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illfates
from space (United States) on 2005-07-30 17:45 [#01679543]
Points: 844 Status: Regular
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I wrote this brief-- it includes a frequency arrangement. I would suggest this as a must for anyone who programs music who isn't familiar with the concepts already.
The Correspondence of Harmonic Resolution to Rhythm
yup
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avart
from nomo' on 2005-07-30 18:19 [#01679547]
Points: 1764 Status: Lurker | Followup to illfates: #01679543
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"this as a must"
Yeah, right...
(I would suggest you to stop reading about the perfect rules and start improving your grooveskills a bit. Works by the great Moritz von Oswald are highly recommended.)
:D
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illfates
from space (United States) on 2005-07-30 18:28 [#01679550]
Points: 844 Status: Regular
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if you already know these things, it's probably not a must
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JivverDicker
from my house on 2005-07-30 18:43 [#01679554]
Points: 12102 Status: Regular | Followup to avart: #01679547
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agreed
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Aloysius
from what once was / spank me! (Netherlands, The) on 2005-07-31 02:06 [#01679673]
Points: 134 Status: Regular
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but can i dance to it?
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Taxidermist
from Black Grass on 2005-07-31 02:26 [#01679676]
Points: 9958 Status: Lurker
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Maybe when you post an example mp3 you could post something that doesn't suck.
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horsefactory
from 💠 (United Kingdom) on 2005-07-31 02:38 [#01679677]
Points: 14867 Status: Regular
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Waow I use this guide to make great music like the frequency arrangement ! Great ! :-)_
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illfates
from space (United States) on 2005-07-31 04:39 [#01679714]
Points: 844 Status: Regular
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"frequency arrangement" is called frequency arrangement because i don't see fit to give it a fucking creative name.
First off I'm assuming that because those drums mirror a 145 progression that "drums sound good when they resolve to according to harmonic tendencies", not only in a 145 progression but in any progression. The 145 is the simplest to demonstrate this in because not only is it the most replayed cadence known to western commercial society, but also because the harmonic tendencies of note resolution from major triads 1:tonic to 4: subdominant to 5: dominant back to 1 clearly illustrate a few important kinds of harmonic motion from which you can garner proportionate motion from altered progressions.
Example-- a build phrase is good building and building and building, but if, right before the drop back to a beat,a complicated tense harmony between drum hits' frequencies is created, the beat can drop and resolve that tension resulting in a more "satisfying" resolution.
The amen break is a 1-5-1-5 over and over, and even richard d james utilizes the familiarity of those frequencies' resolving to one another.
If you don't see the point I didn't write it well enough, sorry.
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stilaktive
from a place on 2005-07-31 04:48 [#01679716]
Points: 3162 Status: Lurker
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Yeah? well i just funf the geekest site ever LAZY_TITLE
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Aloysius
from what once was / spank me! (Netherlands, The) on 2005-07-31 04:49 [#01679718]
Points: 134 Status: Regular | Followup to illfates: #01679714
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Does it bother you to know that i didnt read that? Your pretentious avatar puts me off.
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illfates
from space (United States) on 2005-07-31 04:52 [#01679719]
Points: 844 Status: Regular
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Oh yeah, and second off, eat me.
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Aloysius
from what once was / spank me! (Netherlands, The) on 2005-07-31 04:52 [#01679720]
Points: 134 Status: Regular
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My farts are more musical than that sample ho ho ho ho ho
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illfates
from space (United States) on 2005-07-31 04:55 [#01679721]
Points: 844 Status: Regular
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and a bottle of rum!
you don't have to eat me, i was just kidding.
my avatar is about three years old. I was 19 and really excited about fractals. I spent a couple hours generating those still images of about four sequential zooms of the mandelbrot set.
why is it pretentious?
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illfates
from space (United States) on 2005-07-31 04:56 [#01679722]
Points: 844 Status: Regular
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i'll change it if you want.
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Aloysius
from what once was / spank me! (Netherlands, The) on 2005-07-31 05:59 [#01679735]
Points: 134 Status: Regular
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Oh no please dont listen to me
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