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 (nobody)...and 102 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2608905 Today 0 Topics 127233 |
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oh i used a korg ms2000 as aux FX for years to do this sort of thing*. and a presonus bluetube i like the "it has a large sweet spot in between fading off and going crazy" bit interested in this because i still miss my ms2000 for that stuff *with flange rate, flange mix, delay rate, delay mix as 4 knobs on a novation remote sl 25 and then cutoff/res on the touchpad. but it was weird because they defined six zones and i just sort of mussed with the parameters until it felt right |
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499 euro ouch never mind |
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used a comb filter controlled by midi notes |
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"vintage" mode reminds me of one of the arcdev noise industries vsts |
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and here's something like a tuned comb filter |
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it's perversely expensive. and it's just a fun project, i guess |
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i also like the keyboard in the video, btw (i'll check out the ms2000!) |
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I need the behringer clone for 100$.. Erica synths are out of my budget (unfortunately) |
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i also like the keyboard in the video, btw the microfreak? yeah, looks interesting but what's that little sampler he's using? haven't seen it b4 (i'll check out the ms2000!) the mod matrix is not truly modular, but there's enough flexibility that you'll be able to do most of what you want. the 3x step seq is great if you do things like set one oscillator to "digital waveform" and then have the step sequencer switch the waveform each step. the overall sound was good by VA standards of the time, but, well, it sounds a bit thin and plastic overall. eventually, i wound up using it for certain sounds i knew it would nail, but, otherwise, mostly, as an aux FX unit. a lowpass filter, minimal step seq that could be mashed with arp patterns, an untweakable but alright distortion buttons, some assignable knobs that could let the LFOs (midi sync available) job about the cutoff and envelopes, then into the FX, it has two. they each have a different set of things like reverb and echo and whatever, but i always left it set on "flanger" and "tape delay." then i mapped all the relevant CC to a novation remote, turned the second oscillator down, and fed aux2 from my mixer into the ms2000's audio in. aux1 i generally had assigned to my paia fatman, modded for audio input, and i'd fuss about dub style with everything from there: feed stuff into the fatman, feed the fatman into the ms2000, feed the ms2000 into the fatman, and also back into itself so i could make the delay loop more reliably. often i threw something else into the loop, most notably a digitech metal master (great on an sh101) and a presonus bluetube. generally, though, i reserved the bluetube for kick drum samples from an mpc 1000 i should get an ms2000 again. and |
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I was also wondering what sampler that is |
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i read a comment of someone that said they'd fallen out of love with the synth and they couldn't get the 'glassy' sound mixed in right |
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about the microfreak maybe it was just by a korg sock puppet or something ;) |
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Korg has nothing to apologize for Monotron launched a new era of real analog Roland isn't looking as good |
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