video might answer some of your questions HTH BTW mine is Aphex Twin |
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bogdan raczynski, who would have been my first answer anyway!! |
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he needs to get back to his drill & bass roots and stop following the latest trends I reckon |
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This video LAZY_TITLE might answer some of your questions HTH a little. it's nice to see close-ups of his studio; until now i'd never known what synths he used. you can tell, from the brown stains, that he spends most of his time programming the sampler or playing samples with the keyboard. probably doesn't spend much time programming midi; just jams it out on the controller. that it came out of DJing, that he used to used to do the looping with 2x vinyl, this makes sense for the feel of it. but it's a short video, and there's not much in-depth discussion of process. i mean, take panning -- there's a lot, in there. he tends to stereo-separate certain parts; it feels like it's how someone who'd spent time mixing rock bands might do it... this is the default mode. then there's breakdown mode, where he throws most of that out the window and a bit of sound is scattered around the whole stereo field. you know his record-scratchy breakdown... dunt, dunt, dunta dunta dun dun dunnnn WHAM. as the sample-restart draws down in size and increases in frequency, the panning follows. then there's this: how do you do a stereo mix that sounds good in a club? i'm sure he did a lot of trial-and-error to work this out. i could say more, but that's bad enough. suffice to say i'm sure norman cook would have a very interesting answer. |
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