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 (nobody)...and 724 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614087 Today 0 Topics 127542 |
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on the set of T4 |
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i'll get me coat |
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don't let the doggy door hit your heels on the way out |
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Makes that article about him hitting his mom and sister all the more valid, wouldn't you say? |
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thing is i always imagined he was a bit of a dick. but if the light guy was fucking around he needed telling off. |
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funny how all these people are talking about this subject like they know what it means to be on a professional set, with some asshole fixing lights in the middle of a scene. wait for context. if it was a big scene and he was emotionally involved in the character (method acting), then fuck ya it would have set anyone off. everyone jumps all over this like a fuking witch hunt. bunch of teenagers, you are i suppose. act like you know it all and can take the audio out of context and make a valid conclusion. how about waiting for some context before making judgement? |
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not defending the guy, but sick and tired (with regards to all topics) of people going off on witch hunts acting like they know exactly what was going on and drawing conclusions without even having proper context. http://www.aintitcool.com/node/39984 you think you would have learned this by age 20. |
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calm down |
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loosiv wants 2 bum batman lol |
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method acting is really silly :) |
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who cares as long as the finished product is acceptable. lawn chair actor, lol. |
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but it's often not :) there's nothing faker than fakeness pretending to be real let's see what robert bresson has to say on the matter Bresson insists on realism in a less subtle way, namely, in his avoidance of acting. He does not use actors, and refers to the people who appear in his films as "models." Through extremely precise direction of speech, movement, and gesture, and also much repetition before shooting scenes, he manages to have his models move and speak in an automatic way -- that is to say, without attempting either to project or suppress emotion. While Bresson recognizes the legitimacy of acting in the theater, he does not approve of it in films, where he regards it as "inventing" or "deforming" persons. According to him, it violates the particularity and purpose of cinema -- the most realistic of the arts -- which is to show realities. Turning to his Notes once again, we read: "What our eyes and ears require is not the realistic personal but the real person." And again, concerning models: "Movement from the exterior to the interior. (Actors: movement from the interior to the exterior.)" etc etc - |
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that's very interesting. thanks for the link/article. |
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