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           fleetmouse
             from Horny for Truth on 2003-09-06 20:15 [#00853395]
         Points: 18042 Status: Lurker
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Hahahaha I love the Metallica cello riff in dollmaker.
 
  
         
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           Skink
             from A cesspool in eden on 2003-09-06 20:24 [#00853404]
         Points: 7483 Status: Lurker | Followup to S M Pennyworth: #00852884
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Oi!!!
  : )
 
  
         
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           deforrest gate
             from East London (United Kingdom) on 2003-09-07 03:07 [#00853554]
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"I think he is working within a 4/4 time signature though, I  don't think he uses other time signatures. He just chops it  up a bit more."
 
  Er... no, you're wrong.
  He works primarily in 7/8 or 7/16. less often in 5/8 or 10/8  and 9/8 or 9/16 etc...
 
  his 4/4 tracks (off top of head) are suasive chess strategy,  stamina, clearance bin & breakbeat malaria (one of those 2  goes into 5/8 at the end) erm.. lioness I think and a few  others.
 
  Dad for instance is in a very fast 13/16 (and quite hard to  keep track of if you're counting along) but it's groove does  seem to work. 
 
  An easy track to count along with (to check) would be Dance  Like You're Selling Nails which is in 14/8 (or 7/8) - just  count along with it; the melodies can help! As they repeat -  just start counting again, they repeat every 14 beats -  gosh! So do the beats - it all hangs together.  
 
  
         
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           ten fingers
             on 2003-09-07 03:10 [#00853558]
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Hmm, I really cant hear the 13/16 in "Dad", though Ill take  your word for it since I certainly cant count it in 4/4 :D
 
  Actually I think I just keep getting distracted by wanting  to enjoy the song that I can't finish counting to 13.
 
  Snares gets A+++++++ in my book, would sex again!
 
  
         
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           mappatazee
             from ¨y¨z¨| (Burkina Faso) on 2003-09-07 03:13 [#00853559]
         Points: 14302 Status: Lurker | Followup to weatheredstoner: #00852497
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somewhat of an atavism but,
  I agree as well!
 
  
         
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           mappatazee
             from ¨y¨z¨| (Burkina Faso) on 2003-09-07 03:14 [#00853560]
         Points: 14302 Status: Lurker
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err, that was in reply to "I think Nepetalactone and Poor  Kakarookee are the same 
  track, only with a track break in the middle. An amazing,  awe inspiring piece of work. Nigel and Clic agree also it  seems."
 
  
         
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           DiaZoHeXagoN
             from The city of angels (United States) on 2003-09-07 03:36 [#00853576]
         Points: 2659 Status: Lurker
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hmmm 13/16, explain to me this time signature....the 16th  note gets the beat but I have never heard of this........... 
 
  
         
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           WeaklingChild
             from Glasgow (United Kingdom) on 2003-09-07 03:36 [#00853578]
         Points: 3354 Status: Lurker
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i enjoy a lot of snares music, but i'm not able to listen to  it for long periods of time, because it starts to just hurt  my brain after a while. 
 
  
         
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           ten fingers
             on 2003-09-07 03:39 [#00853584]
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well the first number is how many beats per measure, it can  really be anything. Listening wise, you wont hear a  difference in 8/4 and 4/4 because in 4/4 you just star  counting again after 4 instead of after 8, same deal really,  youd only see the difference in printed sheet music.
 
  So anyhow, 13/16 means "13 beats per measure, 16th note gets  the beat" 
 
  
         
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           deforrest gate
             from East London (United Kingdom) on 2003-09-07 04:25 [#00853613]
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Well, more precisely in 13/16 - it means 13 beats in a bar,  each note is a sixteenth note (actually a thirteenth note -  but classical conventions only allow for x/2; x/4; x/8 and  x/16 time signatures). I usually forget about the second  part of a time signature for a song as they really only  relate to individual orchestral parts in notation - telling  the instrument what notes to play, so ..
 
  in Dad - the bassline is in 13/16 and the song is in 13/x I  would say or 13 time.   
 
  
         
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           ten fingers
             on 2003-09-07 04:48 [#00853624]
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I get confused when you say its actually a 13th note. Its  been a while since Ive had to read sheet music but I don't  beleive memory is failing me when I read 13/16 as 13  notes/beats/whatever per measure, 16th is the value of said  note. I see what you're saying in that it doesn't need to be  a 16th note when you're counting VSnares and the like  because its kindve arbitrary, you could just as easily call  it a quarter note and say it has a ridiculously high tempo,  but Im not following the 13th note bit there. 
 
  
         
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           deforrest gate
             from East London (United Kingdom) on 2003-09-07 06:55 [#00853700]
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Well it's called a sixteenth note because the conventions  for classical music were 4/4 basically and the notes are  called x/2 minims, x/4 crotchets, x/8 quavers, x/16  demi-quavers. 
 
  So there isn't a name for a 13th note - and there is no  actual difference to how a 13th note would sound compared to  a 16 th note in a 13 time song - mathematically there may be  - fuck knows. Maybe thy are shorter when played in 4/4 for  instance a song in 8/13 (which doesn't exist) would be  supposedly 8 quavers each of length 13/16ths of a quaver.  god this is boring, sorry.  
 
  
         
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           fleetmouse
             from Horny for Truth on 2003-09-07 06:58 [#00853701]
         Points: 18042 Status: Lurker
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A thirteenth note would have to look like a black cat or a  guy walking under a ladder and everyone's Sibelius would  need a patch to be able to show it. 
 
  
         
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           A0001
             from Iraq on 2003-09-07 07:03 [#00853703]
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why are people who haven't heard vsnares replying to a  thread called why do you hate vsnares?
 
  Are you the kind of people who would wander around ranting  on at strangers if the nurse ever allowed you to go ouside?
 
 
 
  
         
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           Anus_Presley
             on 2003-09-07 07:09 [#00853706]
         Points: 23472 Status: Lurker | Followup to A0001: #00853703
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people can rreply to what they want.  why arre you talking about something otherr that vsnares?
  Arre you the kind of perrson who would wanderr arround  rranting on at strrangers if the nurrse ever allowed you to  go ouside? 
 
  
         
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           ten fingers
             on 2003-09-07 07:14 [#00853709]
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Ah ok deforest I see what you're saying now. Jesus I really  need some sleep, it took me 4 reads to figure our "duh hurr,  no such thing as a whole number 16th of 13". 
 
  
         
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           promo
             from United Kingdom on 2003-09-07 10:02 [#00853863]
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I think working in different time signatures seems  interesting but hard. I wouldn't know how to do it to be  honest. I still feel complicated stuff can be done in 4/4  but I'm probably wrong. Surely you don't have to change the  time signature but just shift the notes to emulate the  particular effect/time signature you want? 
 
  
         
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           Skink
             from A cesspool in eden on 2003-09-07 11:08 [#00853984]
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That get's very confusing in time.
 
  
         
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           fleetmouse
             from Horny for Truth on 2003-09-07 12:57 [#00854078]
         Points: 18042 Status: Lurker | Followup to promo: #00853863
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Yeah but changing the time signature makes it easier to copy  and paste measures when you're working with oddball phrase  lengths. 
 
  
         
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           promo
             from United Kingdom on 2003-09-07 13:22 [#00854108]
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Interesting. Its something I'll have to look into.
 
  
         
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           DJ Xammax
             from not America on 2003-09-07 13:29 [#00854119]
         Points: 11512 Status: Lurker
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Thanks for the replies everyone. It's a shame though that in  all these posts no-one could give me a straight answer. 
 
  
         
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           J Swift
             from United Kingdom on 2003-09-07 14:01 [#00854158]
         Points: 650 Status: Regular
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Most snares stuff I've got is in 7/4, and quite a bit in 5/4  too... I always thought dad was just regular 4/4 though. (I  think it's all in something/4 cos of the way tracker  software works, doesn't use regular music time sig's..)
  But yeah, writing in these time signitures opens up an  entire world of melodies and rhythms that haven't been  touched in the electronic scene, pretty much ever!
  You can do a lot with 4/4, I think everything Aphex's done  has been in 4/4, but it does have a nice simple quality to  it and loops very smoothley - I think a lot of ppl don't  realise how difficult it is to write electronic music in  such untouched time sig's, I certainly think Snares is one  of the most talented guys in the scene - Just that a lot of  his music is pretty inaccessible. 
 
  
         
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           promo
             from United Kingdom on 2003-09-07 18:34 [#00854446]
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I can imagine that most of what Aphex does is 4/4. I still  believe you can achieve plenty of cool rhythms in 4/4. Other  time signatures seem interesting but I wouldn't have an idea  how they work, I only understand 4/4. 
 
  
         
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           ten fingers
             on 2003-09-07 22:11 [#00854600]
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Dad is most defintely not 4/4, after all those posts when I  drove home I played it a few times in my car. Its impossible  to count in 4's 6's or 7's. Unfortunately, I couldn't spare  the attention span while driving to try counting past those  but Im willing to beleive 13 
 
  
         
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           deforrest gate
             from East London (United Kingdom) on 2003-09-08 02:26 [#00854715]
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It's definitely in 13 - so is January.
 
 
  
         
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           od_step_cloak
             from Pleth (Australia) on 2003-09-08 02:57 [#00854721]
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I think some people think 4/4 is like 4 steps to a beat (and  think triplets are called 3/4), so I think language is maybe  the barrier.
 
 
 
  
         
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           nene
             from United States on 2003-10-08 16:12 [#00895047]
         Points: 1475 Status: Lurker
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I can understand people not liking snares' music, but the  hateration on snares fans gets on my nerves. and saying the  man is untalented shows nothing but ignorance.
 
  p.s. anyone who thinks his programming is random or lacks  structure doesn't get it. I don't mean they have bad taste,  they just don't get it. I know this sounds elitist but it's  true. 
 
  
         
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