 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 (nobody)...and 157 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2613408 Today 0 Topics 127499 |
|
|||||||||
| |||||||||
|
|
Here is an ablum of generative music stuff called beetle. It's my third generative album this year (I think) and it's the best one (I think). |
||||||||
|
|
|||||||||
| |||||||||
|
|
listening now |
||||||||
|
|
|||||||||
| |||||||||
|
|
good stuff man, nice interweaving melodies n such |
||||||||
|
|
|||||||||
| |||||||||
|
|
this is some good algorithms |
||||||||
|
|
|||||||||
| |||||||||
|
|
Thanks dudes. I've ditched this algorithm now and am making a new one from scratch which will compose in a different style and be all sample based. The one now treat all instruments independently, they do not effect each other in terms of probability, like singular channel strips. The new one will be a singular interweaving mesh. Will be difficult but fun I think. |
||||||||
|
|
|||||||||
| |||||||||
|
|
this spam has been downloaded 100 times. must be a mistake or some bots or something right? |
||||||||
|
|
|||||||||
| |||||||||
|
|
yes very good, do you have a youtube channel? i mostly listen via youtube these days, controlling the nowtv box with the youtube app programmed by the ipad |
||||||||
|
|
|||||||||
| |||||||||
|
|
It'll be on youtube tomorrow actually, along with spotify i think. i dunno im trying some service out, just uploading now. ill post ye a linky |
||||||||
|
|
|||||||||
| |||||||||
|
|
Do u basically push a button and the algorithms spit out these songs, or u do hand editing too? They're interesting, I like your hand edited ones a lot more, it's tricky to automate music for me (especially melody) even though it seems simple at first glance, humans do other things that are simple at first glance but hard for computers like recognizing faces (well not anymore china social credit score). I keep putting it off because it'll be an undertaking. It's almost like a really complex math problem trying to "solve music" ie converting your human intuition of melody etc into logical computer instructions. The solution (or a solution, a good solution not a shit one) might not even be that complex, but honing in on it takes a lot of thinking for me. A single second of a wav file has a whole ton of numbers so a song is a giant mount everest of numbers so organizing the data in a non shit way is paramount, you need to be able to easily do micro edits and macro edits. It took forever to even understand formants, since the whole internet is about people making "content" for money I guess, it's 99% shit content so to even figure that out takes a ton of weeding. I don't know how to extract individual tones from a sound, but can probably build up formants from scratch and have control that way. All it is though I haven't tested yet is play a sin wav tone, now put another that is 2x faster on top another 3x another 4x 5x all the way to 10x so u r playing like 10 tones at the same time with the slowest one being the "main one". but give each a different volume. the unique volumes of each is the "formant" not sure if that is the same as making it sound like "violin" vs "harp". stuff like that is micro level but u need to edit stuff at a macro level like the melody itself etc. too. |
||||||||
|
|
|||||||||
| |||||||||
|
|
track n.3 is my kind of thing |
||||||||
|
|
|||||||||
| |||||||||
|
|
I've been working on my sample based patch today. It's a bit more 'guided' I guess? I threw some samples in and recorded a couple of minutes. |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
cool and relaxating, in tune with the amazing weather we got today |
||||||||
|
|
|||||||||
| |||||||||
|
|
I could have sworn that I posted here but it seems not. Excellent, I always enjoy your stuff! |
||||||||
|
|
|||||||||
| |||||||||
|
|
Super chill acidy beats !! |
||||||||
|
|
|||||||||
| |||||||||
|
|
doesn’t sound gay imho |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
