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 Now online (1)recycle ...and 222 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614106 Today 3 Topics 127542 |
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The three new classics from Mr Paul F Savage are now available for download from while stocks last. You know what you have to do...download NOW!!!! |
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Fine Day sounds kind of muffled. |
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yeah really basssy and trebley and no middley ;) |
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Fine Day ROOLZ!!!!!1111111 |
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Acid Kompressor roolz even more!!!!!!!!!!!!!! |
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Fine Day requires good speakers with good woofers/bass |
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Acid kompressor is great! *tips hat* : ) |
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Hi, my name's Yavo, and I'm here because I'm addicted. To INTESTINES I mean er, bump, listening soon :S |
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Man, I love these old school tunes. Give Compartments some love. I dig the strings on the first bit, and the percussion later on. -J- seal of approval. Compartments > Fine Day > Acid Kompressor |
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downloading |
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downloading as well |
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Dude, I digged the Groundhog day samples, i've listening to all but acid kompressor which is playing now... liked the first 2 a lot. Acid Kompressor: I like the Moogy bass you started with... though the sample in the beginning of kompressor gets old quite fast. Overall, its pretty good though. |
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these are all totally excellent. |
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.. downloading em hope it wont fail this time :P |
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More people need downloady |
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dling |
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i think i like compartments best, so far. |
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i will d/l after i have d/l vibes9 :) |
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I have been allotted seven (7) bumps for this thread... this isn't one of them. |
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I said I'd post my comments didn't I :) Acid Kompressor: Like the squelchy bass line, the now customary sample also gives it an interesting vibe. Kicks in just the right time, leading to a Hyperspace vibe ;) When it gains momentum with the abrasive melody I'd like to hear some harsh snares enter, but apparently that's not gonna happen :D Perhaps just as well as the closing moments are more good vibes than go mental. Compartments: More typical PFS this time, with the customary lo-fi beats and the off kilter, twisted melodies forming an eerie atmosphere. It runs the danger of losing all sense before some dark strings give way to a pulsing, throbbing beat. Hear this on headphones and hurt your head. A bouncy almost jovial vibe is nearly but not completely shattered by Murray's desperate sample. The mood swings back and forth right to the ambigious ending. More PFS weirdness, a success in my opinion. Fine Day: The previous track when I first heard it sounded like a remix to me, so I was pleasantly surprised at this. The harsh, steel sounds at the start lead almost immediately into the vocals which are instantly recognizable. I think this is deserved of being a single b-side, a fine remix which again switches atmospheres effortlessly. The right mix of despair and optimism. And of course, the obligatory twisting of the melody at the end! I'm not always keen on Paul's work but I was pleased with these three tracks, good stuff. |
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thanks very much for your comments, yavo - I always appreciate yours a lot, because I know how honest you are, and if you like one of my tracks I always feel good :) + thanks to everyone else who has listened and commented so far. |
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Downloading in a second! |
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i'll download them soon - cause i like paul's music a lot. i'm going to wait if i can get a better net connection later though before i download them. |
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Your work is generally pretty impressive. *is checking compartments out right now* ___ Once again, this is clownkiller, signing in. |
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Sorry pfs, it doesn't do much for me. It sounds like a slightly processed KLF tune with an over - repetative sample. I heartily welcome Bill Murray's foray's into the music industry, but not when he's so awkwardly William S. Burroughs. |
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acid kompressor is TOTALLY FUCKIN' 'TARDED ! pure acid lines, great absurd drum work, and of course that perfect 'fuck - off' sample. |
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BTW, what's with the slow and unpredictable increase of the bitrate? |
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'fine day' is wonderful. I actually started to fall asleep to it. |
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But it's a bit muffled isn't it ? |
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you are a cunt, fabien :P Jayzus, thanks for the comments, glad you liked a couple of them :) |
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Acid Kompressor is nice. Really grinds away. Marloweous! :) |
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i liked em |
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thanks - keep it coming. |
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acid kompressor - hated it compartments - way better, decent textures and beat organization, the only thing i didn't like was the repeating voice sample with the reverb on it. fine day - very good job of using a voice sample in a song. Its sings rather than repeatidly telling you to go fuck yourself. Nice atmospheres. I liked this one the best. |
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Thanks stoney - one day you'll find the right drug that will let you appreciate acid techno ;) |
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bump (1/7) |
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i liked fine day and compartments. acid kompressor wasn't bad, just not my cup of juice. as always, good work, paul. |
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acid kompressor was always going to divide, because it's acid techno, and it's not THE most popular genre here :D |
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paul, you don't happen to have a discography online do you? i need to organize your mp3s better. |
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send me an email and I'll send you a list of tracks and their dates :) |
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Email sent, doze! |
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bump (2/7) |
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after the legendary 2nd bump out of 7 allotted bumps, I think I can finally give my review. so here it is - in alphabetical order. acid compressor: like how this starts dampened and then suddenly opens up. you could drop the voice-sample, I don't think it adds a lot. in the end I think I would've liked it more if the track would've been HARDER, to really make it scream and stomp. it's almost as if you don't dare to make that step, I don't know. compartments: is this supposed to be mixed so quietly? I have to crank up the volume to hear it at a normal level. just wondering. anyway - I didn't like the beginning with all the synthy bits - I really dislike that artificial sound. there's not a lot you can do about that, maybe create custom synth sounds. I think it picks up at 1:35, with the little beat coming in, like the development in that. But I have to scream NOOOO!! to the Groundhog Day-samples. samples with a lot of reverb on them, that to me really is so ugly and outdated. and then those floaty synths - oh dear, no. so in short - I did not like this one. fine day: nice opening with the beat. has a nice artificial sound, nice and 'close to the ear', makes it kind of claustrophobic. but then the melodies you introduce don't do a lot for me. although the detoning at the end is nice - you could've done that the whole track!! :P I do not particularily dislike this, it's leaves me more or less indifferent. mm. so I guess the whole didn't do a lot for me. I feel like you could 'let it rip' more, take more chances, let yourself go more. to make a comparison - your stuff sounds like it's on the way to LFO, but LFO really let's it rip, makes up the full arc, so to speak. |
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As I was making the final two tracks, i was aware that it was sounding a bit LFOey - thanks for the good comments, Alex, this is a new direction for me, and I'm just getting to grips with it - you're dead right in all you say Compartments IS meant to be quite btw :) |
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cool. :) oops, there I am, cranking the volume up, like a baboon.. |
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