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 (nobody)...and 546 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614087 Today 0 Topics 127542 |
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i'm sticking with reason. thing is that there are so many devices and routing options that i know there must be some really funky tricks and stuff. suggest some device chains, post some combinator patches. get my brains working. |
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reason sure is easy to work with. I miss it. It's been ages since I've done anything on it. Might have to look into picking up a legit copy as I never actually owned it. |
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oh, you want some actually useful stuff, not the ramblings of my boredness. can't really help you there. I lost all of my reason files when my harddrive became 100% fragmented and in the process of trying to fix it I accidently reformatted the whole drive. good luck though, and be sure to let us hear whatever it is you end up making. :] |
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the hacks run smoothly enough for me and i have no money. there was that thing i found but that's it really |
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you never ramble dear. |
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Piano ----> Delay |
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hey maxwell house, do you use V4? if so do you want to swap half baked ideas |
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yeah. i have very little to give. |
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this is no excuse for the rest of you to slack off tho. |
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yo lets do this then. ampimax at aol dot com |
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Piano ----> Reverb us another favourite of mine. |
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so i watch 'ant and dec; where did it all go right' and give y'all an hour to blow my mind and i get nothing? it's just me and guybrush, and i don't even think he's that bothered. vaolin malstrom patch (invented by me) initialise patch set osc a to femalefalsetto wave (ignore osc b) set motion to -44 set shift to 12 atk 12 dec 127 sus 127 rel 10 set mod a to osc a set mod a pitch to 10, shift -2, rate 64, wave curve 7 route osc a to a filter and set lp12 freq to 60. no res. set poly to 1, activate legato mode, set portamento to 38 (osc a gain should be automated or modulated with mod b vol for good dynamic) externally route malstrom audio to eq; freq 90 gain 26 (q set to default) to catch high mid harmonics. finally the whole thing works when routed to a large hall reverb (rv-7 or advanced reverb), set it to wet/dry 127 (full wet). should sound best when overlapping note on to trigger portamento. it's nice try it with your keyboard |
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i would love to help, but i know nothing about making musak. the piano ---> delay tip sounds new/good to me but i think it might crash my spectrum. ps. mr quodczeks rocks. |
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ampimax at aol dot com explains so much. |
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thnx i love that lil number. yeah i'm not going to get any help. the best i've got is these kind of patches, where as this thread was supposed to be a about finding new and wacky ways to use the devices in complex chains to make new sounds besides beeeep and baaarp. all i've done here is malstrom > reverb really, but it's a nice lil instrument. it's that violin/horn thing in that one you liked ('it will get you soon?'can't remember). i'll find a way and make reason my bitch. |
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I've given you gold you ungrateful swine! |
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i'm great really i shouldn't be judged. send me a message |
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the reverb bit was good |
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midi delay ----> piano ----> delay ---- gate ----> delay resample add reverb & delay |
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Make your own devices like or just buy a midi piano. |
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no reverb? |
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it's nice of you honestly but this thread is a disgrace to that wonderful vid. leave quickly and save yourself i must go also |
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I'm just looking for some Reason patches I did ages ago, they're just daft noises really but are fun to play with. |
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I'm speechless. Great link. |
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I cant say enough about how awesome both of these compositions / videos are. |
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cheers but you needn't worry yourself with it, i'll figure something out. that vid is excellent i feel utterly inadequate and ashamed. i'd love to be that dedicated |
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put some random oscilators going into everything splitted and joined and splitted and joined and going into evertything. then add reverb and delay. |
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