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 Now online (1)Hyperflake ...and 173 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613413 Today 5 Topics 127500 |
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target=blank><3 |
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its a bit embarrassing you can see me talking shit on the comment section |
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ba ba ba ba |
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a breed of miniature sheep 4 inches tall were created in the lake district just for that sound |
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Recorded approx 2005 at the bank & Lake district directly after Synthacon 9 Roland TR-808 Roland SH5 [x2] Roland SH7 Roland Jupiter 6 Exc. analoggins -the Aviator Boss CS1 Ensoniq Mirage DMS-8 SCI Pro1 Korg PS3300 Soundcraft Ghost 32 AKG BX25 TC electronic TC 1210 - Spatial Expander Oram Pro Audio HD-EQ2 Klark Teknik DN362 |
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recorded in 1989 to Technics RS-B555 cassette recorded my niece in this, when she was little, she's 30 now! Hi Katie! https://soundcloud.com/user18081971/katiacid |
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user18081971 says at 0:01: @smileycom: i think bcoz i finished just after uk version was finalised but japan sorting came later..there are 2 more tracks that were supposed to also go on there but werent finished properly but i will be upping those somewhere in good time |
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i bet he keeps a mental almanac of gear used on everything. bless him, the über geek. |
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i hope a brain dance museum gets opened in the future, and we have all the artifacts of the era, would be brilliant to see all the master tapes and gear and you could go round with one of those phones that tells you what stuff is |
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I think neurotic focus on which gear was used makes the focus on the gear (nice tautology I got goin so far), and it's apparent limitations, not the music. I'm too poor to know what any of this gear is but apparently it's not good at making more complex drum beats. All his recent songs seem to have a linear less playful less tinkery "drum machine" feel. Starting about 0:40 here (corn mouth) the drum patterns are much better/more intricate and the sound nuances of each hit are more unique. And of course the tracks off the come 2 daddy album have much better drums too. In other words his earlier tracks were quality not quantity. |
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i think he is still capable of doing the intricate style stuff, dont think it would necessarily fit with analord style stuff. Your right though not to be too caught up on the gear worship that some people get stuck into, |
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the only tracks i have a issue with are the hangble auto bulbs, i love the drum pattersn themseleves but they sound really tinny id really like to hear a remix of arch maid |
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And then all the stupid soundcloud comments like, oh he really replied to me, I'm his best friend. Well let me tell you, I mean Tim and Eric are deep into the interworkings of the illuminati and they made a video revealing this to those with eyes to see on their bedtime stories called "the endorsement". It is safest for them to reveal truth through fiction. Almost all famous people have been murdered and replaced with duplicates or clone imposters. That isn't aphex twin, it's an agent pretending to be him and collecting all his income, just like Dave Chappelle, look at how different his imposter looks: They don't even have to try very hard since they know the vast majority of the public is on flouride and in fact they make it obvious to those in the know on purpose as a warning. There's millions of dollars of motive there. All the centralized twitter/facebook/youtube accounts of these people are completely controlled by imposters. Sure, Chappelle is just suddenly much more muscular? Aphex Twin's music just suddenly sounds different? "Don't forget to subscribe", ha ha ha ha. |
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tim and eric are very hit and miss i find, |
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how shit wings was makes me wonder if it actually is a true conspiracy theory |
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just left the comment 'tits' on love 7 |
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"All his recent songs seem to have a linear less playful less tinkery 'drum machine' feel." this has stuck in my head as on the mark; i've been stewing it over for a few days now. i suppose the bottom line i've arrived at is that i agree completely but i also feel i understand why and i am ok with it. you look at stuff like to cure a weaking child, he's clearly just lost in nonlinear editing, on the hunt for a few days; came back with a bunch of genius moments. lots of fiddly manual slicing for hours and hours. stuff that induce a feedback loop he said he found charming -- destroyfx buffer override vst hello. or maybe it's the timestretch on an S100; i dunno... now he's older and he has four studious of all this beautiful hardware. vibert said something like "no more amen andrews; i don't have that intensity anymore." combine that with how you have to work on hardware; i see him sitting there for months dreaming up new routes to pipe in signals from the circkloin666 out to the prophet VSass and he could go into the audio tracks and edit them to shit but he's having fun and fuck it. |
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