 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 Now online (1)DADONCK ...and 83 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2613457 Today 0 Topics 127500 |
|
|||||||||
| |||||||||
|
|
special act artists performing reich's pieces the same as usual : discuss, record, post, thanks |
||||||||
|
|
|||||||||
| |||||||||
|
|
oh, and some info from warp : 17th September 2011 - Tickets/Info Sacrum Profanum Festival - Tinning Plant of ArcelorMittal, Kraków Aphex Twin performs as part of the Reich 75 project with the following collaborators including Adrian Utley of Portishead, Will Gregory of Goldfrapp, Tom Verlaine of Television, Leszek Moz.dz.er, Pianohooligan aka Piotr Orzechowski and Envee. This is a one off performance and will never be repeated again. They will perform the following Reich classics - Come Out, Different Trains, Pendulum Music, Electric Guitar Phase and Piano Phase. Reich 75 Come Out Different Trains Pendulum Music Electric Guitar Phase Piano Phase Artists Steve Reich Aphex Twin Adrian Utley (Portishead) Tom Verlaine (Television) Will Gregory (Goldfrapp) Leszek Moz.dz.er Envee |
||||||||
|
|
|||||||||
| |||||||||
|
|
is any of these avant garde collaborations going to be released? ive got a feeling that warp have something interesting up their sleeve, which would make a change for once. |
||||||||
|
|
|||||||||
| |||||||||
|
|
will it suck? |
||||||||
|
|
|||||||||
| |||||||||
|
|
its one of those ideas that sounds nice on paper, but i dont hold my breath for it to be good or for that matter even work. despite enjoying a lot of those artists, reich is simply a better composer. blah. |
||||||||
|
|
|||||||||
| |||||||||
|
|
from the stuff ive seen on you tube, i cant hear or fathom out what aphex adds to be honest |
||||||||
|
|
|||||||||
| |||||||||
|
|
those are all really respectable artists, it's quite funny seeing tom verlaine involved in this vs the other crowd. too bad the only documentation of the event for those not going will be some half assed iphone recording. |
||||||||
|
|
|||||||||
| |||||||||
|
|
that was yesterday, what the vids? |
||||||||
|
|
|||||||||
| |||||||||
|
|
There's a review on |
||||||||
|
|
|||||||||
| |||||||||
|
|
very interesting well arcelor mittal got the money, they can do whatever they want anytime |
||||||||
|
|
|||||||||
| |||||||||
|
|
oh ok, it was just the location me wrong |
||||||||
|
|
|||||||||
| |||||||||
|
|
, light and sound and concept "Aphex played in the second part as the break was needed to prepare all the stuff for it. First was a piece of music based on pendulum music. In basics Reich first introduced a concept of microphone as a pendulum in front of the speaker (mentioning he came on this idea in mid 60s). Then he said, that usually there are like 3 microphones, but tonight it will be like 14. And so it was. There were 7 pendulum stands, each holding 2 disco balls (the ones with reflective surfaces), and each of them with microphone, hanging over a large speaker. Lasers were put onto them, giving lots of reflections all over, and the balls were set to swing. And the music started. Kind to hard to explain it - it was not totally random initially, so i doubt it was all coming from these microphones. Aphex was standing behind the swings, doing some of his stuff, but just standing, fully visible, not hiding behind his laptop, etc. It was rather a pleasant experience, kind of SAW, lots of bass eventually, and these lasers reflected from the balls, just wow. It lasted like 10-12minutes" review by tomaswoj, from watmm |
||||||||
|
|
|||||||||
| |||||||||
|
|
what a load of pretentious wank |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
