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           trojen
             on 2009-07-25 22:15 [#02309882]
         Points: 1 Status: Lurker
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 LAZY_LINK
 
  
         
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           w M w
             from London (United Kingdom) on 2009-07-26 01:12 [#02309892]
         Points: 21639 Status: Lurker
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Is that a link to a trojan horse?
 
  
         
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           goDel
             from ɐpʎǝx (Seychelles) on 2009-07-26 02:31 [#02309895]
         Points: 10240 Status: Regular
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FYI: this is a great autechre interview which lots of people  would find very interesting. too bad the thread title  indicates otherwise and many people will probably ignore  it...
 
 
 
  
         
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           goDel
             from ɐpʎǝx (Seychelles) on 2009-07-26 02:42 [#02309896]
         Points: 10240 Status: Regular
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When it gets down to actual tracks and production  details, Booth clams up. The dripping ice sounds and sci-fi  tunnel effects of “Tankakern”? “Akai MPC, Elektron  Mono and Machinedrum, 606. Nord Lead,” Booth peeps.  “Fol3” sounds like unwilling farm animals being pulled  backward through a death chute. Surely Booth could offer a  riddle or two.
  “It's all stuff that was recorded with an AKG 1000 mic,”  he replies, “then processed on a homemade patch, then used  as source material and cut up. Just a simple edit job on a  bunch of stuff, both physical things and instruments. I  can't remember all the sources. The patch itself is running  about 50 or 60 samples. Then that got cut up.”
  As for the animal-accident-barking-crashing sound collisions  of “Steels,” he only says, “I don't want to talk about  how we did that 'cause there are some secret techniques  involved, but most of it is MPC. 
 
  
         
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           Indeksical
             from Phobiazero Damage Control (United Kingdom) on 2009-07-26 02:48 [#02309897]
         Points: 10672 Status: Lurker | Show recordbag
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I think you can tell a lot of bits of Quaristice come from  recorded sources. Very interesting read. The music is still  too much for me though. I would like them to use these  techniques to make some pop music. 
 
  
         
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           goDel
             from ɐpʎǝx (Seychelles) on 2009-07-26 03:15 [#02309898]
         Points: 10240 Status: Regular
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they should do a jackson remix album! ae remixing thriller
  (lol)
 
  
         
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           cx
             from Norway on 2009-07-26 03:44 [#02309902]
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its kind of odd because its true. when i made music before all i would do was load vst and  make melodies in the piano roll.
  when i realized all the infinite possibilities of  manipulating sound and layering sound, it really opened up a  new world.
  the way they use samples, synths, layers, fx hardware  software they use it all to make coherent pieces and  original pieces.. its something to admire 
 
  
         
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           w M w
             from London (United Kingdom) on 2009-07-27 01:54 [#02310151]
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They're just sell outs and were probably paid to advertise  'AKG 1000 mic' etc. just like maddox advertised that stupid  phone or whatever. 
 
  
         
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           mohamed
             from the turtle business on 2009-07-27 10:08 [#02310197]
         Points: 31613 Status: Regular | Show recordbag
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the internet does noty exist
 
  
         
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           Shatner
             from United States on 2009-07-27 13:52 [#02310229]
         Points: 12 Status: Lurker
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I think they were trying dispel peoples fixation on gear.   Their equipment is nothing really out of the ordinary. They  are good because of their creative use of gear and not  because of what gear they have. 
 
  
         
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