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elusive
from detroit (United States) on 2002-05-02 00:07 [#00202947]
Points: 18367 Status: Regular | Show recordbag
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me in
dial rox
hello
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Peter File
from the future!!! Ooooh chase me! on 2002-05-02 00:08 [#00202948]
Points: 2020 Status: Lurker
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m for motherfucker
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elusive
from detroit (United States) on 2002-05-02 00:13 [#00202951]
Points: 18367 Status: Regular | Show recordbag
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P FOR P U
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xlr
from Boston (United States) on 2002-05-02 01:43 [#00203006]
Points: 4904 Status: Regular
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1(900)976-JUICE
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license
from out of nowhere on 2002-05-02 01:45 [#00203008]
Points: 865 Status: Lurker
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I like cap.iv better
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elusive
from detroit (United States) on 2002-05-02 01:48 [#00203012]
Points: 18367 Status: Regular | Show recordbag
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JUICE BY XLR JUICE BY XLR
GooooooooooOOOOOOO XLR
NO ORGASMMS FOR YOU NO RED MEAT NO REFINED SHUGADR!
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cygnus
from nowhere and everyplace on 2002-05-02 01:48 [#00203013]
Points: 11920 Status: Regular
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the sound that starts exactly at 1:00 into gantz graf is the coolest thing i have heard in my entire life.
does anyone agree?
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license
from out of nowhere on 2002-05-02 02:26 [#00203037]
Points: 865 Status: Lurker
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that sound is kinda cool.
but, no offence, it's just a standard delay effect....start out with a really long delay, turn the feedback way up, then crank the delay back to being really short until it starts moving up into high frequencies. well, that's what it's based on anyway.
have you heard any of LP5? they do this a lot on there if I'm not mistaken, to especially nice effect in the transition between the 2 parts of "Vose In."
if you want to try this on your own, just use a VST delay plugin like the Maxim VST plugin(it's free.) if you don't have a program that supports VST, try Audiomulch.
have fun :)
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cygnus
from nowhere and everyplace on 2002-05-02 03:12 [#00203045]
Points: 11920 Status: Regular
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i know. it goes with the song very well though (relative to place + time)
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cygnus
from nowhere and everyplace on 2002-05-02 03:13 [#00203046]
Points: 11920 Status: Regular
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i have lp5, i've noticed they use delay alot in their live performances, too. i think it's their favorite toy :D
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license
from out of nowhere on 2002-05-02 04:53 [#00203075]
Points: 865 Status: Lurker
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delay is so great. it's an instrument in its own right. i'm a bit obsessed with it myself, though I haven't yet done anything quite as interesting with it as Autechre.
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cygnus
from nowhere and everyplace on 2002-05-02 06:29 [#00203118]
Points: 11920 Status: Regular
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lots of metal clanging -- i've done some unbelievable shit just going around banging metal shit all over the place and then fucking it up with delay
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cygnus
from nowhere and everyplace on 2002-05-02 06:32 [#00203119]
Points: 11920 Status: Regular
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i wish more people would sample their own things like that - go bang around some shit and post what you make sometime!
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nanotech
from Sukavasti Amitaba Pureland (United States) on 2002-05-02 06:35 [#00203121]
Points: 3727 Status: Regular | Followup to elusive: #00203012
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lol@ elusive!
i fucking love that movie...
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license
from out of nowhere on 2002-05-02 06:43 [#00203123]
Points: 865 Status: Lurker
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I've got this theory : all you really need to make electronic music is an FM synth, a sampler, and some effects (well, and a sequencer and mixer helps, too :d ) .
they don't even have to be high quality ones. when you break down most of the recent Autechre, that's all it really is - FM synthesis with really fuct vocal samples and lots of strange effects.
so I've had a TX81Z for a year and a half now. I've been really uncreative with it since I got to college, but the past few days I've been exploring it a bit more, so when (...if??) my sampler finally comes in the mail I'll be set for at least the FM part of the equation.
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license
from out of nowhere on 2002-05-02 06:45 [#00203125]
Points: 865 Status: Lurker
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oh and obscure samples are very cool. my brother sampled a stapler for one of his songs - it sounded absolutely wicked, very sharp and clean :)
I'm into water samples myself, splooshing water, water in cups, ice cubes clinking against glass, etc.
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cygnus
from nowhere and everyplace on 2002-05-02 06:53 [#00203129]
Points: 11920 Status: Regular
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what's the most awful noise you've ever created?
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license
from out of nowhere on 2002-05-02 07:18 [#00203131]
Points: 865 Status: Lurker
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there was this one I called "penis brain" - I was palm muting a guitar very softly and then I ran it through some sort of granular VST thing. I changed the name to "rubber noodle program" because somehow, that's exactly what it sounded like.
I've made quite a few other terrible samples, but most of those were just my vocals being distorted.
guitars and human [male] voice often sound terrible to my ears. everything else tends to sound pretty good. oh wait, most piano sounds are gross too.
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awt
from kristianstad (Sweden) on 2002-05-02 07:21 [#00203132]
Points: 152 Status: Lurker
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I recorded myself while drinking coffe hehe damn the sound got so clear you could almost hear it floating dowmn my throat.
Fuck I love to record all types of shit, My little brother I have used in one of my song and my cat hehe Mjaaoo
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license
from out of nowhere on 2002-05-02 07:50 [#00203145]
Points: 865 Status: Lurker
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my brother's got this song called Bkrazi... he sampled himself playing alto saxaphone in front of our dog. the dog was going absolutely nuts. I actually didn't find it obnoxious though, it rather went over top of the song's minimalism quite well.
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