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offline yann_g from now on 2008-06-03 10:48 [#02212784]
Points: 3772 Status: Lurker



Some people haven't voted for Go Plastic!


 

offline BoxBob-K23 from Finland on 2008-06-03 11:09 [#02212788]
Points: 2440 Status: Regular



you make it sound like it is the obvious choice... In case
anyone is wondering it's the weekly poll we're talking
about. As I look at the list, I just realize really what a
great year for IDM 2001 was. In fact, I love all of those
albums. None of the albums is the artist's best, IMO, but
all of them have a special place in my heart. 2001 was a
good year for albums, and a bad year for high towers.


 

offline yann_g from now on 2008-06-03 11:15 [#02212789]
Points: 3772 Status: Lurker



lol. Go Plastic is a fucking classic though. It's the most
influential record among those listed. And yes it's the
obvious choice, as its low number of votes shows ;)


 

offline noseburger on 2008-06-03 11:17 [#02212791]
Points: 1198 Status: Lurker



If you listened closely you could hear the British pop
balloon slowly deflating throughout 2001. The Spice Girls
imploded while Scary, Baby and Posh saw their solo warblings
foundering in the face of mass teen indifference.

Millions mourned George Harrison

The boyband 5ive became 4our, 3hree and then 0blivion, while
Hear'Say found their sales sliding as the tabloid momentum
that took them to number one shuddered to a halt.

On the musical plus side: the R'n'B licks of Destiny's Child
(and our homegrown 'homage' group MisTeeq), the tatooed
posturing of Eminem, the guitars of British
singer-songwriters like Turin Brakes and the engines in
Britain's UK garage scene, such as Craig David, So Solid
Crew and Artful Dodger all found industry acceptance and
chart reward.

But sadly, the general paucity of imagination in our current
music scene was accentuated by the death of George Harrison
in November.

Films

In the multiplex, the year started with Russell Crowe still
basking in the glow of Gladiatorial triumph, while March
brought another victory for the combative actor, when he was
crowned by Oscar.

Potter-mania hit the box office

Throughout 2001 we embraced our past - both fictional and
factional - at the cinema.

Captain Corelli's Mandolin, Pearl Harbor and Enigma fought
for screen space with the fantastic worlds of Lord of the
Rings, Harry Potter and the Philosopher's Stone, The Mummy
Returns and Planet of the Apes.

Records were broken, but the same cannot be said for the
hearts of the critics. Many looked towards Europe to be
inspired: Amelie, Brotherhood of the Wolf and Together took
plaudits but for many it was a year where computer-generated
special effects sat alongside computer-generated scripts.

At the Oscars, expect the Tolkien adaptation, Bridget Jones'
Diary, Oceans 11 (still to open in the UK) and the curious
Kubrick/Speilberg hybrid AI to score statue success.

Television

As for TV, reality shows bit back. Big Brother 2 more than
fulfilled the prom


 

offline noseburger on 2008-06-03 11:18 [#02212792]
Points: 1198 Status: Lurker | Followup to noseburger: #02212791



promise of the original series, giving celebrity party
throwers a new clutch of extroverts to hog the canapes.

Not weak - success for Anne Robinson's show

The concept also provided the year's most interesting
deconstruction of celebrity, when Vanessa Feltz and Anthea
Turner went into the house - and seemingly out of their
minds - for charity.

Popstars and Pop Idol proved there is ratings platinum in
public humiliation, while ITV's flop Survivor seemed to
suggest we like our victims to scratch each other's eyes out
with lower production values.

The Weakest Link wasn't, Top of the Pops was and everyone on
the blue planet apparently tuned in to watch The Blue
Planet.

Perhaps the most surprising success was in 'histomentaries',
with The Vikings, The History of Britain and The Six Wives
of Henry VIII all coaxing us back to the past.

But despite these televisual encouragements, for this
reporter much of the entertainment on offer in 2001 was a
waste of space odyssey.


 


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