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 Now online (1)Hyperflake ...and 131 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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I lashed the dutch review into a translator and got dis: (i love the mixture of dutch and english - is kool yes!) In 1987, Steve Beckett and opened late rob Mitchell their (independent) plate matter in Sheffield: Warp record. Whereas Rick Astley top or the Pops were and fluorescent clothing still were possible, Warp found record feeding floor in the elektronica which from noord-Amerika happened after the birth of (acid)-house. Geïnspireerd on the success of o.a. the English 808 State aimed they in 1989, the plate label Warp to record at young artists a platform offer. Elektronica which flies along the dancing floor, but difficultly in a box is place. On third desire rum the list artists (breathtaking) is: o.a. Aphex Twin, Autechre, LFO, Plaid, Nightmares on Wax, Squarepusher and boards or Canada. This Saturday had Warp record carte-blanche in Paradiso. Jimmy Edgar are 20 years, Detroit end up and are bubble één grasp of music. Large become on o.a. 80-jaren hip hops, jazz percussion and experimental music (Stockhausen) has first full EP with access Rhythm has been brought out on Warp. Whereas these are characterised hip-hop beats from doosje, it goes vanavond differently. Edgar have dragged an oviform turn chair from the cellar of Paradiso and sit with a rag top on its lap first the podium. Knetterhard come outside Van Dijck-bruine drum n Bass from the rag top to. Violently flirting with noise, and cracks he clicks by our bodies. Sigaretje are put up, biertje. At the end of its set the poort goes wide open: terrorbeat with heavy grunts. The first file and Jimmy Edgar themselves find it more than okay. The rest of the room puts just as the cogs on each other... arrrgh. Beans have fans: Wrong (y) Kittin and Elliot, Radiohead, Prefuse 73, Dj Shadow and Andy Wheaterall is but a couple of people who geïmponeerd became and has worked with Beans (aka Mr.. Ballbeam). Beans were confessed as a member of the New Yorkse Anti headstock consortium. To be mic-action are vanavond admirable. A not ceasing |
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AND Warp Dj's TOMs p, Ned and Phil are the specie of the evening. They twist between the act by and let by rapidly varied mixing a fresh wind by the room to blow. Growling elektro, a reggae-loopjereggae-loopje reggae-loopje, breaks, windowlicker (duh!). Above Bart Skils (twist no Warp, however, () well). He can twist for eight hours for which something wants less violently than Warp-speed: minimum and German. The large room has been unloaded full: Plaid. Ed Hanley and Andy turner is as from beginning years ninety busy. Firstly still in Dark dog with know Downie, afterwards further as a plaid. Deep-space elektronica in which melody is always most important. Along the edges of the musical universum fly with super-fresh breakbeats in the boot. The Dark Side or pluto. Jazzy syncopische rhythms, that slow logical do not become (or?), whereas (sub)-bassen everywhere be to feel. Not not-ceasing a flow of pulsative ideeÃ"n that against the partitions roll away. The last album (Spokes) is milder than the predecessors. But not less strongly: slowly advancing onderwater melodieÃ"n that verse and living remain on the driving beats (' Cedar city ': you snorkel a cathedral within). In the meantime Leftfield-hard endure the sound in Paradiso and accompanied dikke hesitates digitised Michael Jackson, come Prince and Grace Jones on the baffle past. At the end of the set the robot shoots which stands for their noses to life. If curious ventje twists and moves the robot with cameras and fixes the fingers and faces of the two men, that to see being on the large baffle. The room absorbs everything and treats the men on a large applause. Stanley Kubrick will have amused itself (with ear capsules) sticking out. How would it be if you are exactly twenty and it is compared with Aphex Twin? The criticisms on Chris Clark debuut Clarence park were eulogistic and the comparison with o.a. the treacherous falcon owls (-ambient) of Richard d. James had been made fast. Vanavond it is also één large falcon owl. Clear |
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..... FINALLY Clear showing levels the way rather for stocking acid, elektro and even unwarped gabber without becoming plat. This is energy. ' neat Lofi ' cause instant dans-frenzy. The structure of the numbers remains audible. The room has been flowed after plaid half and has more space has been ensured. Those are also well used. With its last two work: the Ceramics are the Bomb EP and the album Empty the Bones or You is Chris Clark more ' own ' gone has stocked and shows he is unprecedented sonische skill and creativity. Music which best sounds on the ear-phone but will sit. He has been concentrated and is visible glad with applause which falls to him. The Warp Dj's (+ Jimmy Edgar) finishes the evening. NB: On plaid all concerts/dj-sets later vandaag online komen! |
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Fucking sounds like a great show |
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do you have a link to the original dutch version? |
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lol... unreadable. "On third desire rum the list artists(breathtaking) is:" |
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give me the dutch link ill translate it |
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lost in translation???... get it at www.warprecords.com |
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ah thanks first part Back in ‘87, steve beckett and rob mitchell opened their independent recordstore Warp Records in sheffield. While Rick Astley was Top of the Pops and fluorescent clothes where the thing, Warp Records was based on electronica from North - America after acid house was born. Inspired by early sucesses from the english 808 State they founded the recordlabel Warp Records in 1989 to give young upcoming artists some space. Electronic music that flies straight over the dancefloor, and is impossible to describe as one ‘genre’. Big names from the (breathtaking) line up: Aphex Twin, Autechre, LFO, Plaid, Nightmares on Wax, Squarepusher and Boards of Canada. This saturday, Warp Records tear apart Paradiso. Jimmy Edgar, 20 years young, is from Detroit. He grew up on 80's hip hop, jazz percussion and experimental electronics ala stockhausen. This year, with the release of ‘Access Rhythm’, his first full EP featuring out-of-the-box hiphop beats sees the light on the Warp label. This night, Edgar approaches the audience from a different angle, slowly turning towards the audience in an egg-shaped lounge chair taken from Paradiso’s basement. Loud-as-hell drum n bass coming from the laptop drowns the audience in noise, and near the end of his set he goes apeshitz, blasting terror beats and making some of the people in the room feel slightly uncomfortable... Next is Beans, who has inspired and collaborated with Miss(y) Kittin en Elliot, Radiohead, Prefuse 73, Dj Shadow and Andy Wheaterall. Beans (aka Mr. Ballbeam) earned his fame as a member of the Anti Pop Consortium. His mic skills are awesome, but making sense of the poet’s lyrics isnt the easiest thing. His beats are quite monotonous, making us wonder what happened to his electro-dubby stuff. Jimmy Edgar was heavy, but this is quite a let-down Warp DJ’s Tom P, Ned and Phil are the main part of this night, playing between the other acts and refreshing the audience with grumbling electro, some reggae loops, breakbeats and of course windowlicker |
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Upstairs is Bart Skils, who isnt on the warp imprint but equally talented, playing minimal german stuff for those who want to slow down from warp-speed Ed Hanley & Andy Turner have been up and running from the early 90's, recording under aliases as The Black Dog (with Ken Downie), Balil, Atypic and Close Up Over. Deep space electronics, where melodies are omnipresent. Its like flying near the borders of the universe with a load of fresh breakbeats in your trunk. Jazzy syncopic rythms with basslines that can be felt all along the set. Their last effort, spokes, isnt as heavy as their earlier stuff, but that doesnt make it a weak album! Slowly progressing underwater melodies backed by really fresh beats (‘cedar city’ is like scuba diving into a cathedral) The soundsystem has been turned up to leftfield levels while micheal jackson, prince and grace jones walk the video screen. The robot in front of Ed and Andy comes to life near the end, turning and twisting and recording the faces and fingers of the two. The people love it and give them a standing ovation. Stanley Kubrick (with earplugs) would have loved it. |
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What would it be like to be 20 and getting your music compaired to Aphex Twin? Chris Clarks debut ‘Clarence Park’ got some dazzling reviews and the comparison to, for instance, the hidden ambient traps by RDJ has been made over and over. This night is one big trap too, clear tones pave the way for acid hits, electro and old fashioned gabba, without getting to feel flat. This is pure energy people! ‘Proper lo-fi’ makes the crowd dance like theres no tomorrow, and the space created by guests leaving after plaid playing is put to good use. He looks concentrated, and seems very pleased by the applause the crowd gives him. thats it, i think i sucked but its better than the free translation thing |
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Good work...much appreciated, makes perfect sense :D "Beans were confessed as a member of the New Yorkse Anti headstock consortium" That made me laugh in the original though :P |
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heh .. my '' turned into boxes.. you people better like it! spend 25 minutes on it! oh wait im bored as fuck never mind |
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cheers :) yes those online translators are great try putting some english sentences tru it, and then translating back to english youll get this: Cheering:) yes that online translators are tremendous Try some angels condemnations tru it to set and translating back then to angels |
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jaroen is da best!!!! w0000tt |
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no, im just a bored student with too much time on his hands i mean.. |
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*cough* best gig ever |
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classic pic!!! |
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