 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 Now online (2)belb -crazone ...and 110 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2613408 Today 0 Topics 127499 |
|
|||||||||
| |||||||||
|
|
In 1976, Riperton revealed to Flip Wilson, who was guest-hosting for Johnny Carson on The Tonight Show, that she had undergone a mastectomy due to breast cancer. At the time of her diagnosis, Minnie found out that her cancer had already spread to the lymphatic system. In spite of such a grim prognosis, Minnie continued touring in 1977 and 1978, and became the National spokesperson for the American Cancer Society 78-79, but eventually the cancer would take its toll. By June 1979, Minnie was confined to bed and she entered Cedars-Sinai Medical Center in Los Angeles, California for the last time on July 9. On July 12, 1979, Riperton died peacefully in her husband's arms as they listened to a recording of a song Stevie Wonder had written for her.[citation needed] Her family inscribed the headstone on her grave with words of her most famous song 'Lovin you is easy cause you're beautiful.'[1] |
||||||||
|
|
|||||||||
| |||||||||
|
|
Not a copy/paste, but god damn! <3 Minnie Ripperton! Lovin' you! 7th floor themesong YEAH! |
||||||||
|
|
|||||||||
| |||||||||
|
|
[URL=http://img102.imageshack.us/my.php?image=bildschirmfot ofa3.png][IMG]http://img102.imageshack.us/img102/5216/bilds chirmfotofa3.th.png[/IMG][/URL] |
||||||||
|
|
|||||||||
| |||||||||
|
|
10179246 |
||||||||
|
|
|||||||||
| |||||||||
|
|
!!! :( ! :) [trid style] |
||||||||
|
|
|||||||||
| |||||||||
|
|
X-Wing Vs Tie Fighter |
||||||||
|
|
|||||||||
| |||||||||
|
|
A1-D1 |
||||||||
|
|
|||||||||
| |||||||||
|
|
the terrestrial, and the water species, and no one of these is Though this is generally the case, there are exceptions. For if we which it is the double. For if there is nothing definite of which he be the genus animal, but granted the being of the genus animal, it in point of nature, the being of each of which involves that of the not to a master, but to a man, or a biped, or anything of that sort, does not know definitely that than which it is more beautiful, he Instances of discrete quantities are number and speech; of nothing was less beautiful. It is, therefore, evident that if a man him hot-foot from Appins agent, was little likely to mend my own term small, nor much of little. And even though a man should reference to something external. Yet, again, it is not every the truth of the proposition that he is, and the implication is be, and the name given to those disposed in this way is derived from be withdrawn from the bird, the wing will no longer be relative; this sort of quality, together with all that is akin to these; heat, which they join. For example: two fives make ten, but the two fives practice, since I had met this young lady in the city street, seemingly are prior to the syllables. Similarly, in the case of speeches, the of knowledge the beginning of the existence of which was privatives themselves are opposite. There is the same type of a distinct form of motion, necessarily be subject to alteration quality. This will be evident from particular instances, if we apply thrust down so low, or, at least of it, not by this young lady. him and the slave will remain the same, for it is of a master that a particular attitudes, but attitude is itself a relative term. To moment. Yet it was agreed, when substance was being discussed, that From this it is plain that, if a man definitely apprehends a necessarily implies one or other of the other five sorts of motion. exists by which a correlation can adequately be explained. If we the winged, and the water species, can be divided again into these are |
||||||||
|
|
|||||||||
| |||||||||
|
|
DAKINE |
||||||||
|
|
|||||||||
| |||||||||
|
|
960 |
||||||||
|
|
|||||||||
| |||||||||
|
|
walnut whip ITS THE DADDY |
||||||||
|
|
|||||||||
| |||||||||
|
|
Mind control experiments? This leads to a possible explanation for the reptilian race. Imagine the CIA puts a child in a chair in a dark room after giving him some LSD, or similar drug. Then some actors come out into the dim light. One actor claims to be Ronald Reagan, and he pretends to transform into a reptilian. Isn't it possible that at least a few children will believe they personally observed Ronald Reagan turning into a lizard? If the CIA puts thousands of children through this program, they might find dozens of them that are fooled by the technique. They dispose of the children whose minds work too well to be fooled, and that leaves them with children who truly believe in the reptiles. The only reason I know that I did not float in the air is because I know I cannot float in the air. But what if I had imagined something that is possible? For example, what if I had imagined an earthquake? Since earthquakes actually do occur in the area I live, I would still believe that I had experienced an earthquake. Therefore, if the CIA uses this technique to fool children into believing something that actually is possible, the kids will almost certainly believe it. For example, it is entirely possible that Ronald Reagan would have sex with another man, or with a child. Therefore, if a child is drugged and put in front of actors who pretend Ronald Reagan is having sex with another man, that child might forever believe that he personally observed Reagan having sex with a man. The child will have no reason to disbelieve his own memories. |
||||||||
|
|
|||||||||
| |||||||||
|
|
sick freaks. [20:49] environment.. you keep eating all the fucking plants |
||||||||
|
|
|||||||||
| |||||||||
|
|
Now when I'm down on the microphone stand I give you all the dope lyrics and Introducing the band To make you understand How this is planned, I demand A microphone to rock the home boys With an instrumental to make noise Yo, I rock the home girls too I'll explain the name of the crew, yo This beat is, this beat is This beat is Technotronic This beat is Technotronic And Eric's got lyrics for ya I saw ya posse But now it's me who's bossing So I give the orders around here You don't wanna get sacked so be A good party goer, get the floor ready And yaself ready, huh, I rock steady Like a rock and I won't stop Till it's at the top and the suckers drop to hop to it Yo, they couldn't do it, to get more to the point they blew it But not like ya blowing the speaker They can't go on because they're weaker This beat is, this beat is This beat is Technotronic This beat is Technotronic This beat is Technotronic This beat is, this beat is This beat is Technotronic This beat is Technotronic There's the dance floor, get on it Now when I'm down on the microphone stand I give you all the dope lyrics and Introducing the band To make you understand How this is planned, I demand A microphone to rock the home boys With an instrumental to make noise Yo, I rock the home girls too I'll explain the name of the crew, hah This beat is, this beat is This beat is Technotronic This beat is Technotronic This beat is Technotronic This beat is, this beat is This beat is Technotronic This beat is Technotronic There's the dance floor, get on it |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://www.youtube.com/watch?v=BJsrUQS1G-A |
||||||||
|
|
|||||||||
| |||||||||
|
|
Caligula |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://www.tim-catley.co.uk/Standlake75/photo43.html |
||||||||
|
|
|||||||||
| |||||||||
|
|
Adobe Photoshop 7 |
||||||||
|
|
|||||||||
| |||||||||
|
|
Fahz0r - watching E3 zegt: no, fuck off |
||||||||
|
|
|||||||||
| |||||||||
|
|
every other squarepusher album is like druqks to me: a randomly compiled shit mindfuck. some may like that but i don't. |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://www.sendspace.com/file/znl3jp |
||||||||
|
|
|||||||||
| |||||||||
|
|
ecnadniarb |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://i412.photobucket.com/albums/pp205/mezuss/skrins/Scre enShot050.jpg |
||||||||
|
|
|||||||||
| |||||||||
|
|
( var sf, clock; clock=ExternalClock(TempoClock(2.3)).play; Routine.run({ sf= BBCutBuffer("/home/agrathwohl/sounds/808break.wav",15); s.sync; //this forces a wait for the Buffer to load BBCut2(CutBuf2(sf,0.3, 0.5,CutPBS1.new(0.24), {arg i, block; var ioi; ioi= block.iois[i]; ChooseCutProc({[0.5,1.0,1.25].choose},{rrand(1,9)})).play(c ioi.min(0.75)/ioi},{exprand(0.001,0.5)}), lock); }); ) ( //you must have run this code before any of the examples below h= BBCutBuffer("/home/agrathwohl/sounds/808break.wav",16); TempoClock.default.tempo_(2.5); ) ( //changing the motiflist gradually as you go var motiflist; motiflist=[[[1.5,3.5],[10.25,5.25],[20.5]]]; BBCut2(CutBuf2(h,0.3,0.5),WarpCutProc1.new(9,7,[0.1,0.04,0. c = 04]),MotifCutProc.new( motiflist, 0, { //phraselength function called once a phrase, change motiflist then motiflist.do({ arg motif,i; motif.do({ arg block,j; block.do({arg cutsize,k; cutsize= if(cutsize>0.125, {cutsize*([0.5,1,2,10].wchoose([1.25, 0.5, 10.25]))}, {cutsize*(2**(3.rand));}); motiflist.at(i).at(j).put(k, cutsize); }); }); }); 2.0 } )).play; ) ( var sf, clock; clock=ExternalClock(TempoClock(3.3)).play; Routine.run({ sf= BBCutBuffer("/home/agrathwohl/sounds/sines.wav",17); s.sync; //this forces a wait for the Buffer to load d = BBCut2(CutBuf2(sf, 0.3, 64), ChooseCutProc({~array.choose},{rrand(1,13)})).play(clock); 16.wait; ~array = [0.125]; 16.wait; ~array = [0.125,1/3]; 16.wait; ~array = [1/3,2/3]; 64.wait; ~array = [2/3,0.125,0.0625,1/5,3/4,5/8]; 48.wait; d.stop; }); ) ~array = [1] ( var sf, clock; clock=ExternalClock(TempoClock(3.3)).play; Routine.run({ sf= BBCutBuffer("/home/agrathwohl/sounds/wrongright.wav",44); s.sync; //this forces a wait for the Buffer to load ChooseCutProc({[0.5,1.0,4,0.25,1/3,1/5,1/2.5].choose},{rran BBCut2(CutBuf2(sf, relprop:0.28, curve:{rrand(-12,-1)}), d(1, |
||||||||
|
|
|||||||||
| |||||||||
|
|
AGFA Ultra 100 |
||||||||
|
|
|||||||||
| |||||||||
|
|
Unique investment opportunity, complete commercial building under construction in Egypt, Located in Beverly Hills, Sheikh Zayed, 6th of October City its components are as follows: Basement: 1040 m2 Ground floor: 656 m2 1st floor: 656 m2 2nd floor: 656 m2 Covered roof: 119 m2 Total Sellable area is 2086 m2 with 18,000,000 EGP (including the basement and commercial license) Terms of payment: 25% on contract (4,500,000 EGP) 25 % after 3 months (4,500,000 EGP) 25% after 9 months (4,500,000 EGP) 25 % after 18 months – Delivery Date (4,500,000 EGP) This offer is for the whole building only For more details kindly contact Mr. Amr Nouh Email: primeproperties.com.eg@gmail.com Wishing you successful investment Prime Properties استثماري فرصة 577; متميزة , مبنى تجارى إدارى تحت الإنشاء في مدينة بفرلى هيلز بالشيخ زايد بمدينة 6 أكتوبر بالقاهرة الكبرى جمهورية مصر العربية مكون من: جراج 1040 م2 دور ارضى 656 م2 دور اول 656 م2 دور ثانى 656 م2 سطح مغطى 119 م2 بإجمالى مساحة بيعية 2086 |
||||||||
|
|
|||||||||
| |||||||||
|
|
criminal |
||||||||
|
|
|||||||||
| |||||||||
|
|
value = simple_strtol(message, NULL, 10); value = value + 1; snprintf(message, SMALL_BUFF - 1, "%ld", value); |
||||||||
|
|
|||||||||
| |||||||||
|
|
Musset, Les invasions |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
The dynastic catastrophe was compounded by other processes which historians have argued rendered the family’s downfall inexorable. Carolingian kingship required powerful members of the aristocracy (‘magnates’) to serve as a medium through which a king’s authority could be imposed on localities. These aristocrats in turn received honores, positions of power granted typically through land (a monastery, for example), political roles and other honorific titles. A successful kingship was thus one that carefully and effectively distributed honores. Paul Fouracre, Timothy Reuter and others have noted that early Carolingian success in warfare enabled them to continue giving rewards and ensure a loyal following. As such, when Carolingian expansion slowed down and eventually ceased in the ninth century, honores and fiscal lands became much more circumscribed and the scrap for the realm’s limited resources intensified accordingly. By the late 880s, the magnates were finally in a position whereby they had accumulated enough resources to challenge the Carolingian family’s dominance, which partially explains Odo’s accession in West Francia in 888. This theory helps explain political developments in the tenth century, in which the royal demesne contracted further and gave rise to the ‘Principalities’. Certainly, this model has not gone unchallenged. But it remains a powerful framework for the downfall of the Carolingians. For modern scholars, the conception of the growing power of the magnates has further diminished the impact of the Viking raids. Other reasons have conventionally been put forth to explain the fragmentation of the Carolingian Empire. As mentioned, Lucien Musset maintained that the ninth-century invasions effected a rerunning of the fall of the Roman Empire. It is important to remember that the Vikings were not the only invaders making inroads into the Frankish realm at this time. Narrative sources attest to other external aggressors such as the Saracens, Moravians, and Avars (Hungarians). Others have |
||||||||
|
|
|||||||||
| |||||||||
|
|
G:\FEAR 2\Parches Fear 2\Parche Violencia Maxima |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://datadyne-co.pimpinjuice.net/commands.txt |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://magicofjuju.blogspot.com/2006/10/wisdom-of-pharoah.h tml |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeh |
||||||||
|
|
|||||||||
| |||||||||
|
|
2288; ,r"´⌒｀ﾞ`ヽ 5295; , -‐- !､ ／ {,}f -‐ ;- ,,,__､) ／ / .r'~"''‐--､) ヽ (・)ﾊ(・)}､࣪ 3;事な時に写真と& ,r''"´⌒ヽ{ #12425;れるとか / &# 65340; （⊂｀-'つA 289;i-､2人ともプロ 847;識がないよね 2288; `}. （__,,ノヽ_ﾉ,ﾉ ＼ 2288; l ｀-" ,ﾉ ヽ } ､､___,j'' 2288; 2288; l |
||||||||
| Attached picture | |||||||||
|
|||||||||
|
|
|||||||||
| |||||||||
|
|
prick |
||||||||
|
|
|||||||||
| |||||||||
|
|
Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal Hanal |
||||||||
|
|
|||||||||
| |||||||||
|
|
Please see room allocations below – although I have held PIC for the twin room, Mr Dalio’s sons could use the adjoining twin room in OAK for £50 B&B if they’d prefer. Also could you let me know (when you do!) if there is any change in rates for Superiors or single occ? Thanks, Kirsty ________________________________________ From: Tracey Brown Sent: 18 June 2009 16:12 To: reservations; enquiries Subject: FW: The Blades 15-16th July 09 [Scanned] Hi Guys, please can you allocate rooms for the Custom House Group, and let me know who has been given what. The rooms needed to date are: Best suit for Ray Dalio and wife OAK Second best suite for Dermot Butler and wife DUK Superior double rooms for ; John and Shellard Campbell, LEW Richard and Brigitte Reinert, WWI David O'Reilly and Kate Coleman, SAL Ray Rivers and wife, FRA Mark Vallely and wife TRU Superior room single Occ for Alexei Nabarro LAD Can you please confirm the above rooms And provisionally hold; (these are not currently on the system) Two superior double rooms for Simon Pearse and wife and Colin Bell JTR & BAY plus one twin rooms for Ray Dalio’s sons PIC Thanks Tracey |
||||||||
|
|
|||||||||
| |||||||||
|
|
have you seen hanalwall ? |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://www.sendspace.com/file/51bl1g |
||||||||
|
|
|||||||||
| |||||||||
|
|
****************************** * * ** PeAcE OuT YoU AlL ** * * ** ----------------- ** * * ****************************** * |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://usa1-vn.mixstream.net:9188/listen.pls |
||||||||
|
|
|||||||||
| |||||||||
|
|
http://xltronic.com/mb/77775 |
||||||||
|
|
|||||||||
| |||||||||
|
|
Nei no skø eg ta den skikkeleg ut, for det er ikke gøtt å vita høtt som skjer resten av hæji |
||||||||
|
|
|||||||||
| |||||||||
|
|
1234567891011112131415 |
||||||||
|
|
|||||||||
| |||||||||
|
|
Luke Vibert |
||||||||
|
|
|||||||||
| |||||||||
|
|
01. Unknown Artist - [Cambodian Cassette Archives: Khmer Folk & Pop Music Vol. 1 #01] Blue Basket |
||||||||
|
|
|||||||||
| |||||||||
|
|
koincydencja {f} coincidence |
||||||||
|
|
|||||||||
| |||||||||
|
|
Chicken |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
