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Solid article on loud music / dynamic compression
 

offline Brisk from selling smack at the orphanage on 2008-01-04 05:17 [#02160263]
Points: 4667 Status: Lurker



Here

"I cant tell you how many times someone comes in and plays
me something he wants mastered and I'll say, 'Do you want to
make it slamming loud or retain some of this great sound?'
They'll say, 'We want to keep it really pristine.' Then the
next day they'll call me and say, 'How come mine isn't as
loud as so and so's?' "

That right there is what defines the problem. Over the past
few years, its been a noticable trend to see sound quality
become less of a concern over the loudness/music itself.

From Vinyl to CD, then CD to Tape, to MP3... then finally
listening to MP3's on your mobile phone (without
headphones)... how many people genuinely care about music
quality anymore?


 

offline iiiiiiiiii from Gloucester on 2008-01-04 05:22 [#02160266]
Points: 873 Status: Addict



Nigel Tufnel: The numbers all go to eleven. Look, right
across the board, eleven, eleven, eleven and...

Marty DiBergi: Oh, I see. And most amps go up to ten?

Nigel Tufnel: Exactly.

Marty DiBergi: Does that mean it's louder? Is it any louder?


Nigel Tufnel: Well, it's one louder, isn't it? It's not ten.
You see, most blokes, you know, will be playing at ten.
You're on ten here, all the way up, all the way up, all the
way up, you're on ten on your guitar. Where can you go from
there? Where?

Marty DiBergi: I don't know.

Nigel Tufnel: Nowhere. Exactly. What we do is, if we need
that extra push over the cliff, you know what we do?

Marty DiBergi: Put it up to eleven.

Nigel Tufnel: Eleven. Exactly. One louder.

Marty DiBergi: Why don't you just make ten louder and make
ten be the top number and make that a little louder?

Nigel Tufnel: [pause] These go to eleven.


 

offline Brisk from selling smack at the orphanage on 2008-01-04 05:23 [#02160267]
Points: 4667 Status: Lurker | Followup to iiiiiiiiii: #02160266



:)

A classic film.


 

offline PORICK from fucking IRELAND on 2008-01-04 05:32 [#02160271]
Points: 1911 Status: Lurker



LAZY_TITLE

good wiki page on the subject


 

offline Indeksical from Phobiazero Damage Control (United Kingdom) on 2008-01-04 05:48 [#02160273]
Points: 10671 Status: Regular | Show recordbag



Its especially noticeable on music thats expected to shift
large quantities and, as such, gets a lot of radio time.
From a record company perspective they want their tracks to
stand out from the other 15 songs playing on the radio that
hour and they think making it 'louder' will do that and
shift units. looks like a good article though, ill give it a
good read now!


 

offline dariusgriffin from cool on 2008-01-04 06:51 [#02160277]
Points: 12412 Status: Lurker



It's not a problem, it's an aesthetic.


 

offline Barcode from United Kingdom on 2008-01-04 07:01 [#02160278]
Points: 1767 Status: Lurker



What does loudness have to do with quality? As long as the
loudness does not distort.

I must admit, it does seem these days that every album you
receive has different audio loudness, which is irritating
when you're listening to a bunch of MP3s and one comes on
twice as loud as the other. Not sure anything can be done
about it though.

How about inventing software that automatically monitors and
equalises sound output of your MP3s whilst retaining audio
quality.


 

offline dariusgriffin from cool on 2008-01-04 07:04 [#02160281]
Points: 12412 Status: Lurker



"The age of the audiophile is over."

Thank god.


 

offline dave_g from United Kingdom on 2008-01-04 08:04 [#02160291]
Points: 3372 Status: Lurker



The basic problem is that people listen to music on devices
with insufficient headroom, like mp3 players.
If I want to listen to a quiet song on my hifi, I turn it
up. I've never dared go beyond half volume (ok its half a
log scale but you know)

On mp3 players so many people have the volume at 100% most
of the time = no headroom left.

The thing that annoys is that the dynamic range is
compressed out, so it's just an endless stream of loudness.
There's an excellent youtube which explains it quickly and
accurately. Let me dig out the link....
LAZY_TITLE


 

offline avart from nomo' on 2008-01-04 09:49 [#02160313]
Points: 1764 Status: Lurker | Followup to Barcode: #02160278



"What does loudness have to do with quality? As long as the

loudness does not distort."

duh! clipping i s distortion! (when possible I buy vinyl
nowadays, vinyl can't be clipped beyond sanity as CD-audio
can...)


 

offline Barf Simpleton from the outback (Zimbabwe) on 2008-01-04 11:17 [#02160330]
Points: 195 Status: Regular



99.9 percent of people who buy/ "listen" to music wouldnt
notice and likely dont care about any of this. in fact they
really dont give a fuck about anything as long as 1) theres
some kind of "tune" and an easy to follow, repetetive
structure 2) there is lyrics/singing of some kind
preferably with some vague "love" theme. But....

as long as theres sex and drugs I can do without the rock n
roll.


 

offline Mr Brazil from Oh Joan, I love you so... on 2008-01-04 11:23 [#02160332]
Points: 1970 Status: Lurker | Followup to Barf Simpleton: #02160330



You're a genius.


 

offline Barf Simpleton from the outback (Zimbabwe) on 2008-01-04 11:25 [#02160333]
Points: 195 Status: Regular



Also most tracks dont really use dynamics anyway a lot of
tracks i hear are basically just 1 loop repeated over and
over again with the vocal over the top so it dosent matter .
if you listen to a recording of classical music its always
mastered really quiet cos the dynamics really count but 99
percent of modern music is not like that so they dont need
to bother and can just blast it >>>><><>><>

 


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