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 (nobody)...and 620 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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when it comes to equalizing and mixing a track in a song, is it common for the EQ settings to change many times for emphasis, or to back one track off a bit because an instrument in another track needs that frequency band for the time being it seems like a lot of work, but I'm sure it's done as standard procedure by real pro, perfectionist producers in music.. I'm guessing that's what those big mixing boards in professional studios have the sliders moving up and down automatically during playback? |
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yeah man |
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shut up.. I was asking people who know what they're tlaking about |
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titsworth's alter ego returns. |
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has anyone seen the first post in this thread? I asked a question in it I think.. |
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shut up.. he was asking people who know what they're tlaking about |
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you're really presenting yourself as someone I would like to help. |
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I've never really heard of it, but it would make sense... either that, or you decide which instruments you want to use which bands up front and if you add a new one, just remove that part of it while emphasising other frequencies that.. erh.. never mind me. |
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yeh |
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Its not rocket science. |
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I don't know man. |
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what I meant to say was: if it sounds good... |
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right. I'll try it.. I was wondering if anyone here does that to their stuff |
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yeah man thats what the automatic sliders are for is what that meant dick |
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a lot of times in dance music people "drop the bass" a lot |
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slippery fellow. |
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it seems you figured it all out by yourself so why bother having the advices from a dumb internet forum? |
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I can see adjusting the levels of indivual instruments or sounds relative to eachother, but why would you adjust the frequencies? |
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u guys are terrible |
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I know, it's like god, am I an asshole or what! what a question!! and what responses. really. I want to thank all the experts who took time out of their busy schedules to tell me that they had nothing to tell me and why if they even had something to tell me, they wouldnt tell me .. because of course that's what I asked about. just in case there were any other scandinavians that havent explained their disdain for my postings, save it.. because I really don't care. I am flattered, of course, but what you type bores me .. and I don't like reading it. proud of you! |
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What about Scandinavians? |
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Or: I think you could maybe achieve the results you are talking about using a multiband compressor over a mix.. Meaning you can compress something according to its frequencies.. So say you had a track that was a guitar and a drum, and every once in a while the guitar played a certain note that was very close in terms of frequency to that of the drum... So if you added the multiband compressor on top of that you could limit or sort of, set the amount of the given frequency that would be 'let through' at any time. So then, what would determine most everything about the mix would be the volume of each part throughout its length. So if you set everything a certain way there won't be any certain frequencies that crap out from being overloaded, but you need to tweak the volume of each sound to get it how you want it. and the the perceived volume of each sound will change because they are being filtered/compressed/whatever. Maybe that will help. probably not because I don't know what the hell I am talking about and don't completely understand your question. |
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pwn3d? |
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isnt this whole thread a yes or no question? google would have been better |
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