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melody and age
 

offline big from lsg on 2003-11-14 18:27 [#00950610]
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so looking at aphex and ae i wondered wether the ability
to write good melodies might decline with age
because there's no such great melodies on confield as there
were before and the great melodic tracks on drukqs vordhosbn
and saint michaels mount just have 1 melody


 

offline nacmat on 2003-11-14 18:29 [#00950615]
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I dont think its a matter of age

and I think confield is very melodic


 

offline ecnadniarb on 2003-11-14 18:31 [#00950620]
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Nah...a good melody comes from within...if you lose the
hunger to make music you invest less emotionally which in
turn makes your melodies less evoketive. blah blah blah
blah...hello...


 

offline AlfredPMcLovely from the country that will end up d (Turkmenistan) on 2003-11-14 18:36 [#00950625]
Points: 1158 Status: Lurker



I think people sometimes get melody and pretty bell like
sounds(flute, strings, etc) confused. just my take, as I
find melody in any well constructed piece of music


 

offline big from lsg on 2003-11-14 18:39 [#00950627]
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i think writing a good melody (or a moving beat, a beat that
makes you move that is) is something magical
i think the melody on pen expers is weak, while the drums,
obviously kick ass. before ae seemed to write great, simple
melodies so easily


 

offline big from lsg on 2003-11-14 18:43 [#00950632]
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yes the melody might be hard to find sometimes on ae. but i
dig the melodies on latent quarter, for instance, a lot (and
the way the melodies go over to the strings like in that
song and on gaekwad)


 

offline disasemble from United States on 2003-11-14 18:43 [#00950633]
Points: 1448 Status: Regular | Followup to big: #00950627



i think they still do write great, simple melodies. depends
on the listener of course.

i could see where you are coming from, but the decision to
try new things will definitely make people think they lost
touch with what they used to do. its a natural progression
to me, but i dont think they have gotten worse at it. they
are just moving in different directions. its all there, just
presented differently.


 

offline big from lsg on 2003-11-14 18:46 [#00950639]
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im just disappointed that i like(d, am only listening to
peel II and envane over and over these days) pen expers that
much, exept for that melody, it's just not original, and
prolly therefor covered up by the volume turning :/


 

offline horsefactory from 💠 (United Kingdom) on 2003-11-14 18:48 [#00950645]
Points: 14867 Status: Regular



big, I cannot post a decent reply, because your opening post
was a load of shit.

let me explain why: confield/draft and so on have awesome
melodies, just not as obvious as ae's earlier stuff.
the "great melodic" tracks on druqks are not vordhosbn and
st michels mount; you seem to have disregarded every single
piano track on the album. think of avril 14, nanou2, kesson
daslef, etc.


 

offline ecnadniarb on 2003-11-14 18:50 [#00950650]
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big are you sure you aren't confusing emotive sounds with
melodies?


 

offline Zeus from San Francisco (United States) on 2003-11-14 18:51 [#00950652]
Points: 14042 Status: Lurker



wait... just because they arnt writing melodies anymore,
doesnt mean that they cant, its cause they dont want to.

if you havnt noticed, their music is now alot more "out
there" and proper melodies wouldnt really fit with their
music, in its current state.

not because they cant, its just cause they choose not to


 

offline fleetmouse from Horny for Truth on 2003-11-14 18:53 [#00950659]
Points: 18042 Status: Lurker



Are you insane? The melodies in pen expers are gorgeous. The
fact that they're struggling and taking their dying breaths
make them all the more moving. That song is like a doomed
valiant band of soldiers making a last desperate stand,
pinned down by gunfire and hoisting a tattered flag.


 

offline horsefactory from 💠 (United Kingdom) on 2003-11-14 18:54 [#00950660]
Points: 14867 Status: Regular



^


 

offline disasemble from United States on 2003-11-14 18:54 [#00950662]
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_^


 

offline AlfredPMcLovely from the country that will end up d (Turkmenistan) on 2003-11-14 18:54 [#00950663]
Points: 1158 Status: Lurker



Speaking of nice melody lemme spam a track by a watmmer
called cubensis, has a great melody that shows up about half
way through. I've woken up humming this song. is like 22 so
that kinda keeps to the topic
ftp://ftp.scene.org/pub/music/groups/enough_records/enrmp00
5_esquema_-_substanze_sekuenze/01_esquema_-_study_of_foreve
r_changing_complex_systems.mp3


 

offline big from lsg on 2003-11-14 19:02 [#00950680]
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i cant agree on ae but you are right on the drukqs piano
tracks, horsefactory, but why not make such a more evolving
melody on those two tracks, i think it's weakness: vordhosbn
sucks more and more to the end, on saint micheals mount
richard pulls out a loads of drums to keep it interesting. i
understand there's other interesting stuff besides plain
evolving melodies. furthermore i can believe ae and afx
might be fed up with coming up with good melodies, zeus.
emotive sounds are moving sounds?: than pen expers has a
week emotive melody. any good melody can move me, like the
melody that comes in in the 4d minute of the first quarter.


 

offline big from lsg on 2003-11-14 19:05 [#00950690]
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i only have the stricked rule to good melodies that they
need to be original, and pen expers sounds like it might not
be. the only thing i like about it is that really high sound
in it


 

offline horsefactory from 💠 (United Kingdom) on 2003-11-14 19:09 [#00950692]
Points: 14867 Status: Regular



"pen expers sounds like it might not be original"

;skdf;dk


 

offline k_maty on 2003-11-14 19:12 [#00950694]
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pen expers is incredible. I think of that melody like a
partially heard conversation that your straining to make
out, but you cant so you fill in the blanks.


 

offline horsefactory from 💠 (United Kingdom) on 2003-11-14 19:12 [#00950695]
Points: 14867 Status: Regular | Followup to big: #00950690



how many times have you listened to confield in its
entirety? what about draft 7.30? in fact, what about all the
autechre albums?


 

offline big from lsg on 2003-11-14 19:34 [#00950700]
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quite much, say 40 times. to gantz graf about 38 times,
though only the first track. i nowhere said i dont like it.
confield is the only album ive listened to much, since i
dont like incunabula and furthermore yet only have eps

anywho: might it not be possible that writing good melodies
is easier when youthful?


 

offline nacmat on 2003-11-14 19:37 [#00950702]
Points: 31271 Status: Lurker | Followup to big: #00950700



40 times is a lot.... but I think I ve listened to it
hundreds of times


 

offline earthleakage from tell the world you're winning on 2003-11-14 19:37 [#00950703]
Points: 27795 Status: Regular | Followup to horsefactory: #00950695



who cares. you want everyone to list how many times theyve
listened to every album they have?


 

offline nacmat on 2003-11-14 19:38 [#00950704]
Points: 31271 Status: Lurker | Followup to nacmat: #00950702



I need to know more artists...


 

offline big from lsg on 2003-11-14 19:41 [#00950706]
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ive seem to have lost my copy
ive listened to it enough to make up my mind on the
melodies. i always kinda get the feeling people are fooling
themselves when they're talking about the subtle melodies on
confield, but maybe i just dont get it..


 

offline k_maty on 2003-11-14 19:41 [#00950707]
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only the first track? check out cap IV, awesome melodies,
and they arent hidden at all


 

offline big from lsg on 2003-11-14 19:50 [#00950717]
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i hate the melody on dial


 

offline horsefactory from 💠 (United Kingdom) on 2003-11-14 19:51 [#00950719]
Points: 14867 Status: Regular | Followup to earthleakage: #00950703



er, no?
what i was saying was related to what had been talked about
in this tread previously - maybe you should actually read
what's going on first before you bless us with one of your
witless posts.


 

offline fleetmouse from Horny for Truth on 2003-11-14 19:53 [#00950721]
Points: 18042 Status: Lurker | Followup to horsefactory: #00950719



dobbin is the worst troll this board has ever seen


 

offline earthleakage from tell the world you're winning on 2003-11-14 20:14 [#00950734]
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get anymore patronising that you i'd have to live up a tree


 

offline qrter from the future, and it works (Netherlands, The) on 2003-11-14 20:18 [#00950738]
Points: 47414 Status: Moderator | Followup to fleetmouse: #00950721



I heard everybody hates dobbin today.


 

offline earthleakage from tell the world you're winning on 2003-11-14 20:21 [#00950743]
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what goes in, out, in, out and stinks of piss?

horsefactory doing the hokey-cokey


 

offline qrter from the future, and it works (Netherlands, The) on 2003-11-14 20:24 [#00950746]
Points: 47414 Status: Moderator



got your vengeance up and running again, dobbin?


 

offline big from lsg on 2003-11-15 06:20 [#00951029]
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so i asked a question: ?


 

offline goodbyegonzaguo from Edinburgh (United Kingdom) on 2003-11-15 06:29 [#00951035]
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I'd say that Plaid for example focus more on melody than a
lot of others on warp but then again I would be one to
confuse emotive sounds with melodies.


 

offline big from lsg on 2003-11-15 06:47 [#00951054]
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so what's an emotive sound, strings or violin?
in my 'can electronic sounds move like acoustic'-thread, i
already answered no, so i cant have confused them
here



 

offline bogala from NYC (United States) on 2003-11-15 07:07 [#00951068]
Points: 5125 Status: Regular



don't know about autechre, but I think afx has still got
it... st. michels has that chilled out little girl humming
that wonderful melodie (although, simple). Avril 14 is just
one big wonderful melody, but the one thing that I never see
talked about, perhaps because people don't know to look for
it, is texture and timber. What sounds go together well and
afx is a master at that.


 

offline JAroen from the pineal gland on 2003-11-15 07:11 [#00951070]
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its a matter of how much drugs youve used


 

offline Ophecks from Nova Scotia (Canada) on 2003-11-15 07:12 [#00951071]
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It would certainly seem so. There are very few examples of
me liking an artists post- 35 year old output compared to
their vital work in their 20's... maybe that has more to do
with lack of ideas than dwindling melodic ability though.

Autechre are as good as ever though, they're still young
'uns.

Although I never thought about it, eventually guys like
Richard and AE and the like are going to get OLD... like
Pete Townshend and Lou Reed. I wonder their work will sound
like then...


 

offline big from lsg on 2003-11-15 07:19 [#00951074]
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i think melody is very important in a song (and rhytm of
course in dance music, especially the 'intelligent' form),
so can be placed in a texture well, but when the melody
isnt good that doesnt make the song really much better.
furthermore a good tembre for me is using interesting
samples and that just is obliged for a good electronic
musician to me


 

offline Drunken Mastah from OPPERKLASSESVIN!!! (Norway) on 2003-11-15 07:26 [#00951082]
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I think, if you make music all the time, a good melody
should pop up once in a while... hence all the techno
(thump-thump, beep, beep) songs that consist of lots of boom
boom and at the centre, a small catchy tune... damn, I hate
"pure" techno!


 

offline big from lsg on 2003-11-15 07:30 [#00951084]
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isnt the melody on acroyear2 the best?


 

offline Ophecks from Nova Scotia (Canada) on 2003-11-15 07:33 [#00951087]
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I love how brittle that melody is. Not only do I love
Autechre's melodies, I also love how they deliver and
construct them.

Although I have to admit I wish they'd do something
resembling Amber again... something a bit more
straightforward. I'd dance a jig of joy.


 

offline big from lsg on 2003-11-15 08:47 [#00951159]
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i still have to get a lot of ae, so i dont really mind about
that now, and prolly will not in the future: enough is
enough, and they have put out pretty much more normal
sounding stuff
i think it is just brave the way they put that simple, on
first hearing stupid sounding melody over those cool
percussion sounds in acroyear2


 

offline flea from depths of your mind (New Zealand) on 2003-11-15 09:09 [#00951177]
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I guess the older you get the stupider the notion that
reliance on interplay of seven notes strung together over
and over amounts to "creativity" gets.


 

offline bogala from NYC (United States) on 2003-11-15 09:18 [#00951180]
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it's true, though. Age does seem to deminish talent.
Atleast with a lot of rock/pop artists. Maybe not classical.
Maybe electronic is more similar to classical. Different
side of the brain.


 

offline big from lsg on 2003-11-15 09:23 [#00951183]
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i think it might go especially for electronic and classic,
everything which needs spontanious, good melodies to get
concepts across. pop artists might benifit from wisdom
through age. this is a bit generalizationly speeking, i dont
really know pop/rock :)


 

offline horsefactory from 💠 (United Kingdom) on 2003-11-15 12:17 [#00951332]
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yes, you are speaking very generalizationly.


 

offline big from lsg on 2003-11-18 06:48 [#00955207]
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im just talking about the melody, i do like pen expers
furtermore: whatever


 


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