 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 (nobody)...and 639 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2614087 Today 0 Topics 127542 |
|
|||||||||
| |||||||||
|
|
ya fuk i love the intro the middle bits and the ending and that fuking soft melody/tones, urg. never thought id push vordhosbn in the background but this track never quits |
||||||||
|
|
|||||||||
| |||||||||
|
|
love how the song builts out like the actual fases of a melting plastic object. Especially the soft part in the middle of the track and how the plastic object burns to a crisp and vaporises into thin air at the end |
||||||||
|
|
|||||||||
| |||||||||
|
|
wrong - meltphace6 is marvelous. that's how tracks should be if they want to keep fresh at every listen. i love how synth sings like drops |
||||||||
|
|
|||||||||
| |||||||||
|
|
astonishing! |
||||||||
|
|
|||||||||
| |||||||||
|
|
YOU PUSHED VORDHOSBN INTO THE BACKGROUND???!?!!!?!?!?!!?/?!?!?!/ |
||||||||
|
|
|||||||||
| |||||||||
|
|
Wow, I just realised how much I miss Maltesers. They've been... IN THE BACKGROUND!!! |
||||||||
|
|
|||||||||
| |||||||||
|
|
ziggomatic 17 is where it's at. |
||||||||
|
|
|||||||||
| |||||||||
|
|
YEAH WELL AT LEAST WE AGREE ON SOMETHING |
||||||||
|
|
|||||||||
| |||||||||
|
|
Mount Saint...When the girl starts humming and the wicked 808 beat on meth starts in. Thats my drukqs utopic moment. |
||||||||
|
|
|||||||||
| |||||||||
|
|
omgyjya-switch7> |
||||||||
|
|
|||||||||
| |||||||||
|
|
wow i haven't listened to aphex twin for about 2 years or something |
||||||||
|
|
|||||||||
| |||||||||
|
|
Wouldn't mind another double album like it myself. This and "Go Plastic" make lots of other drill'n'bass albums sound a bit pointless, imho. |
||||||||
|
|
|||||||||
| |||||||||
|
|
what is it about drukqs you guys like? Is it the fast tempo and drill style beats? The many sounds and changes through the songs as opposed to Analord which is slower tempo and the same sound through the songs. That seems to be the biggest difference to me. |
||||||||
|
|
|||||||||
| |||||||||
|
|
yes |
||||||||
|
|
|||||||||
| |||||||||
|
|
my utopic moment is that in ziggomatic where there's like this fraction of a second break (pause) and a single beep. do you know what i'm talking about? |
||||||||
|
|
|||||||||
| |||||||||
|
|
the soft synths the tugboat thing at the end of vordhosbn the attention to detail, maybe |
||||||||
|
|
|||||||||
| |||||||||
|
|
drukqs is just an insanely detailed album. there isnt a single thing in that album that doesnt happen for a purpose. its really hard to make tracks with that many transitions and breakdowns and not have them sound like theyre tacked on. i put on cock the other night after a friend complained that i didnt have any pendulum on my ipod. "if you fucking want overstimulating drum and bass ill fucking give it to ya!" |
||||||||
|
|
|||||||||
| |||||||||
|
|
altho, granted, cock is more acid, but like she could tell the difference. |
||||||||
|
|
|||||||||
| |||||||||
|
|
I agree about the tack on point. Maybe he didn't tack it on though. Maybe they weren't softsynths. To keep that flow by using loops would truly make him a genius. |
||||||||
|
|
|||||||||
| |||||||||
|
|
the really high pitched beep at 1:36 and again later in the track is just the right frequency that it kinda hurts my ears. regardless, meltphace6 is my favorite track. |
||||||||
|
|
|||||||||
| |||||||||
|
|
the very ending is nice if you crank the volume as it's being mixed down some nice bits |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
