 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 (nobody)...and 160 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2613408 Today 0 Topics 127499 |
|
|||||||||
| |||||||||
|
|
Aaaaaaaa that looks mental! Did you code that slick graphic view of module connections yourself? I've seen something similar in TX Modular which is also an SC based project. I see the appeal of Faust and Tao... has anyone coded a zero delay filter in Faust and added it to SC? That would be worthwhile. |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
I never got in to supercollider cos I'm always worried I'll forget everything I learned for Max. Plus I need the clucky draggy lines to understand. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Btw check out Radium, a tracker that allows python scripting and has pure data embedded instruments |
||||||||
|
|
|||||||||
| |||||||||
|
|
at least ableist towards the more visually inclined |
||||||||
|
|
|||||||||
| |||||||||
|
|
Max is great because you have lots of options for text coding if you want, it can basically do anything, the whole thing is as open and standards based as I've ever seen any commercial product. But I think you're right, the knowledge is very specific, it's not so much a language as a bag of tricks and speaking as someone who has picked it up and dropped it a few times I forget the tricks quickly if I'm not using it. Radium - hmm, I like all those features, pity they're wrapped in a tracker. Does it have a "session view" like Live, or is everything on a single timeline? Part of the reason I'm learning SC is to get completely off the grid, even Live is too griddy for my tastes. |
||||||||
|
|
|||||||||
| |||||||||
|
|
thank you fren, I will try to purify myself |
||||||||
|
|
|||||||||
| |||||||||
|
|
There is a blocklist but I'm not sure how well integrated the tirggering of them is, certainly nothing on the level of abletons session view. |
||||||||
|
|
|||||||||
| |||||||||
|
|
tho it would be a good thing to implement as each block can have independent tempo & timesig values per click. would be great if you could have multiples running at once. |
||||||||
|
|
|||||||||
| |||||||||
|
|
can you bzzzzzz solder shit |
||||||||
|
|
|||||||||
| |||||||||
|
|
Yeah that's the idea. Modular sequencing really. |
||||||||
|
|
|||||||||
| |||||||||
|
|
I tried a roland mpu 101 midi cv gate converter with sc but it locked up ;/ Anyone know which midi cv gate converters work with sc? Might have to ask on muffwiggler.com |
||||||||
|
|
|||||||||
| |||||||||
|
|
<3 |
||||||||
|
|
|||||||||
| |||||||||
|
|
Hey umbro I'm doing the tutorials you linked, they're better than the video series by far. btw I checked out your scd files, here is a neat trick I learned recently: if you do [60,62,64,67,69].midicps.choose for your random notes then you can use MIDI note numbers instead of frequencies. Of course you might want to write a custom function for microtuning, but whatevs.. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Thanks, that’s a useful tip. I just bought a yamaha fb 01 and a ys 100 keyboard. Both are 8 part multitimbral fm synths that are quite cheap. Gonna use them with sc I hope. |
||||||||
|
|
|||||||||
| |||||||||
|
|
do [60,62,64,67,69].choose.midicps instead midicps.choose does midicps on the entire list then does choose, you only need it on the one you want |
||||||||
|
|
|||||||||
| |||||||||
|
|
>>> I see the appeal of Faust and Tao... has anyone coded a zero >>> delay filter in Faust and added it to SC? That would be >>> worthwhile. Greyhole and JPReverb UGens were made in FAUST... they are both pretty similar afaichear... Greyhole is supposed to be emulation of a Eventide thingie |
||||||||
|
|
|||||||||
| |||||||||
|
|
ey up, watching Glastonbury, Space Carnival - The Comet Is Coming .... banging |
||||||||
|
|
|||||||||
| |||||||||
|
|
Wasn't it you who once posted a link to a bandcamp of a guy who did FB-01 renditions of Bach? In any case that is one chonky sounding synth. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Ah, good optimization tip! I'll keep an eye on the order of method calls from now on. Didn't know about Greyhole, was just reading that the same package of plugins has a physically modelled diode ring modulator too. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Never got anything good from that thing, xor is much more useful, OMG is it more useful...Xoring 2 oscs slightly out of sync, right fun! |
||||||||
|
|
|||||||||
| |||||||||
|
|
{ |in1,in2| /* https://github.com/supercollider/supercollider/commit/71a2a /// 4121097d344bae7558b4ffe9f1a130c913e BinaryOpUGen( '||', ( in1 > 0 ) * ( in2 <= 0 ), ( in2 > 0 ) * ( in1 <= 0 ) ) */ // note this is 0.0-1.0 probably not what was intended, being audio - but that's what the original was var or = { |a,b| min( ( a > 0 ) + ( b > 0 ), 1 ) }; or.( ( in1 > 0 ) * ( in2 <= 0 ), ( in2 > 0 ) * ( in1 <= 0 ) ) } |
||||||||
|
|
|||||||||
| |||||||||
|
|
And yeah i did make that UI, and every UI element that u see there, including the envelope editor, which is WAY better than the standard one |
||||||||
|
|
|||||||||
| |||||||||
|
|
It really is fuckin stupid the amount of sound you can get of SC, like i can make heavy patches in that thing, with 2 or 3 reverbs PER VOICE/NOTE, and just bang the keyboard with a long release time, and it doesn't get about 50% cpu |
||||||||
|
|
|||||||||
| |||||||||
|
|
You all seen the new version of bitwig with its modular grid stuff? Seems everyone who uses it says it's great so I think I'm going get it rather than upgrade to Live 10. I like their everything can modulate everything approach and this seems like they've made that even more granular. |
||||||||
|
|
|||||||||
| |||||||||
|
|
It's probably got a better curve ahead of it as a product than Ableton does. steve mcqueen: I can't execute that code, what do |
||||||||
|
|
|||||||||
| |||||||||
|
|
"One example: step sequencers are phase-driven, not trigger driven. This may not initially seem important but it means that what you can do in terms of sequence timing subdivisions and micro-timing (or 'groove') is both hugely more flexible and less of a hassle, because you can effectively modify the flow of musical time in a sequence directly by messing with the phase signal' Yeah just grabbed bitwig. Looking forward to meeting about. |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeah i wonder how deep the sequencer modulation can go and going by that i am really interested |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
