 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 Now online (1)belb ...and 125 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2613408 Today 0 Topics 127499 |
|
|||||||||
| |||||||||
|
|
the one guy recommends. it's not being made anymore. people in the comments are saying that the original 303 has the same properties this guy likes. it does sound sweet, though |
||||||||
|
|
|||||||||
| |||||||||
|
|
ohhh, this thing with positive/negative parameters. lots of synths have that, especially if you get into modulars. what he seems to be hung up on is "this is the best 303 interface" and if you got something modular you could totally do this yourself and more. but i'll agree with him on that level, seems like it's a superb layout i remember on the sh101, trick i'd occasionally use was to mash the attack all the way up to shift the timing of the notes anyone remember the futureretro 777? how is that thing? is futureretro still about? |
||||||||
|
|
|||||||||
| |||||||||
|
|
i think kmfdm guy was big into this one, just a hunch |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
Umbro i bough a law for 5000 quids |
||||||||
|
|
|||||||||
| |||||||||
|
|
i bothered mike dred on MYSPACE back in like 2007 or something asking all: what's the best 303 clone? are they all shit? he had some stuff to say about a few of 'em, but what stood out for me was "with roland system 100 you can get that sound but modular" and that seems intriguing. but lord knows how much those cost |
||||||||
|
|
|||||||||
| |||||||||
|
|
or was it the 100m can't really remember |
||||||||
|
|
|||||||||
| |||||||||
|
|
kinda prefer the 303 sound (though i think i got used to it through digital clones) |
||||||||
|
|
|||||||||
| |||||||||
|
|
is actually pretty affordable |
||||||||
|
|
|||||||||
| |||||||||
|
|
he makes a techno track |
||||||||
|
|
|||||||||
| |||||||||
|
|
101, 202's 303 reminds me of thunderbirds |
||||||||
|
|
|||||||||
| |||||||||
|
|
everyone's seen this though?? http://www.firstpr.com.au/rwi/dfish/303-unique.html |
||||||||
|
|
|||||||||
| |||||||||
|
|
fun fun fun until daddy takes the TB away? |
||||||||
|
|
|||||||||
| |||||||||
|
|
i'd like to see that patched up on a modular... not doubting it's possible, i'd like to see it... cmon |
||||||||
|
|
|||||||||
| |||||||||
|
|
you know the puppet ones? |
||||||||
|
|
|||||||||
| |||||||||
|
|
just saw on twitter, ceephax had a 303 pinched off stage once |
||||||||
|
|
|||||||||
| |||||||||
|
|
aye i bet cunts were telling him 'check the local cashconverters' too... as if |
||||||||
|
|
|||||||||
| |||||||||
|
|
(thats what everyone seems to say when you have gear knicked, like, ok, ta never thought of that, mbe ask some local junkies too) |
||||||||
|
|
|||||||||
| |||||||||
|
|
ah right, you have had your gear nicked before? |
||||||||
|
|
|||||||||
| |||||||||
|
|
nah, but I've been there when my friends have |
||||||||
|
|
|||||||||
| |||||||||
|
|
oh dear, ive never had anythings stolen that i know of, i threw my wallet accidently in a street bin once though |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
(no acid, tangerine dream tribute) |
||||||||
|
|
|||||||||
| |||||||||
|
|
belb, sorry |
||||||||
|
|
|||||||||
| |||||||||
|
|
for 7.715,62 euro, or for 149 euro? |
||||||||
|
|
|||||||||
| |||||||||
|
|
ultimate slide is chord slide between different chords in the same scale |
||||||||
|
|
|||||||||
| |||||||||
|
|
or i guess not in the same same scale but my point is, not like pressing a chord and waggling the pbend, but each chord element slides to the other chord element.... interpolating between two chords. |
||||||||
|
|
|||||||||
| |||||||||
|
|
I think i heard some trax on an old Hyperdub compilation which did this, poss by Joker |
||||||||
|
|
|||||||||
| |||||||||
|
|
(nah it wasn't sorry....smokng area vibes) |
||||||||
|
|
|||||||||
| |||||||||
|
|
this, again, sounds like a job for a modular with some characteristic 3-pole filteringz but, also, this is the point where we should discuss the best software 303 sounds, because most don't have the means to build a modular like that. i certainly don't for my tracker stuff, i'm actually using a 303 sample kit and it's obviously not very flexible but the right frequencies are present if used carefully i heard vibert's formula was "record a real 303 in 8-bar loops and then collage it in reason" |
||||||||
|
|
|||||||||
| |||||||||
|
|
chords on a 303(s) sound rubbish anyway, i don't know what i'm on about (lol chords on a mono) i'd much rather have everything tweakable than a sampled instrument, any day but thats just me (but i don't make tracks) |
||||||||
|
|
|||||||||
| |||||||||
|
|
>>>i heard vibert's formula was "record a real 303 in 8-bar >>> loops and then collage it in reason" With vibert, as with aphex, i think there is so much going on that is not commincable at all, that telling people what software was used is basically useless. It's like saying that fucking Hendrix used a guitar.... m8 do you expect to pick one up and make tunes like him? I love the idea of practicing something endlessly until until it becomes something. |
||||||||
|
|
|||||||||
| |||||||||
|
|
>>> love the idea of practicing something endlessly until >>> until it becomes something. nah i take that back, i'm not expressing myself very well |
||||||||
|
|
|||||||||
| |||||||||
|
|
still, would love to know how a smoother module can do chord interpolation :) |
||||||||
|
|
|||||||||
| |||||||||
|
|
in track i layered four 303's (audiorealism Bassline) recordings over each other, near the end. also i played it backward, at the end. i guess that's the most sounddesign thing i've done, back when |
||||||||
|
|
|||||||||
| |||||||||
|
|
With vibert, as with aphex, i think there is so much going on that is not commincable at all, that telling people what software was used is basically useless. It's like saying that fucking Hendrix used a guitar.... m8 do you expect to pick one up and make tunes like him? I love the idea of practicing something endlessly until until it becomes something. it was actually a very through dump of his whole process: "i used to do everything with an atari ST and a sampler, the drive died and loads of samples are gone forever, then i switched to reason" and from there a lot of it is actually very specific, like how he uses some bassline patch "moog2" on half his songs. how he'll make all the noises and melodies and save it to a folder "done" before unrolling it all into a song at some later point. so, yeah, most of it is about process, but some of it is quite specific to reason w/rt to 303, that 8-bar thing was his answer to how to sample 303 without it sounding lifeless, and how he actually does the 303 in his tracks. |
||||||||
|
|
|||||||||
| |||||||||
|
|
is this about youtube videos? |
||||||||
|
|
|||||||||
| |||||||||
|
|
is your post about itself, or another post? or another post about another post about one of your other posts, itself? |
||||||||
|
|
|||||||||
| |||||||||
|
|
the stuff you two are referring to should be on youtube, preferably |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
