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 (nobody)...and 242 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613460 Today 3 Topics 127500 |
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Do you have any recent music you hve made, please post it. Thask. |
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i took 2 black dog chords, and called it a remix |
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all I've got are wavs of these up right now. |
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that's all I got for latest. |
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all of these will eventually end up on a physical format. prob vinyl. the james st murder laden one is already on vinyl actually. |
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thanks brock.... and MO! |
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hey. I'm new. |
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Well, since you asked... |
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sounds cool stuff. |
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thx for sharing |
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this is the first amen break i done by myself (not pre packed loop) +sweeps galore simple as fuck, in case you missed it --> |
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i'm the guy that comes in and says "i hate amen breaks" .. |
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i didn't listen to it tho. |
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np i rarely listen to other forum peeps music too |
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thanks you twats. keep'em cuming. |
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soon, very soon |
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the strange unsync effect that sync itself a certain point is the same effect you get when you start to listen to a track from a certain point, that's the time your ears need to tune to the track and figure the rythm out. i just had the confirm with the skink jungle mix. kind of time teleport eh! recorded it √ i've heard that only in the best tracks i like, some autechre track have that for sure some tracks have the feature of being 'multi-rhytmic' that you can move the attention to a different element of the beat and that changes completely the feel of it, while keep on doing its work. i love that |
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and all that, cos i moved something a bit later/ earlier than the normal, human as it is. |
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that unsync effect is very interesting. sometimes i use the "technique" for copying parts of what i perceive to be part of a track, and use it in my own stuff. |
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i didnt get it |
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during the time it takes for your brain to interpret, say a melody, you perceive a melody that isn't really there, because the brain tries to piece together a whole of the part of the melody you've just heard. this may sound abstract, but all that's needed is to play a track you haven't heard before, and starting playing two, three seconds somewhere in the middle and pause. presumably you've experienced a melody that's not inherently part of the original track. |
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made that small thing last week. that is something completely new for me actually. until now i was making music using onle digitally rendered stuff and no samples not really "feeling them". then i was listening to some oldschool polish progressive rock and found this kinda clean drum sample which i was listening to for hours and really wanted to do something with. and this came out. kind of stuck here as i'm not used to stuff like this really. i'm a bit afraid of making it to chemical brotherish. old stuff : |
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i dunno what you're talking about, but that method for playing a track that you haven't heard before is good. i tested the same effect afterwards in the spam - suffering falito i posted, but using 'my own' chords. i've tested that before as well, but i didn't know what i was doing yet |
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during the time it takes for your brain to interpret, say a melody, you perceive a melody that isn't really there, because the brain tries to piece together a whole of the part of the melody you've just heard. now i get it. yes, i can confirm. pretty cool stuff. it takes time to interpret yo! |
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to do that basically you just decide which keys to press before the take, say two or three, then go from there with combinations of them, pressed with feeling , and freedom on a cool beat you've done beforehand. cool because it gets the medodic, more acadermic part of the job a lot easier. and because cool beats are inspiring. if you have problems feeling, close your eyes while listening to your own stuff. |
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*melodic a bit of discipline is needed anyways, to do not be tricked out of place. think it as the last uselful second to press a key before it gets out of place or think about the last second of your life. cos it's like that in small if you manage to interpret the role sufficiently well. |
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with a little luck you can find some little snippet of a few notes of a melody that you can work on yourself. it's much easier if you play around with a midi track, preferably with a rich, complex melody. that way you can change the bpm, and "hear" other melodies that has another kind of tempo. interpretation - serious business. |
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i really can't play with feeling, because i don't have a keyboard. well, i do, but i can't plug it in to the computer because i don't have the right keyboard cable. |
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yes the tempo variation is present in the way i see music too. it goes totally by instict though, theres no pre intention of doing whatsoever genre to have fun experimenting in those fields. i see it more like a mood swing. rarely predictable but something you can always try to adapt to. i tried tempo change of a single track upon.. say four of five tracks, composing most of my music works. makes it further interesting but also more complicated, so i just left it there for the future maybe. it gets me out of focus. the one in the spam suffering falito is a midi track, not audio. i never took something made by someone else, i did with the black dog cos they deserve to be part of my musical history. anyway the good shit comes when more tracks worked out like that do stick together magically cos basically you're doing the same movements. not movement in the literal sense, but on a more general meaning, regardless of the devide you're using, you're always after finding some stuff in common to other sounds. cos they do have something in common. for me, the most accessible trait of music is tone. i suspect those 'internal' movements are unique, that every person has his/her own. that's another reason why i was talking about the importance of having a fingerprint in the cuntychuck spam tread. same but for the beat. this makes shit impossible to copy say someone comes close to you, but can't do exactly the same as you. impossible to replicate a shitload of actions in the tune and emotional (both rhytmic and melodic) level impossible to replicate from yourself even. every try in that direction is a fail. you don't repeat the beats, you don't repeat the keys, you repeat the action of doing music. the method. this is the only way you get cohesion though different works. unless you get someone else's hands transplanted. |
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my keyboard sucks, many keys don't work. i use logic, when i press the caps lock key a virtual keyboard pops up. all of them keys work with that. |
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pressing key that way, (i assume shit just comes out like this for many of the musically un-trained), then do it purposely makes pressing key on sync an easy exercise when you come back on that. at least to me. you get some kind of relieved sensation, the one you get when you become able to do something you coudn't do before, wich translated to a chilled effect on the track. it's basically inverting the shit, cos there is tension for most of the track, so tension become aquired and normal-ness, special. for the lazy, this is might come in handy. |
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*everything happening in a second. lol! sorry that i raped your thread thad ill push my head inside the couch |
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mohamed did a lot of posts but he didnt do anything i think he is a gay or at least a bi |
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heh.. you're not the first coming out to say i don't do anything and they were all ghei or at least bi later in time they return home all down and empty-handed while i make a big dick with the lushness i steal them |
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you cry because my micro scope makes a lot of what you didn't do, good and a lot of what you do, shit! |
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its weird cause 30 seconds of the tune are compressed in less than 1 mm of the session and i have no control at all of what is happening there (too microscopical to work on)... |
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, with instruments recorded and stuff, the one before was just first trial i did at home, more electronic melodies, where here theres violin and handplayed keyboards and even voices! |
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oh my fucking go ,your melodia get into my fucking heart. ,;) thanks for share |
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oh falito thanks! :) which melody youre talking about? (i must credit my band mates in the second version, girl on violin man on keyboards... so its not only me) |
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Hi melack. That is a really chill song(the final version is what I'm listening to). Goes great with a few bong rips and a little hangover. It's beautiful. cya. |
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nice! happy you like, use! :) |
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or shit |
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pappp papapaaaaa papapa papapap papapappppp papapaaaaaaaa Sub-Ra home arkhives are proud to present: jihad! the musical featuring Sir Shitty Acid and The Cassette Cultures |
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