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im really curious.. |
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chemical brothers. SORRY, but live they have yet to be bettered by any other electronicans, yes, even afx and pusher and brian and his bummer minstrels. |
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i foresee an incredibly varied range of definitions of "intense music" forthcoming in this thread. |
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mogwai live at glastonbury 1997. |
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well i was more thinking of something not pre-recorded. but i guess people will name electronic stuff since it's excellent electronic music blah blah |
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Hmm, tough question. come back to that one later i think. |
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Autechre! |
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i'm going to say... elysian fields the melvins (back in that trilogy period around '00-02) shellac skinny puppy sorry for the lack of surprises ... |
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you ever attend jazzy gigs..being from nyc and stuff :) |
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tool live, circa lateralus. squarepusher is up there as well. |
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yeah, i've been to plenty of very fringe, avant-garde gigs, actually. many, i'd say. some of them were excellent. none of them were as "intense" for me as the ones i've mentioned here. |
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you saw ribot play yet? (you might have told me that already but my memory sucks..) |
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i don't think so, no... strange how zorn and cohorts play at the tonic all the time and i've just never made it out to see them. i saw derek bailey once. not ribot, though... |
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caribou venetian snares |
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is tonic zorns place? i'd love to visit that when im there :) |
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aphex, quart 97 björk, quart 98 satanstornade, bergen 03 (and not in a good way) seigmen, trondheim 05 |
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the most intense music is only ever done by a symphony orchestra. |
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it's a nice little place: saw EF there, bailey, thurston moore trio... they had a month of zorn-related projects there. was it last year or two years ago? |
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sorry but i havent seen anything live yet. that mean i have missed much stuff |
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man oh man..must get some money together and come see this some time soon :) |
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American Music Club |
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leftfield in 1996. they had live musicians, it was amazing. |
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Were you on bongos? |
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there is probebly good artists that is around me but i dont hear about when is it and where it is |
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she started by collapsing out onto the stage looking very much like the picture below, with the microphone stuck down her throat while she made gutteral noises, she played really overdone sounding melodies to breakcore controlled via a drummachine, right throughout the tracks she would make more gutteral noises to the music, scream random stuff, and wave her hands like a symphony when melodies came in, I know I don't make it sound that insane or awesome but it was. |
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pic |
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haha, looks and reads wicked! |
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Making guttural sounds and random noises are always more "intense" than actaully saying anything. And easier. |
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definitely, she really knew how to get the crowd going as well, which was half of it's awesomeness, she had everyone doing that "repeat after me thing" except with vocal noises, it's funny hearing a crowd of 50 or so people making animal noises. |
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i think dog was being a bit sarcastic there :) |
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easier? that's highly debateable. besides, who cares if something is "easier" to do? what difference does that make? so many people like to say, "oh this incredibly wimpy folk pop is so emotional and intense and deep because listen to the tiny quiet sounds you can even hear the yawns coming from the disengaged art crowd audience who would have been better at home with their limited vinyl version of this song..." it can go either way. sometimes the loudest stuff is intense. sometimes the quiet stuff is intense. it depends. |
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how's dream theatre for intense? |
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they're intensely nauseating! |
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Well "easier" implies less thought goes into it, I could do an intense 45 minute album now just shouting into the laptop and turning up the distortion EEEFX. We can all cry and crap ourselves on stage but the more you pander to the Andolescent Reflex the more you become Blink 182 when you want the be Swans. |
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the more you pander to the Andolescent Reflex the more you become Blink 182 when you want the be Swans. ???????!! |
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????????????? |
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sigur ros lol jk. let me think of a real answer... |
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yeah, talk it out you two..good going. |
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that made perfect sense to me. i wrote a response, but thought better than to post it since it was nothing either of us don't already know. |
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i'd be interested to read it though :) |
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well, what does that sentence have to do with anything, it makes no sense |
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yeah, i reckon we got ripped seeing doddodo in brisbane, due to the heat. the whole act was quite good, but no costume antics and the set seemed rather short (20 mins perhaps)? i could hardly see it either, place was tiny and overfilled. i'm not sure what was better, watching the act, or watching random people pass the windows behind them as they performed (was in a venue on a heavy street corner, large full-length windows) and seeing them go WTF |
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godspeed! no doubt about it. |
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Mouse on Mars in 2001, interestingly enough. They aren't my favorite by any means but hot damn they put on an amazing, loud, rip roaring show. I went with my cousin and we were both floored. |
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Common (when he was touring with electric circus) Jaga Jazzist Xploding Plastix |
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seeing Joe Colley two nights in a row in NYC this past September. The first set he did with Jason Lescalleet, and the two of them blew the roof off the joint (almost literally, at one point a wave of noise that Colley generated caused dust to rain down on him from the ceiling). both of them have sort of theatrical set ups (Lescalleet had giant reel to reels with really gnarled tape scattered across the floor, and Colley basically drew source material from the sound of him dropping and scraping a cheap microphone across the hardwood), and they were both very very physically into it, shaking back and forth, and ending the set suddenly, by knocking their chairs over suddenly (doesn't really translate well i know, you had to be there). I'm almost certain that Colley went into the little room behind the stage and puked afterwards... it was funny. the next night he did a solo set where he started with these little oscillators that he was jiggling around in his pockets and gradually over the course of the set he built up to a massive cacophony... 2/3rds of the way through he crawled underneath some of the rafters on all fours and retrieved these radios that he had planted underneath. both of which were clearly generating noise through his board... once again. incredibly intense, and incredibly physical. |
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Mike Oldfield, live in Katowice 1999. Enslaved, live in Krakow 2002. Their drummer is a freakin' machine! |
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pan sonic |
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o I forgot tim hecker live |
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I havent seen much music live... but for sure mr snares |
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