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 (nobody)...and 83 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2609091 Today 0 Topics 127242 |
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lol |
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Ha, it says a lot about the state of academia in the UK. |
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indeksical are you squarepusher |
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i know you're not aphex twin because monoid is aphex twin |
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Is Max still the lingua franca for that kind of thing, or are there also lots of processing, pure data, supercollider etc. users in the department? |
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are they down with the csound |
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nah, im sure you found stimulation and trust around you |
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look around you is a bit of a simulation if you tink about it |
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don't listen to this bullshit |
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marlowe, i have a question. when does playing a chord or a note that doesn't belong to the key you are in stops being a modulation and becomes an error? is there any theory behind it? cause i guess you could make a harsh modulation but still it wouldn't be considered an error. |
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>> Ha, it says a lot about the state of academia in the UK. don't put yourself down dude! what gets me about some of the academic electronic music bods I've met (like the ones who run the depts.) is that they seemed to treat me like a lower form of life until they'd seen my shit, and then after that I could do no wrong. Lovely clevrer chaps n' all, but i don't really trust that. |
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Yesterday I was listenting to music with friends who happen to be professional classical musicans. I find it bizarre that they listen to a piece of music for the first time and then immediately talk about the "augmented second", "the chords not being filled in, only the 1 and 5", point out the mode-changes and this and that. Are they robots? |
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yeah, they can just hear something play and play it as it is, with the voicing and everything. |
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