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IDM & musicality
 

offline wayout from the street of crocodiles on 2003-04-02 23:54 [#00629837]
Points: 2849 Status: Lurker



wow, im surprised boc hasnt been mentioned yet.. and im
usually the one to point out they're being mentioned too
much.. but i think their musicality is right up there with
aphex, µ-ziq and squarepusher's

i think in regards to newer artists.. nautilis definitely
seems to have a good ear, chris clark, rotor+, ttv as
mentioned before, proem, manitoba, scott herren(prefuse73,
savath+savalas, delarosa) and mum all have their moments

funny so many people have mentioned plaid.. they themselves
have said that they are not very skilled musicians, they
claim to just stick to their scales... but that brings up an
interesting topic as they make gorgeous music regardless

so yeah, it just goes to show.. you dont have to know music
theory inside and out to make good music



 

offline titsworth from Washington, DC (United States) on 2003-04-02 23:59 [#00629846]
Points: 14550 Status: Lurker | Followup to wayout: #00629837



i like boc and all but i think their sound is pretty simple
and i dare say cheap.. it's mostly just filters and stuff..
all in the production, not in the composition. i'm not
saying they don't have great melodies, i just don't hear any
brilliant musicality in any of it. same with a lot of the
other artists you mentioned. this thread wasn't about
putting down groups for not being expert composers, i just
wanted to get some educated feedback on some of the
intricacies people notice in the music we all listen to. so
far i must say no one, including myself, has really come up
with the sort of musical language i had in mind...
ironically for all his spam i think zeus might be one of the
best suited for this topic, since he's studying music at
berklee and all.


 

offline Archrival on 2003-04-03 00:01 [#00629849]
Points: 4265 Status: Lurker



To me musicality is a feeling, and RDJ definitly got that
feeling. I really hate complicated music theory, the best
music creators just use their ear and taste.

The music theory is just rubbish! I just read a interview
with Tod Dockstader, very intresting on how shooled music
makers discriminate "pathetic amateurs" :(

But my answer to Titsworths question is
Tom J and RDJ imo.


 

offline Murray from Southend, Essex (United Kingdom) on 2003-04-03 00:14 [#00629873]
Points: 4891 Status: Lurker



Thats wierd titsworth cause im studying Reich in music
theory as well. I have also made the connection between him
and Aphex Twin SAW2 realese


 

offline Murray from Southend, Essex (United Kingdom) on 2003-04-03 00:16 [#00629875]
Points: 4891 Status: Lurker



I would have to say also answering your topic Titsworth, i
would have to say the masculinity of it goes in this order
for myself

1) U-Ziq (Deffinatley that Royal Astronomy album that
clinched that, with the relations to classical music that
Neeta pointed out)
2) Aphex Twin
3) Squarepusher


 

offline E-man from Rixensart (Belgium) on 2003-04-03 01:10 [#00629912]
Points: 3000 Status: Regular



wolrd's en girlfriend for me, easely even tho i honly heard
farewell kingdoms...

if someone could be arsed, the melody to 'to cure a weakling
child' is a really interesting composition if i remember
right, it sound simple (like most rdj melodies) but in fact
there's quite a lot of thought in it, not just : ah! stop
there it sounds good...



 

offline Ceri JC from Jefferson City (United States) on 2003-04-03 01:39 [#00629926]
Points: 23533 Status: Moderator | Show recordbag



I've always thought Global Goon's "Long Whiney" suggested a
degree of (as in a bit of, not that he has a degree in...)
musicality, but his other tracks don't really illustrate
this.

I'd say Hvratski (although I've only heard "Swarm & Dither")
also seems to be classicaly trained.


 

offline Ceri JC from Jefferson City (United States) on 2003-04-03 01:41 [#00629927]
Points: 23533 Status: Moderator | Followup to Murray: #00629873 | Show recordbag



He he, there is an article online somewhere (someone posted
a link here about it, I think it might of been Marlowe...)
that analyses music for 18 musicians and SAW2 and draws
parallels between them. It says that CD2 of SAW 2 is a bit
different which is something I'd be inclined to agree with.


 

offline Junktion from Northern Jutland (Denmark) on 2003-04-03 01:45 [#00629929]
Points: 9713 Status: Lurker



Boards of Canada knows theyre shit, but RDJ knows the piano
quite well to...


 

offline E-man from Rixensart (Belgium) on 2003-04-03 01:48 [#00629931]
Points: 3000 Status: Regular | Followup to Ceri JC: #00629927



it this from titsworth, he got an A for it;), he said it
earlier in the thread...


 

offline tolstoyed from the ocean on 2003-04-03 02:50 [#00630001]
Points: 50073 Status: Moderator



rdj
tom jenkinson

im not sure if this two are idm, but they now the theory i'd
say:

susumu yokota
jan jelinek


 

offline Ceri JC from Jefferson City (United States) on 2003-04-03 02:56 [#00630012]
Points: 23533 Status: Moderator | Followup to E-man: #00629931 | Show recordbag



I didn't realise someone on the board wrote it. Well done
Titsworth, I thought that was a professional article :)


 

offline cuntychuck from Copenhagen (Denmark) on 2003-04-03 03:01 [#00630020]
Points: 8603 Status: Lurker



amon tobin or pushah


 

offline nene from United States on 2003-04-03 09:04 [#00630591]
Points: 1475 Status: Lurker



well, this topic is shit, but I'll vote for max tundra. he
seems pretty good at incorporating more traditonal musical
forms into braindance. oh and also joseph nothing, from what
little I've heard from him.


 

offline rockenjohnny from champagne socialism (Australia) on 2003-04-03 09:28 [#00630625]
Points: 7983 Status: Lurker



what boards of canada have for me is a fantastic grey area.
what might sound simple has a lot of implications.. the way
the combinations of harmonies and hip hop styled beats
suggest things to your imagination..

im listening to smokes quantity at the moment..

those 'sounds between sounds' as i call them are for me just
as big a part of musicality as the educated edge. its also
why im a dedicated autechre fan :)



 

offline Ophecks from Nova Scotia (Canada) on 2003-04-03 09:32 [#00630630]
Points: 19190 Status: Moderator | Followup to cuntychuck: #00630020 | Show recordbag



Yeah, Amon Tobin's stuff is pretty damn polished and full of
great little tricks. Really laid back and subtle though.


 

offline w M w from London (United Kingdom) on 2003-04-03 10:23 [#00630704]
Points: 21458 Status: Regular



E-man, I was arsed once to try to figure that melody out. I
almost got it right I think.

http://xltronic.com/mb/topic.php3?topic=5528&start=0&seekwr
d=weakling%20child&seekrel=and&idxstart=100


 

offline teapot from Paddington (Australia) on 2003-04-03 10:58 [#00630773]
Points: 5739 Status: Regular



not much idm has 'proper' musicality at all... many of them
probably know very little theory.. boards of canada is just
chord progressions to a beat... with a pretty melody thats
in key (something that can be attaind merely by having a
good ear)... and autechre, which seem to just be anti
musicality nowadays

dont get me wrong i love all this stuff, and im not dissing
it.

i go to music school where i learn production and also play
brass and shit, and according to the train of thought there,
as far as theory goes, you display it by hitting, plucking,
blowing... etc etc... the act of performing with an
instrument. richard d seems to be able to quite good things
theory wise, but could easily be attributed to how long hes
been at it... and the jazzy squarepusher of feed me wierd
things comes quite close... but then again, no proof that he
fully knows his stuff...

its not stuff you need to know when you make idm anyway...
otherwise it wouldnt seem like idm ..


 

offline teapot from Paddington (Australia) on 2003-04-03 11:01 [#00630778]
Points: 5739 Status: Regular



and for the record, rdj's piano tracks on DrukQs are
composed nicely, and sound very nice, but its quiet audible
that he is a beginner / mid as far as performance goes.


 

offline w M w from London (United Kingdom) on 2003-04-03 11:03 [#00630783]
Points: 21458 Status: Regular



maybe if you listen to drukqs... but the melodies on come 2
daddy and RDJ album are so excellent imo. AUTEchre has
melodies that evolve, like tilapia.


 

offline pomme de terre from obscure body in the SK System on 2003-04-03 11:06 [#00630787]
Points: 11941 Status: Moderator | Followup to teapot: #00630778 | Show recordbag



but hes not performing the piano pieces.. thay are all
programed/sequenced.


 

offline warpphex from lurkston, ziltyland. (United Kingdom) on 2003-04-03 11:07 [#00630788]
Points: 1372 Status: Lurker



i think the best electronica artists for melodys are....
brothomstates
plaid
chris clark
bola


 

offline teapot from Paddington (Australia) on 2003-04-03 11:08 [#00630789]
Points: 5739 Status: Regular | Followup to w M w: #00630783



oh yeah tilapia is incredible... but composing a melody
thats in key really isnt that hard. all it requires is a
creative mind/talented ear... im just referring to the fact
that if Plaid were given a saxophone and a trumpet, they'd
be no better than any of us. (i have no idea if plaid can
play proper instruments, so dont crucify me if they happen
to be trumpeters and saxophonists.)


 

offline teapot from Paddington (Australia) on 2003-04-03 11:09 [#00630792]
Points: 5739 Status: Regular | Followup to pomme de terre: #00630787



really? sorry.. was under the impression that he was playing
it... that would explain why he plays very mechanical :)


 

offline w M w from London (United Kingdom) on 2003-04-03 11:11 [#00630794]
Points: 21458 Status: Regular



what does "in key" mean? only use the white keys? I guess
the answer is something complex I won't understand like
usual... something like:

in key means any keys that form a 3rd and fifth scale on a
pentatonic scale but do not oppose the third octave when
resonating with eachother in phase. If they are out of phase
then it can only be in key if you poor ink on it, thus
making it inky.


 

offline teapot from Paddington (Australia) on 2003-04-03 11:15 [#00630802]
Points: 5739 Status: Regular | Followup to w M w: #00630794



=] nono... there are a huge amount of keys... you know
somethings in key if it sounds good basically... this is
black and white keys... you know your not in key if theres
an off note and it sounds shit... there is a theory behind
it all, but it really boils down to 'nice combination of
notes' / 'shit combination of notes'


 

offline Komakino from Tan-giers USSR (Russia) on 2003-04-03 11:21 [#00630817]
Points: 682 Status: Lurker



Melody becomes boring very quickly. i agree with what
rockenjohnny was aying about suggested melody, like Parhelic
Triangle. Which is to put two opposing sounds together and
create a third from nowhere, Ae do it alot now.


 

offline titsworth from Washington, DC (United States) on 2003-04-03 11:54 [#00630892]
Points: 14550 Status: Lurker



thanks for taking this topic seriously teapot.. i agree with
everything you said except for the bits about plaid and idm
not being idm if it integrated traditional music theory.. i
think a lot of idm artists know how to use conventional
musical wisdom and it helps them a lot. like you, i can't
tell if tom j. knows what he's doing, and i'm pretty sure
RDJ's piano pieces aren't too developed musically, but then
again they're not his more recent "advanced" tracks he's
hinted at releasing some day.

Komakino: melody becomes boring!??!


 

offline Komakino from Tan-giers USSR (Russia) on 2003-04-03 12:18 [#00630914]
Points: 682 Status: Lurker | Followup to titsworth: #00630892



"Komakino: melody becomes boring!??!"

Yeah, same goes for threads the this.


 

offline rockenjohnny from champagne socialism (Australia) on 2003-04-03 12:21 [#00630917]
Points: 7983 Status: Lurker | Followup to Komakino: #00630817



thats exactly what i mean :)



 


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