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 Now online (3)Roger Wilco Monoid big ...and 157 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613397 Today 11 Topics 127499 |
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~ because some people actually want music that gets the juices going still |
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usao is better than nvn |
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"oh it'd be nice if someone did something like drukqs again" |
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What does USAOâ„¢ product say about you as a consumer? As a man? |
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Tony is generally pretty funny as a man? This thread is going great. |
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yeah this rules actually thank you |
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yeah, is cool |
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Happy hardcore crap |
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https://www.sendspace.com/file/iox7ez |
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Gosh not my cuppa! I feel violated. |
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> Happy hardcore crap is this how paradinas felt when he tried to astroturf footwork into being a thing? you can trust me though; i have no financial motive. in fact, i'm currently paid hourly, and i could be working instead of writing this i get it to some degree; my personal relationship with the dunDunDUNDRRZzzz hardcore kick be like: at first i found it distracting. then i'm hooked on some of the better tunes that feature it and i'm getting used to it. now it's like hearing a 303 or something; i'm not hung up on it being a hardcore kick anymore. i'm listening to what they're doing with it because there is certainly loads of crap to filter out, especially for a genre that releases comp albums with titles like "SPEEDBALL Z" then they are also just wicked thieves. there's a DDR track that wholesale lifts a section of winnipeg is a frozen shithole... like, over a minute, wholesale lift. but on top of this they've gone rossz; they've put strings and orchestra over it. that, like, alright, this is pretty close to being a remix, but what you've built on top if it is actually pretty dope the one thing i still cannot get into are the tracks with some perky female singer. afx spoke of girl tracks and boy tracks; i cannot get into their peak girl tracks. then there are also a couple tropes from anime theme music that i cannot stand overall, it's like in minecraft when you find a vein of gold or whatnot. you follow the gold, but you still have to cut a lot of dirt out of the way, and you also know you'll find the end eventually haven't yet tho |
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t first i found it distracting. then i'm hooked on some of the better tunes that feature it and i'm getting used to it. now it's like hearing a 303 or something is this how other people feel when i link them acid house and they're into bob dylan or some shit? |
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is this what they call gaydm? |
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if you don't like happy hardcore you don't like life |
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I like the way he warps it all down at around 10:18 and I like the little anime anthem voice. Dunno if I'd listen to it *twice* or anything though. |
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there's a DDR track that wholesale lifts a section of winnipeg is a frozen shithole... like, over a minute, wholesale lift. but on top of this they've gone rossz; they've put strings and orchestra over it. that, like, alright, this is pretty close to being a remix, but what you've built on top if it is actually pretty dope did you know paradinas found snares, effectively? ["i think he knows," someone from the peanut gallery calls out] that i was already on this trip by the time i found that one, and it explained a lot to me: they're sampling snares and skrillex and putting it into a blender with anime tropes and years of harshly-enforced piano lessons. my thing with planet mu and footwork was... like, machinedrum sounds professionally produced, but, one of the first albums he was vamping -- i'll do the courtesy of not remembering the name or the artist -- sounded, i believe i said, like a rabbit pooping kick drums all over fruity loops. what i was really saying was: these sounds are shit, and we expect some sound design over in idm land, u noe? shortly after that was "vinyl from a youtube rip" fiasco i also wasn't terribly into dancehall riddim, either. irony is, they'll go that way with some tracks and that feels a little more normal to me now. more irony is, paradinas was trying to sell some obscure black inner city genre to a bunch of closet internet nerds. as the hikikomori harajuku sorts lift a solid minute and a half of a snares track, because "i'm pretty sure i can take this up a level" -- and, shit. maybe this is what you wanted? instead of dancehall? perhaps it's not too late. but he'll have to be a little more restrained than last time and not just put out the first few he hears more irony is people yelling "happy hardcore crap" "gay" before going off to listen to venetian snares -- i cannot abide happy hardcore. my hardcore has to be moody [on mood stabilizers] and ~~smoke crack~~ whatever works. |
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unrelated to previous tangent ~ was just killing me working out today if you want the one that lifts snares i've posted about it here twice before; i'm sure you can find it somewhere |
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and it explained a lot to me: they're sampling snares and skrillex and putting it into a blender with anime tropes and years of harshly-enforced piano lessons. 1) i would like to clarify that i mean all of this quite literally. sampling snares. and skrillex. and step back a moment and plots this on your graphing calculator; it works 2) it's more than just sampling that i do not have... words for this... but i'm sure there are some [JUST LIKE! when i was asking about portished and vibert making rooms resonate more than many other artists, i was asking about "room modes" and i've read good about that and 16 pages of other crap; chill time] instead of sampling, you can... i'd call this tracing, i guess. you load what you're stealing into fruity studio, turn it down to half volume, then very carefully build another track on top of it. no actual audio, but... melodies, riddims. sound design, but then it gets fuzzy and this actually irritates me, because i can tell it's something i know under there, but CAN'T QUITE PLACE IT. sota fujimori, i am looking in your direction. and point a flaming finger i haven't deliberately ripped much off myself, did you know? i simply wasn't interested. i wanted to make my own things, and i figured it'd come out deeper that way anyways. but i've been toying with the idea of going full steam in the opposite direction, and stealing as much as possible. and i'd only been thinking about sampling -- the "tracing" concept had not occurred to me. i clearly have a lot to learn about stealing shit |
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oh, right, one of these is ~rather relevant~ that's one of the tracks off plaid's double figure. i can't tell you which one because i haven't listened to that album since 2009... but still, if i'm wrong, hats will be eaten etc |
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that i cannot believe how long it took me to get... like, a shotgun noise is fungible with a sample yelling "put your hands up" because click boom it's a stickup put 'em up |
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dont say i never did nothin' for ya |
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I don't play minecraft and prefer hardcore gabber instead of happy hardcore. |
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