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 Now online (2)dariusgriffin big ...and 105 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613751 Today 5 Topics 127520 |
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Coming soon to my house haha Can't fucking wait Delivery driver name is Vance Coming between 12:14 and 1:14 |
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umbro very good did vance bring the goods yet? |
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Yes man Yes Been listening to the on board tracks by stazma, Bogdan raczynski, Jimi tenor,etc Good demos of what it can do Going to take it to my grandmother's house now and put the umbromaniii sample pack on it |
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very cool two thumbs up |
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oh by the way did mu k2cocky ask you to give him the bogdan lp or this wasn't a limited edition? |
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dont forget to maake some trax on it 'for u sell it on |
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total bourgeois decadadence just like speaking Welsh - only BBC media types speak Welsh hanging around CDF |
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best make some fucking tracks with that thing I AM WATCHING |
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so deeply on the fence about this thing. i used trackers for a stretch growing up [musically], but once i got reason 1.0 i stopped bothering. then it's a weird time in my life, half my gear gone, just started messing about with milkytracker as a joke. it's so, so... crappy. you can apply a basic 3 or 10 band graphic eq to a sample, for example, but there is no undo. if you mess up, you have to reload the sample and carefully program in all the parameters again. so my names for the instruments are like a sample name and then just shorthand for parameters in case i have to blow it away because shit shit too much 500hz so i made, i dunno, a bunch of phone doodles with it. let's do a joke vsnares track! obvious choice. alright, aphex. vibert but then i'm hooked. gradually, i forget this was supposed to be a cornball joke music setup, and make more and more complex stuff. then suddenly i'm making some of the most hyper detail-oriented music i've ever made, because, like, there's no mixer. you have to manually set the volume of every single note; type in the fades with hex codes. that it's like carving a beautiful chair from a block of wood, using only a pen-knife. that i drove myself to the brink with that shit, wandering around the house, arguing with myself about which hex codes, before i finally crack it and run back to the computer. for 15 hours that hardware, you just kind of sit down and do it. trackers, you're fussing with hex codes and up for three days. so, much as i do respect what trackers do, the headspace they foment... making a "hardware tracker," i dunno, can't you just use renoise on a laptop if you want that? because the laptop is hardware as much as polyend is software |
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mechanically reclaimed beat |
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i mean, to be clear, i hope it hauls ass. it's like converging tim cook with steve ballmer, maybe you want one, or neither, but who wants both? noone |
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body tun up |
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nutter flex |
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nice one! |
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yea cheap laptop with renoise suites me, but i reckon the polyend tracker might be less hassle playing live like Umrbo is doing |
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No pressure like! |
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umbro how did you like the polyend tracker? anything that didn't turn out the way you imagined? |
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Someone bought it because of me and he didn't appreciate the 20ms delay time for the midi... If you want something to control external midi try something else. I haven't made a track on it yet. Working on a 2 track acid thing for my mate Joel@ Quox records |
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pelotolyend slacker, yeah, that is a bit much sounds like it's not for me because i mostly use hardware, via midi. i've heard that usb, actually, can be tighter than midi ever can. that you use the computer as the master clock and slave all the gear off of that, and in that context, perhaps it will be tight, and i would encourage you to try. otherwise why bother. at least for hardware |
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