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 Now online (1)big ...and 525 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614087 Today 0 Topics 127542 |
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let me know what you think. |
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cool, keep up the good work. |
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thanks. Oh, and the title is La Mia Mente |
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nice rich sounds. what software did you use for this? |
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i liked that. what motivated you for this? |
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Thank you for stealing my beautiful avatar. |
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i used the miroslav sample library, at school. It was for a composition class. I had to do all these charts, assigning notes to #s, and making grids. It was fun though. |
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thanks for stealing my beautiful stash |
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I want you to do a remix for me. Finally i found you. i have a gun and a plan |
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I enjoyed that Tom |
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Zeus, this is totally succulent. You have to get a girl with a European accent to read a Baudelaire poem called over this. |
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oops, you did post this and the sound library i want that too |
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this reminds me of zelda..........but i like it. |
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at first, i kind of felt like there is too much going on... but it flows well, i reallllllyyy enjoyed it. |
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can we aquire a miroslav sample library? |
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about the these sample librarys.. |
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thanks guys, glad ya like it :) |
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You are getting quite good now. Nearly more gooder than me. |
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it sounds pretty romantic for an atonal piece i like webern, that's romantic (whatever that is: big emotions and stuff) and also sounds gypsy kinda, you know eastern europe. that's even 12 tone. maybe atonal just means no tonal centre, as someone said somewhere |
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well, it doesnt have a tonal center in the sense of functional harmony... what I did, is made partitions out of a scale (in this case, a 6 tone symmetrical, and prometheus scales) you assign the notes numbers, and then partition them... writing out all the groupings of the notes (if its a 6 note scale, like these are, then you have 5:1 4:2 and 3:3 ratios.) you then connect the numbers in a chain, according to common #'s. The emphasis is on the grouping of the notes... so what I did, was used one group for the bass/roots of the harmonies, and the other group in the upper range, for melodies etc. Depending on your # sequence, you get different combinations of notes, that dont fit into a traditional chord, just groupings. So yeah, it is pretty loose in terms of functionality, but the note sequences are based on specific groupings/scales... so there is certain color, or tonality to it... |
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im pretty sure i wont get that was there atonal music before 12 tone? what's some good composers with atonal music? |
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yeah, this is an earlier form of atonal music, before 12 tone was developed. shoenberg |
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ah yes of course i have some stuff burnt of that i just dont listen to it. i should get mp3's of it shoenberg, the teacher of webern, berg and that other guy (all i know is from two classes: music history and music history of the 20th century) i really should get some ligeti |
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I wish it were tuned properly. (unless that was the point) Otherwise, A REALLY GOOD PIECE!!!! I like the way it develops. I assume that this harmony is supposed to raise goosebumps. Got more ? |
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yeah, it's pretty atonal |
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Quite good. I like your sense of melody. |
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There has basically always been atonal music. In western music there was for a time (in the 16th century I believe) a whole enclave of monks in eastern france whose music was entirely atonal. Atonal music is obviously a natural progression following increasing flexibility/experimentation of regularly structured music, so this isn't very surprising.. And when you listen to bach he gets off his rocker sometimes too.. |
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there is a prelude in C (i think) by mozart, that is like a modern composition. pretty crazy he did it back in the day. the guy who commisioned it (a king i think) fired the players, because he thought they were playing it wrong. haha he hired them back after mozart explained |
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I heard something not dissimilar to autechre while primordial earth forming together.. |
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(was forming together) shit |
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