 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 Now online (1)big ...and 297 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2614069 Today 13 Topics 127541 |
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
lol |
||||||||
|
|
|||||||||
| |||||||||
|
|
lol, i was waiting for something kool to happen, and the dude just kept on talking and talking, sorry ARchrival the best part for me was the lab at the end. |
||||||||
|
|
|||||||||
| |||||||||
|
|
|
||||||||
|
|
|||||||||
| |||||||||
|
|
hmmm something "cool" doesnt always have to happen in my world..I would love to try that tank tho, think it would be a nice excperience. I also love music that seems to "go no where" music that just goes n goes and goes... |
||||||||
|
|
|||||||||
| |||||||||
|
|
spoken word sounds really good right now that was a lot better Joe isnt listed anywhere in 10,000days also did a google, just his own artsy/fartsy over the images? didnt think you were much of a tool guy ARch.... |
||||||||
|
|
|||||||||
| |||||||||
|
|
the dominant musical culture of my early life – the European tonal-harmonic metric tradition - has an ongoing currency: part of me expects that, music “goes somewhere”. An older player, I am happy that music does go somewhere, and happier that this is only one strategy music adopts. Some music goes nowhere: it is where it is, and has no imperative to move from there. In which case, the aim is to hold the place & the moment open for others to enter. It is very hard for me listening to Tartu, this morning, to believe this is improvised music. It seems so… intentional & considered. Probably this suggests to me that I do not look on improvised music in the same way as I view composed music. There is no right nor wrong here: it simply gives me an opportunity to examine established views & assumptions. |
||||||||
|
|
|||||||||
| |||||||||
|
|
But is spontaneous composition any different from “formal” composition? First thought, best thought: so, how is it spontaneous composition recorded or “written down”? If we are using a pencil, probably very quickly. In live performance, perhaps by recording (although this changes the situation in various ways) and “mistakes” are promptings to move in another direction. With spontaneous composition, there is necessarily a greater focus & level of attention required: there is only one take. If we are developing variations with a pencil in hand, computer or sequencer, we have more time & multiple takes. Live, it’s now and never. My memories of the Tartu performance is of a very difficult evening’s performance: nothing came of itself, all was work. That is, the playing was intentional & considered – because it had to be! Listening now well after the event, with personal details & assumptions & memories & professional listening out of the way – the music remains, and is waiting. |
||||||||
|
|
|||||||||
| |||||||||
|
|
hey ! im as boring and old fashioned as they come no ipod, no flatscreen, still have windows95 here @ home |
||||||||
|
|
|||||||||
| |||||||||
|
|
I think Joe Rogan is a big joke, his experiences is not....and dmt is not a joke. |
||||||||
|
|
|||||||||
| |||||||||
|
|
it was Robert Fripps reflections about music that goes "nowhere" |
||||||||
|
|
|||||||||
| |||||||||
|
|
hehe way to go :D you dont need flashy things tho... |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
