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[spam] Zanac 4 want feed back
 

offline sirmailbox from chicago area (United States) on 2006-05-19 13:52 [#01902510]
Points: 213 Status: Lurker



short little track. What do you all think?

Zanac 4


 

offline sirmailbox from chicago area (United States) on 2006-05-19 14:35 [#01902562]
Points: 213 Status: Lurker



bump


 

offline r40f from qrters tea party on 2006-05-19 15:19 [#01902624]
Points: 14210 Status: Regular



i think you need to stop using general midi sounds to make
music.


 

offline qrter from the future, and it works (Netherlands, The) on 2006-05-19 15:22 [#01902627]
Points: 47414 Status: Moderator | Followup to r40f: #01902624



but.. zanac 4 want feed back!! .. NOW!! GRRRR!!


 

offline lucifer on 2006-05-19 15:28 [#01902637]
Points: 328 Status: Lurker



sorry, I didn't like it.


 

offline qrter from the future, and it works (Netherlands, The) on 2006-05-19 15:29 [#01902638]
Points: 47414 Status: Moderator



what jazz split?


 

offline swift_jams from big sky on 2006-05-19 15:47 [#01902667]
Points: 7577 Status: Lurker



The patterns are hip, but the sounds are lame.


 

offline dog_belch from Netherlands, The on 2006-05-19 18:08 [#01902790]
Points: 15098 Status: Addict | Show recordbag



It has all the overblown pretensions of Prog Rock with the
sonic palette of a calculator. An odd, uncomfortable and
revolutionary mix.


 

offline qrter from the future, and it works (Netherlands, The) on 2006-05-19 18:14 [#01902802]
Points: 47414 Status: Moderator | Followup to dog_belch: #01902790



so it's kind of like the carwreck resulting from Yes
crashing their Fiat Pinto into Kraftwerk's Deux Chevaux?


 

offline dog_belch from Netherlands, The on 2006-05-19 18:15 [#01902803]
Points: 15098 Status: Addict | Followup to qrter: #01902802 | Show recordbag



Exactly.


 

offline qrter from the future, and it works (Netherlands, The) on 2006-05-19 18:16 [#01902808]
Points: 47414 Status: Moderator | Followup to dog_belch: #01902803



sounded like it to me.


 

offline r40f from qrters tea party on 2006-05-19 18:21 [#01902824]
Points: 14210 Status: Regular | Followup to dog_belch: #01902790



It has all the overblown pretensions of Prog Rock with
the sonic palette of a calculator.


HUGE LOL thank you for that, dog belch. holy hell...


 

offline swift_jams from big sky on 2006-05-19 20:08 [#01902909]
Points: 7577 Status: Lurker | Followup to dog_belch: #01902803



I love the reviews you give to music, and everything else
for that matter. Your vocabulary and grammatical pattern
programming is undeniable.


 

offline Dannn_ from United Kingdom on 2006-05-19 20:19 [#01902912]
Points: 7877 Status: Lurker



its really not bad, but quite a lot of the sounds are just
too much and it needs the levels sorting out


 

offline qrter from the future, and it works (Netherlands, The) on 2006-05-19 23:02 [#01902928]
Points: 47414 Status: Moderator | Followup to swift_jams: #01902909



"grammatical pattern programming"..?


 

offline scup_bucket from bloated exploding piss pockets on 2006-05-19 23:12 [#01902930]
Points: 4540 Status: Regular | Followup to sirmailbox: #01902510



just put it through a "feedback" filter, duhhhhh lolz


 

offline sirmailbox from chicago area (United States) on 2006-05-20 13:04 [#01903335]
Points: 213 Status: Lurker



You're right. The sounds ARE cheesy. But I think of ceephax,
some of aphex's stuff and some other groups that straight up
employ some of the most dated, lame noises you've ever
heard, and make great tracks from it. I TELL myself that's
the saving grace of my music -- stupid sounds, but nice
structures. Maybe maybe not.

Course at the same time you guys probably hate immediate,
obvious melodies -- period. And I get the sense that if
those synths I used were way more subdued, incoherent,
grainy and glitchy, it'd be more well received.

Maybe I'll run the whole thing through some filter making it
unintelligible and post the song at a later time, and watch
as the same people like it way more than the original.

Sorry for being a prick -- asking for feedback then
defending the song against entirely legitimate criticisms.
Oh well.


 


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