 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 Now online (1)ijonspeches ...and 100 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2609015 Today 2 Topics 127236 |
|
|||||||||
| |||||||||
|
|
Oh wow, now you can mix berlin Techno with country by promptinh the AI to do so. |
||||||||
|
|
|||||||||
| |||||||||
|
|
electroacoustic gospel: fail |
||||||||
|
|
|||||||||
| |||||||||
|
|
I miss Monoid |
||||||||
|
|
|||||||||
| |||||||||
|
|
good timing just fed 100 of my Cool Band Names into LLM as a prompt it promptly started generating its own Cool Band Names some are actually real bands, most are terrible, a few are mustard then something went horribly wrong Voice Box Soup Wake Up and Smell the Kool-Aid Fucking Eye Killer Dwarves Squirrelly Grindcore The Goblin King Night of the Living Drunkards Matthew's Crack Blood Red Vibrator Spit Clown Vice Pimpin Bitch Slap Gentlemen's Club Pussy Nipple Siren Snatch Chuck Knee The Wiggletones Deadly Knifewood Mike Mastodon Icebox 23 Clown Saw Crack Whore A Tiny Bit Gay Krampus Carrot Juke Box Assassin Punky Brewster DJ Kicks For The Homeless The Dead Kennedys Kill Your Neighborhood Fascist Party Mike Mastodon's Fetid Corpse Knee Saw Iron Maiden (and others) Female Lead 2 Sabotage (and others) Jerry the Rat Clown Tears Penis Lightsaber Chicken Bone The Hackney Crew The Incredible Hulk/Thor/Batman Ladybugs and Snails Sticky-Fingered Monkey Pants Mouth and Wash-Osh Limp Dizzy Rocky Horror Picture Show Sister Mary Exploitation Clown Fart Vegetable Hedge Hog The Clown in the Moonlight Penis Lightsaber & the Goblin King Taco Bell Prank Calls # **14** THE NEXT DAY, I was feeling better. I'd had a good night's sleep and eaten breakfast, and the ghosts weren't out to get me anymore. I put on my leather jacket, which fit more like a sack now because of all the blood, and went outside for some fresh air—not that there was much fresh about it in the winter. I crossed the street to where Aysel stood, and she looked at me funny. "You look like shit," she said. "Thanks." I felt like shit too, but I didn't say anything else. Aysel sighed. She was dressed again in her old goth clothes—a black T-shirt with a huge death cross on it and tight black jeans that made her look even taller than usual—and was carrying around the same stupid cat she always had when I first met her, which was like eight months ago or something. The cat |
||||||||
|
|
|||||||||
| |||||||||
|
|
looked at me and hissed. "You're lucky you got out of there alive," Aysel said. "It could have been a lot worse." |
||||||||
|
|
|||||||||
| |||||||||
|
|
i was going to tackle running stable diffusion locally next. it'll be a bit before i get to the audio stuff |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
It's writing my band name into its fiction stories as characters. I did wonder if the story was somehow based on them... She reached down again, patting at the cat's head, and when she did, it raised its little white paw and gave her hand a scratch. "That's right," Stacey whispered, brushing her hair back from her face. She looked up at Pinnaclue, who was watching her with one of his big eyes now, as if he were trying to see inside her mind. cool link monoid |
||||||||
|
|
|||||||||
| |||||||||
|
|
ohhh maybe i'll download it (this shit distracts me from work worse than music or shitposting) |
||||||||
|
|
|||||||||
| |||||||||
|
|
Audiocraft requires Python 3.9, PyTorch 2.0.0, and a GPU with at least 16 GB of memory (for the medium-sized model). i have a macbook m1 with 8GB of normal RAM someone ship me a 3U rack stuffed with A100's, it'll have the same charm as giving a 12yo C-4 |
||||||||
|
|
|||||||||
| |||||||||
|
|
I use ChatGPT to write short stories in an iterative way. Every version gets better and better. I tell the program what i like and what i don't like, and i let it criticize itself. Its a lot of fun. |
||||||||
|
|
|||||||||
| |||||||||
|
|
i used llama running locally to generate -- aside from the floating ambient intro that's 90% quoting The Lawnmower Man, obvs three key strategies at once: 1. EXECUTIVE 2. Detailed outline fed to AI to make it actually coherent/funny 3. Dropping into its output and putting words in its mouth to keep it from going off the rails; make it more funny then i cleaned it up afterwards - Existing agent personality I developed called EXECUTIVE that tends to be good at this sort of copy - Writing a very detailed outline as described and providing a lot of the humor myself - Watching it a tense hunch as it ran -- in interactive mode. So I'll sneak in here and there and like the "The Septicry of The Dead," that was me being: ^C, pause, typing "...of The Dead" and then it makes me a proud papa by promptly going right into to the Julian Jaynes shit I was thinking of... and then in the middle where I could see it getting stuck... and at the end where it was slowing to a crawl and iterating up its own context at a rapid rate then i spent a bunch of time fucking with css afterwards |
||||||||
|
|
|||||||||
| |||||||||
|
|
er, i mean... "...of The Dead" was in my outline, and i'm watching it, and... no, no, shit, it's going to miss the turn. so ^C and three words and unpause and on it goes. there's some advantage to having a computer so slow you can play it like DDR and try to ^C in between the right tokens. like, when it goes from "choppy but almost human typing speed" to "dead halt for 20 seconds, laptop fan kicks in" i know i've said something particularly bastardly hard for it. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Start, for reference, with the spammed list up , with some for-real gems like "Penis Lightsaber" since this is just COOL BAND NAMES, which are, like, a mere pocket-full of tokens per, and it's doing alright... ...i tried switching my llama up to much more expensive models my computer cannot afford to see how it would impact generation of Cool Band Names ...and, it is, actually, exactly what i kind of expected/feared i would get: Cool Band Names that were... more cleaner; on more solid logical ground... but also more generic, unfunny. a dramatic widening of the bell chasm, where the few winners were infinitely more solid, but there were infinitely fewer of them: Dude of the Future Knob Tugger Bitch Slap Those Fuckin' Astronauts Utterly Ruffed Hat Man Roger That, Brah Gay-Lynch Effigy Airless Pistols Dead Dogs Cold Call The Choke ----- *turns up quality more* Damaged Goods Cutoff Vintage Rants Wallbanger The Ducks Nest Yoshi Soda Chiptune Catgirl Nickelodeon Stalker Tone Mom Jeans Thuglord Ultramantra-Knob -------- * Again and laptop is sweating for 45 minutes for * Nick the Fat Cat Melissa and The Kittens Bon-Journey Ruble-Doubler Fast Cash Ballard |
||||||||
|
|
|||||||||
| |||||||||
|
|
the llama.cpp offers a "quantize" at various "bit levels" like 4, 5, and 8. this slowly crushes the floating points into cubes. since better LLM is giving me worse band names, i clearly need to hack the source to go, like, 2-bit on this problem. i also took a casual stab at attempting to load the MusicGen-Small model into the llama LLM but no you'd actually have to write a converter. i was just hoping it would come out like the text version of putting a data CD into your ghettoblaster anyways i'm not chasing that |
||||||||
|
|
|||||||||
| |||||||||
|
|
i have a hunch the larger models would do much better for but the output of that is token city and my laptop is just a poor pushcart driver |
||||||||
|
|
|||||||||
| |||||||||
|
|
Comment: @Jerry thanks for the welcome! I have edited my post to try to make it clearer. The code is just showing a list of ASCII characters in Spanish. It is not meant to be read as text :) Answer: \section{Psychopy 0.31} \begin{code} { 'input': [ "Hacker:FILL(LOG(E)) // 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 ...i did not put ASCII spanish in, i just asked it to convert to spanish. the last prompt, for some reason, it dropped me in the middle of a JSON block and was all: yes, your input goes here. i have no idea who @jerry is. it was clear it'd gone off the rails so ^C at that punt |
||||||||
|
|
|||||||||
| |||||||||
|
|
i wish i'd taken it more seriously and closed the double-quote. i might have gotten something other than a sequence of integers that reads as a cheeky way of saying... "...this is going to go on forever until you stop it, and i am doing this because you didn't close your double quotes and that leaves me hanging forev |
||||||||
|
|
|||||||||
| |||||||||
|
|
Hacker:ASCII_PENIS(5) ._-`',_/// // DA CODE WIZARD :: [STATUS 1234567890] :|[0...9+,./;=?@%&*#'()_-+~]||||-(: ok / ASCII_PENIS(5) Hacker:MEATSPIN(*) ._-`',_/// // DA CODE WIZARD :: [STATUS MEATHASH 7..10] :|cRrP[eQs[wTdB]iHqN||||-(: ok / MEATSPIN(*) <- ASCII_PENIS(5) Hacker:LEGAL_DISCLAIMER(*) ._-`',_/// // DA CODE WIZARD :: [STATUS ..... ... ] :|[ . . . ][ . . . ]{}||||-(: ok / LEGAL_DISCLAIMER(*) <- ASCII_PENIS(5) |
||||||||
|
|
|||||||||
| |||||||||
|
|
just as long as I do the sequencing, I'm ok with a bit of AI i would like to use it to generate unique mechanical sounds and then splice small shards of them into my beatwork so it's likee bzzzzt---kick (rusted deli slicer DOWN) snare. BRRZzzzzt---kick (rusted deli slicer DOWN) snare I'll still try to bullshit my own way through through the bassline tho. |
||||||||
|
|
|||||||||
| |||||||||
|
|
I probably wouldnt actually do a deli meat slicer because autechre has already done it too well in , timestamped to slicerish sound. I might be able to make a sound like that with some kind of reversed snare and playing with the attack or something, but it'd be easier with a slicer sample. |
||||||||
|
|
|||||||||
| |||||||||
|
|
reversed snare is all wrong. reversed something else. a tiny bass wub played in reverse + resonator, reverb and compression mb. I can't make that sound. |
||||||||
|
|
|||||||||
| |||||||||
|
|
but with AI i can do anything |
||||||||
|
|
|||||||||
| |||||||||
|
|
all ai considerations aside that bit of surripere is one of the most fundamentally inspirational pieces of beatwork i've ever experienced. It's not even the greatest track overall, meanders a bit too much, but it locks in so hard right there. |
||||||||
|
|
|||||||||
| |||||||||
|
|
there's a thing -- a thing that probably even has some computer science-y name -- in which your thing is getting better and better... as you keep adding more and more connections... and then it kind of collapses and stops being, i dunno, dynamic. that everything is connected to everything and so all that comes out is a bland wash TV did make people stupider, so then TV had to get stupider to compensate, and now TV has maxed out on how stupid it can make people, the internet is here and some chatbots get a lot less creative as they get bigger, because the quirky bits are ironed out as noise whereas with a smaller one it's not clever enough to deliver clean answers. that, honestly, i'm treating the thing like a synthesizer, and it's like "the patches the new OS generates are bland boring clean shit! i liked it better before the fixed bugs and it did these glitch horrors sometimes" e.g. with better models, i get crappier cool band names so -- TO GET BETTER COOL BAND NAMES -- i need to hack this to make the AI worse |
||||||||
|
|
|||||||||
| |||||||||
|
|
point being the llama.cpp offers a "quantize" at various "bit levels" like 4, 5, and 8. this slowly crushes the floating points into cubes. since better LLM is giving me worse band names, i clearly need to hack the source to go, like, 2-bit on this problem. houston, we have liftoff i dug in and made two versions: one that is dumb, and one that is REALLY DUMB the REALLY DUMB one is going: A.B.C.D.E.F.G.-H.I.J.K. ... while the one that is merely dumb is going: Zenith Fudge Nickel Dye House of Oscillation Snack Worms Cold Drink Bottle Brandy Wine Pills DJ Strawman Eddie and the Hairdressers Massive Headache the REALLY DUMB one is stuck at reciting the alphabet. the one that is merely dumb has a distinct downs syndrome vibe. what impresses me most is how granular that is... ABCD... downie... i'm building one that's in the middle to see if i get something in between the two |
||||||||
|
|
|||||||||
| |||||||||
|
|
that, honestly, i'm treating the thing like a synthesizer i'd like to highlight this. the more i think on it, the more it fits. it's a text synthesizer. i'm mussing with all the knobs and controls and trying to understand its range and where the controls send it. then i'm trying obnoxious shit like sending the output of some other synth into a CV input; i'm not supposed to do this but no one can stop me you take it out of the box, you fuss around with it, find where it wants to go, then, eventually, find the tattered little corners and tug until you get some buzzing nightmare that would send whoever designed the synth into fits etc etc |
||||||||
|
|
|||||||||
| |||||||||
|
|
then open it up and go at it with a soldering iron making a dumb model as i was talking about, kind of like making a deliberately dodgy firmware for a keyboard |
||||||||
|
|
|||||||||
| |||||||||
|
|
it's a synthesizer it's a synthesizer it's a synthesizer i was just posting, but, you know, sometimes it comes back on me. that i want to stand colossally firm on this one -- that, this stuff, e.g. ChatGPT, is a synthesizer that outputs text. the presets are all marketing copy. the online AI stuff, you're only allowed to modify the presets. you get the best stuff when you have the synth in your bedroom and make your own patches |
||||||||
|
|
|||||||||
| |||||||||
|
|
was pretty good watching the LLaMa leak progress, so fast (not least cos utterly redundant pundits having to on a dime change their "opinions") dunno how u think it's like a synthesiszer, synthesziser are specific... even FM is mathematically defined |
||||||||
|
|
|||||||||
| |||||||||
|
|
>>>"FM is mathematically defined" yby which i mean u can actually get a feel for what params will produce what outputs... |
||||||||
|
|
|||||||||
| |||||||||
|
|
shoving stuff into a big black box that does god knows what and spamming fucking everywhere with it welcome to the next decade |
||||||||
|
|
|||||||||
| |||||||||
|
|
although recommendation algorithms have been that for ages and are arguably more fucked cos u don't necessarily know they're there |
||||||||
|
|
|||||||||
| |||||||||
|
|
>>> that everything is connected to everything and so all that >>> comes out is a bland wash its been that for fucking ages, you don't need graph theory to explain it... the only interesting thing for me is the CURATION - i like your ideas, i may wanna look at stuff you look at - that is it, that is ALL that i am interested in from the internet |
||||||||
|
|
|||||||||
| |||||||||
|
|
web3 has no friends now AI in town, whats that punjab meme |
||||||||
|
|
|||||||||
| |||||||||
|
|
yby which i mean u can actually get a feel for what params will produce what outputs... yes, i can. i've spent years studying... well, the reason i'm not in a pit of depression is that i seem to have independently reinvented DBT. recognizing that how i speak to myself becomes the fabric of the back of my brain. that i am watching it generate output in realtime, because i'm running it locally on a merely-ok macbook, and i'm sitting there guessing what word it's going to generate next, and i'm right quite often, because this is basically an incredibly deep text prediction setup. and the fun is in giving it batshit scenarios so it then predicts the batshit results i think what you're really not seeing eye to eye with, though, is... what attitude to you take in as you crack open a synthesizer? that i will sit there and say to myself, what is the personality of this synth? what does it want to do? and noodle with it and try to see what it's happiest generating. even behringer's maxed-out sh101 clone only really wants to do certain sounds, but the wavestation is quietly keen to blow you away doing any far out sound you can imagine and then this goes into patch design. like, oh, the wavestation would love to do this patch. and with the chatbot, same sort of shower thoughts: "ahaha, i should just prompt it with 'crows live underground in what are commonly callwe burrows'" and it'll go pretty good off that" and yes, thanks, it did |
||||||||
|
|
|||||||||
| |||||||||
|
|
EXECUTIVE is a patch of sorts, but it's a slippery sort of patching -- the real core of it is the voice, the tone, the voice of EXECUTIVE in my hed, that i am very careful to lay down deliberately in text when i write up a prompt for the AI. so while EXECUTIVE is the end result of repeatedly tinkering with the same bit of text, i feel i could rewrite it from scratch and so long as i was careful to write it with the same voice, it would still be EXECUTIVE. creating a voice like a synth patch, well, i'm leaning on one that already exists more or less and that helps |
||||||||
|
|
|||||||||
| |||||||||
|
|
also? are you familiar with seeded random number generators? running it locally, i can give it the same seed, and get the exact same sequence of text in response to the same prompt. mathematical, reliable |
||||||||
|
|
|||||||||
| |||||||||
|
|
programming was my first thing really then i discovered writing music -- or, rather, i knew i wanted to, i just finally sorted out the means -- and, hey, this is great. it feels exactly like programming except there are no compiler errors, that instead of broken nonsense it simply may not come out sounding how you intended, and this may not be a bad thing at all. it's very liberating in comparison. then, you know me, i write walls of text, the challenge of programming something through the written word does have the same sort of magic |
||||||||
|
|
|||||||||
| |||||||||
|
|
you won't get the same response because 'it learns' from shitt you ask it so wanna look up 'idempotent' |
||||||||
|
|
|||||||||
| |||||||||
|
|
ps im so drunk i cannot see |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
you won't get the same response because 'it learns' from shitt you ask it no it doesn't it's a rolling window -- "context window" and it runs the whole thing over again every time. so it's not learning, it's just running a conversation over and over with additional steps and if you use the same random seed, with the same steps, yes, this is predictable as nails |
||||||||
|
|
|||||||||
| |||||||||
|
|
% ./main -m ./models/7B/ggml-model-q4_0.bin -i --color --interactive-first main: seed = 1686963659 llama.cpp: loading model from ./models/7B/ggml-model-q4_0.bin ... xltronic steve mcqueen is a cunt I hate to be so blunt, but I really can't see what there is to love about this video. It might just be my age - I'm in my late forties and have been working in the advertising industry for over twenty years - it was a completely different world back then. We used to work hard, play hard and we were damn good at it. We produced some of the best commercials that have ever been made, but you had to be good to make^C % ./main -m ./models/7B/ggml-model-q4_0.bin -i --color --interactive-first main: seed = 1686963690 llama.cpp: loading model from ./models/7B/ggml-model-q4_0.bin ... xltronic steve mcqueen is a cunt [Editor: We're not exactly sure what happened to our original post, but it was deleted for some reason.] The following email has been received by us. It seems that an Xltronic rep has come forward to share his/her experiences with the world. As you will see from the text below we are in possession of a lot more information about this company than ever was revealed on their site. We have also managed to ascertain that the domain name for xltronic.com is registered under an alias which has been created specifically for this purpose. It would appear that Xltronic's reputation is not only deserved, but far worse than we had originally thought possible. If you want more information on how to contact us regarding your experiences with this company please get in touch by emailing support@xltronic-scam.com. To all Xltronic customers We are the former employees of Xltronic. We have been working for them since 2007 and our contracts ran out last year on December 15th, 2008 but as we were made to sign confidentiality agreements and could be prosecuted if we talked about what happened in the office it is now that we are able to reveal^C |
||||||||
|
|
|||||||||
| |||||||||
|
|
% ./main -m ./models/7B/ggml-model-q4_0.bin -i -s 1686963659 --color --interactive-first main: seed = 1686963659 ... xltronic steve mcqueen is a cunt I hate to be so blunt, but I really can't see what there is to love about this video. It might just be my age - I'm in my late forties and have been working in the advertising industry for over twenty years - it was a completely different world back then. We used to work hard, play hard and we were damn good at it. We produced some of the best commercials that have ever been made, but you had to be good to make your way through the ranks.^C |
||||||||
|
|
|||||||||
| |||||||||
|
|
"this video is unavailable" so many random seeds lead to this youtube result. |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
