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the rapping backwards of 90s hip hop |
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earwig, the dragon star saida big big loada wappa bappa boopa something happy faces |
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birds in trees |
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earwigs in space. |
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to crush your audience, see them in despair before you and hear the lamentation of the fanboys |
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how about that niesen bridgett. tall enough for ya? |
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when an eurodance group changed the vocalist and the new one had the same voice of the old one |
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an eurodance *lifts pinky* |
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but, to answer your question, i hear the eiffel65 vocalist on the radio all the darn time. guy gets around |
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i dont mean eiffel65. before that. when shit was real |
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when you watched a dance group on tv and you saw that the vocalist wasnt the same of before, but has still the old vocalist voice? and you kind of wondered what happened. have you ever lived that? don't worry if you dont. i learnt to distinguish lip sync late in my life |
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the leader singer of sneaker pimps changed sex |
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I’m not supporting bloody-what-the-fuck-are-they-called Sneaker Pimps |
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i dont blame you they are gash |
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now there's a concept. a tv sitcom, with the lead character being a guy who only speaks/sings in autotune. he was on all these tracks in the 00's but now times are grave. pilot episode: T-Pain fires him, his last solid gig, and he goes around trying out various shit jobs and failing with hilarious results. like, he gets a job at mcdonalds and people can't understand his autotune glissando through the drive-through speaker and he gets fired. run through three or four similar scenarios before he finally finds some job that fits in a strange way and you're introduced to the prop set and co-stars that the show will spend 90% of the first season stewing in, should the series be picked up by one of the networks |
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obviously, you'd need to work over the usual canned laugh tracks with autotune as well. maybe he has a dog that barks autotuned barks. i could go all day on this tip; it pretty much writes itself |
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obviously the show's theme song is blue by eiffel65, it even has the dog in it |
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i reckon that effiel65 song is an mkultra trigger for sleeper agents to political dissidents in an indiscriminate manner, that would be a good show that ginger guy out of CSI and rambo could be in it |
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^to kill |
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i've always liked "blue," but part of me wonders if i'd still like it if i heard it for the first time now. nostalgia is partly it, but mostly i was only just getting more seriously into music when i first heard it. when i got into writing music later, i started to worry that learning about music would ruin my ability to enjoy music. like, suddenly i'm not feeling anymore, i'm analyzing. what i discovered, to my mixed relief, was that it only ruined bad music. things i wouldn't have liked i now would acutely hated instead, because instead of a vague impression it would be a detailed list of flaws i find absolutely unacceptable. good music, on the other hand, got even better, because i began finding things in the mix i'd never noticed before. i heard "blue" before all that. |
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i did listen to their album -- which is called europop, by the way, if you missed my reference earler. even though i liked blue, i found the rest of the album to be a thorough "meh." the only other track i got into was "my console." |
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oh, and of course, move your body. every every body trying to decide if i like "move your body" or not causes a massive trainwreck in my brain and i'm not going to try again. |
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anyways, if a tetris movie can be legitimately optioned for millions (the hell are they going to do with that? recycle the space invaders bit from futurama?) then a sitcom about autotune should be no problem. practicly common sense compared to a tetris movie. i could use a job where i'm allowed to be ridiculous all day, if you're a large studio reading xltronic please contact me to negotiate terms for a treatment. |
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^ i was saying to my mate the other day they are making the tetris movie to a trilogy, |
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id struggle to make a 10 minute student film about it |
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there are already millions at play. dollars, not gamers the guy who made the mortal kombat movie, huh. that fits perfectly, in a way, and now i'm curious what he'd do with it. even still, mortal kombat had a lot to work with. i remember it was pretty badass seeing a live-action subzero with his robot grabber hook in the preview, and then jean-claude van damme running up a wall and backflipping over someone or something. i never saw the actual movie, but i did download the soundtrack, and it's absolutely perfect if you're in the mood for cheesy 90's techno. |
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yes i like the mortal kombat movie music fucking hell tetris a sci fi opus, what sort of drugs are they taking in hollywood nowadays, they will take anything that has brand recognition and make it a movie. Starbucks anthropomorphic 3d animated coffee cups. Walmart the war movie where walmart becomes the largest superpower in the world against the imperialistic ambitions of China, directed by Michael Bay |
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what sort of drugs are they taking in hollywood nowadays they used to be into cocaine, but then they got into cocaine, then they dabbled with cocaine, and now they're back on cocaine. perhaps with an amphetamine pill afterwards, like a mint. i've always dreamed of having michael bay teach me how to blow up cars. the highways chase in bad boys II set the record at the time for number of vehicles destroyed for a single movie scene. it was done on a real highway, and they were clearling having the time of their lives. i'm jealous. of michael bay, not the stunt drivers he was clearly saying stuff like: "next time you drive into the cop car that's airborne and upside down, could you do it a little to the left? we're having trouble getting the right shot of it crushing your car." i hadn't really thought about it before, but now i'm not sure. if i had to do cocaine to learn, perhaps i'm just not built to blow up cars. |
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those seconds when you still have to sync to the rhytm of the track and it sounds all another track. this is the best thing in techno music for me |
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altered dimensions really |
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i used to sit in school, in class, bored out of my skull. one thing i'd do to entertrain myself was i'd draw a 3D wireframe cube and practice how quickly i could flip it between the two different ways of seeing it. it took me another ten or fifteen years before i realized there was a third way to see it: a bunch of lines on a page; not a 3D cube at all. never been able to manage seeing multiple at once; maybe i should work on how to do that. |
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i opened up my laptop, first since yesterday, and i see this. immediately it hits me: if i learn to rhythmic switch the cube back and forth, eventually i'll be able to see both at once in the sort of vague and distant way i do all the relevant cars on the road. |
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i've pushed it a bit too far jogging; my knee is complaining. first step obviously take it easy a bit. more on my mind is: what am i doing wrong to make it do that just before lunch, stretching around, noodling on it sometimes. but i also just need to fucking stretch. things. unrelated. to. knee then ow. shit, i hit it again. ow. this is distracting. so i start watching the knee while stretching out other stuff. then i notice i'm doing this, and it's kind of strange to try and subjectively explain. best i can do is thus: when i don't have to mind my sore knee, i focus on what i'm stretching, mostly. however, trying to stretch while avoid hitting the sore spot, i'm focusing on both at once, and it's like... i've zoomed outwards, and now i see a single picture with both. but, as i'm zoomed out, i get less detail on each. from there, it just gets more difficult to explain. but, funny ~ i dig up this thread to reference for my autotune sitcom, and i've pulled this off, now, to the point where i simply take it for granted. i'll be switching between my knee and my lower back... then, no, i need to watch both. it feels exactly like switching a necker cube back and forth |
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im deeply sorry for this shit thread |
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not at all. i had a fantastic time in this thread, even if it was not what you intended upon its creation. like, out of all the threads here... maybe i say, "ohhh, yeah, that one" after a moment... but, this thread, very crisp in my memory. that, perhaps it was not what you intended when you made the thread, but i am very glad you did create it. and stop apologizing at once meanwhile, back off-topic: i'm not sure if what i'm describing is the best thing i music, but i can't tell how helpful it is for hardware musics: i need to move my hands to the moog the my delay machinery... ok, now i need to have my hands on the mixer's track on/off, but hand must be placed so i can stretch a spare finger out and get aux2 on chan6 because i'll need that for the bit coming up that i had to practice this all for years; consciously learn everything thoroughly before i could... this shit. that maybe no one cares, but i'm kind of stoked to find that, yes, i was totally on it here, back in 2016. not so nuts after all. sit there, draw a necker cube, flip it back and forth. then try to see it as not a cube, but a pile of lines. switch that on and off. be mindful of how it feels, and see where else you can apply it |
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shut the fuck up, chico |
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that was something longmont potion castle threw into one of his tapes and i still don't know where it's actually from. |
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the best thing in music is u |
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the best thing in music is u |
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