 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 (nobody)...and 317 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2614128 Today 0 Topics 127542 |
|
|||||||||
| |||||||||
|
|
Thanks for the read. |
||||||||
|
|
|||||||||
| |||||||||
|
|
why you buying Q???? it's shit, all you get is an old picture of Mr James, I typed it out for you!!!! Even I didn't BUY it...it's yer own money though buddy... |
||||||||
|
|
|||||||||
| |||||||||
|
|
haha very funny stuff i imagine duppy running past a newsagent and just running out with shite loads of q's It amuses me alot when they dont get drukqs and write for a magazine. The druqks special 2046 is the only q issue i would buy. |
||||||||
|
|
|||||||||
| |||||||||
|
|
drukqs is a "dead-end" cause there is no more music ideas to make after that album |
||||||||
|
|
|||||||||
| |||||||||
|
|
Drukqs was the big bang for some. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Well, I'll have a look at what else is in there..... |
||||||||
|
|
|||||||||
| |||||||||
|
|
id never buy those magazines so thanks for typing : D |
||||||||
|
|
|||||||||
| |||||||||
|
|
Yep, it was shit. Didn't buy it. Thanks for telling me. |
||||||||
|
|
|||||||||
| |||||||||
|
|
from Uncut: " AFX CHOSEN LORDS 'richard james handpicks the best of a years worth of classic Aphex acid' In early 2005, Richard D James began pumping out 11 limited edition Analord12ins on his own label, plus a leather binder to collect the set in. Aphex fans couldn't decide whether this was a triumphant return to his roots in gnarly post acid-house digi-jack, or a blatant scam for cash. On Chosen Lords, Aphex cherrypicks his favourites for the cd market. Without the scuffed overload of his teenage releases, it's obvious that these are newly minted (rather than old tapes, as some suspected), abounding in untreated drum machine presets that can send him, as on "PWSteal.Ldpinch.D", veering towards the cheeseboard. But there's some classic Aphex bussiness, too: the bubbling 303 gumpot of "Reunion 2", the tumbledryer reverb of "Klopjob", and the bends and slurs of "Batine Acid" and "Boxing Day", where melodic motifs clash out of tune, like two different tracks running in seperate bubble universes, briefly touching. by Rob Young" It sounds like he was smashed when he wrote that review. |
||||||||
|
|
|||||||||
| |||||||||
|
|
i thought it was quite a good interview. |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
it kind of ended a lil suddenly.. |
||||||||
|
|
|||||||||
| |||||||||
|
|
the RDJ-interview in Q '94 was pretty good. |
||||||||
|
|
|||||||||
| |||||||||
|
|
type it up then! |
||||||||
|
|
|||||||||
| |||||||||
|
|
the mag is in storage at my brother's, so its a bit difficult |
||||||||
|
|
|||||||||
| |||||||||
|
|
How exactly is "AFX" vowel-less? Journos are such wankers... |
||||||||
|
|
|||||||||
| |||||||||
|
|
, and it's on the mighty Rehlex label. |
||||||||
|
|
|||||||||
| |||||||||
|
|
"Klopjob's a good 'un" LOL |
||||||||
|
|
|||||||||
| |||||||||
|
|
RDJ: "I just finished one but it probably won't be released. Why? I can't be bothered to do any artwork." what in the fuck |
||||||||
|
|
|||||||||
| |||||||||
|
|
rdj "Q: Were the Analord tracks recorded in the bank? RDJ: "Yes. Like any place it puts you in a certain frame of mind. I record in the vaults a lot and other parts of the building have been wired up for use as echo chambers." " he is so obviously pulling it. |
||||||||
|
|
|||||||||
| |||||||||
|
|
*whispers* "I think he's lying!!!" |
||||||||
|
|
|||||||||
| |||||||||
|
|
haha i laughed at their poor efforts : D |
||||||||
|
|
|||||||||
| |||||||||
|
|
It wasn't recorded ON analogue equipment, surely. How the fuck did he get those reversed bits. "Hobbies of ye olde Aphex" Interview: "Well, I've given up all the hacking and mobile scanning, and driving around in military vehicles, and now I enjoy tape splicing". Somehow, no. It recorded USING analogue equipment, twatheads! |
||||||||
|
|
|||||||||
| |||||||||
|
|
Are you saying you can't play tape backwards? |
||||||||
|
|
|||||||||
| |||||||||
|
|
thanks for sharing that : ) i have to disagree with "Drukqs, was a deliberate attempt to allienate both curious newcomers (thanks to its impenetrable mesh of drum n' bass breaks) and loyal fans (who had heard him do much the same before, only better)". i discovered Aphex Twin with drukQs, and i really think it has its own style (even if it's too "dense" and a bit overlong for me now). (and yes, that "vowel-less AFX noun" is a really stupid mistake.) |
||||||||
|
|
|||||||||
| |||||||||
|
|
I think that is what he's saying |
||||||||
|
|
|||||||||
| |||||||||
|
|
No, it wasn't. I've got a magazine article that admitted that parts of the mastering/post production were done on a computer. |
||||||||
|
|
|||||||||
| |||||||||
|
|
drukqs can't be topped nor should it be attempted |
||||||||
|
|
|||||||||
| |||||||||
|
|
No, I'm just saying why would Aphex spend ages cutting up tiny little pieces of tape while cutting his fingers off to make a few backwards kick drums when he could do it with a laptop in seconds? Analord was recorded from the synths onto laptop live, wasn't it? |
||||||||
|
|
|||||||||
| |||||||||
|
|
Please post it, I'd like to read it :) |
||||||||
|
|
|||||||||
| |||||||||
|
|
they're not called laptops theyre called yapyops |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
