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 Now online (2)recycle dariusgriffin ...and 73 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613722 Today 3 Topics 127517 |
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time signatures matter to those moving their feet, not just to those twiddling knobs on a computer. Intelligent dance music had a hidden clue in it all along. And i never noticed it while thinking about compressors, midi interfaces and low-pass filters.. |
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its just one step to the left... hi monoid! |
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Wish more people would come to the same conclusion, |
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Hi Monoid! Good to see you alive and kicking! Can I listen to your knobtweaking somewhere? |
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yeh, in his bedroom ~badumm tch~ |
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A/S/L Monoid? |
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Mon Mon, where’s your chunes mate? |
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yes, let us chune ine |
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Nah, i gotta get better first |
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glad you made that joke, from you I can handle it 😀 Ps saw that one coming..all.over the place |
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Still suffering from depression/mental illness? |
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I never suffred from depression or any mental illness. |
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I think coming. Back here is a depression and mental issue mate. |
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-craz, I think you’re mistaking him for the other 99% of participants on the bored? |
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I am 99% of the other participants herr |
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Ok, here is some Track i recently made on my Ipad. It doesn't fit into IDM Genre. The reason for this is because i was learning some basic concepts of music theory, like chords, scales, melody, counter melody etc. |
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sounds rather professional keep it going |
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i ain’t to proud to beg keep it going |
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Great to hear. Your music sounds happy too! |
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Are you still here monoid? I used to read your post 20 years ago... |
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raskolnikov!!!!! Monoid don’t die. He just faded and gets older and comes. Back like many |
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Yeah, i am the guy from 20 years ago. |
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is time signature discrete or continuous? |
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Time signature is considered discrete. It specifies how many beats are in each measure and what note value constitutes a beat. |
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rhythm is not frightening it's good |
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ok. so A] what happens to music if we make time signature continuous? b) have you ever tried signing your time with your non-dominant hand [to increase inter-hemisphere entanglement]? |
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Notation would need to evolve to accommodate the continuous change in rhythmic structure. The listening experience might become more complex and potentially more engaging, as the lack of a predictable rhythmic structure could lead to unexpected shifts in tempo and ryrhm. I can't play any musical instrument. I depend on computers and music theory to compose something. |
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here is some new notation |
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i don't think anything particularly interesting happens if we make time signatures continuous? like it would mean the music could be in an irrational number, is that what you have in mind? i think our ear would just find the closest rational approximation ... i don't know, i'm going to think about it more |
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maybe penrose tiling would help |
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what if the time signature is negative |
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what if you overflow the pitch |
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you can't oscillate thru zero. it's madness |
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the neuroscience of how we perceive time is still very much "we don't know," last i checked. i would recommend starting with chronos and kairos |
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what is michael j. fox's time signature? |
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3/2 same as his pants waist size |
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but he goes 29/8 after too much parkinson's meds |
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i've been listening to leftfield's Rhythm and Stealth like crazy recently. i can't believe i didn't find this album until, like, 2021 they draw so clearly. relevant here, 6/8 war. it's both the shape of a fat cartoon bomb (if you have to ask... it's not for you?) and the 6/8 has crossfades eating both sides continuously for the 6/8 part seems good for this thred any case. not sure how this track could have worked as it do without an unusual time zig |
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re: nevermind discrete time signatures, we need continuous time signatures penrose tiling be like -- the pattern goes forever without repeating. this means, if you're dropped somewhere into the middle, you have no idea of telling what pattern you're in. and yes, if we worked out a scheme with time signature that evolved based on these patterns, oh... i have too many to count, here: "it would be the most obnoxious musical concept i've come up with in a while," or "but i'm not sure this is relevant because i still have trouble making a coherent concept out of this" or "it'd be almost as good as autechre" and on but i think the winner is "...but it'd be nice if anyone could actually hear what was happening when they listened to it" it's simpler to just turn quantize off, do everything freehand, and turn in a subjective simulation of what you feel this would be like, if the idea made any sense at all. continuous time signatures. you heard about hearing about it on xlt first |
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for the efficient gentleman, the best way to find pants that fit is to use quantum computing -- try every pair of pants at once simultaneously |
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oh my lol. when autechre pulled their "you can't pull us over for rave, because, technically, none of these beats actually repeat" what formula would they have taken it to court with? if i were to sit down and try and pull off the same thing... penrose tiling? |
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Hi Monoid, long time no see. Good to see your name again. Who was the artist from your old profile picture? |
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franz kline i think |
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I fancy a shandy and a toffee crisp |
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BASS shandy,red triangle first ever trademark shouts 2 Monoid |
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Exaclty as it is! Sound, as presented by subjectivity, made groove its king; when making music it is our job to subordinate every parameter to its will |
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You know what's fun? Pitch and frequencies are a function of time too. Music is all about time. It rules. |
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Indeed! Again it is subjectivity that presents to us pitch as clearly distinct from rhythm, which makes pitch non reducible to rhythm, even if the former emerges emerges from the later, which is to say that; even if every harmonic combination can be described in terms of rhythm the "axioms" of harmony are still more meaningful or useful metaphors than understanding their intervals as beats... or maybe awesome melting harmonies can be made by modulating rhythms and their speed |
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Hey Monoid! Hope you’re well!! |
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