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Beats in 6/8
 

offline Junktion from Northern Jutland (Denmark) on 2003-07-01 14:00 [#00763956]
Points: 9713 Status: Lurker | Followup to JAroen: #00763832



right click and "save target as..." ....


 

offline eXXailon from purgatory on 2003-07-01 14:07 [#00763968]
Points: 6745 Status: Lurker | Followup to JAroen: #00763845



hmmm....don't see that happening...would be very original
though. Four bars and your track would be complete! :P


 

offline mappatazee from ¨y¨z¨| (Burkina Faso) on 2003-07-01 14:09 [#00763970]
Points: 14294 Status: Lurker



I made this track in (i)/0.27385 time. It is pretty phat


 

offline teapot from Paddington (Australia) on 2003-07-01 14:55 [#00764066]
Points: 5739 Status: Regular



im a big fan of 1.7/3.333333333333


 

offline teapot from Paddington (Australia) on 2003-07-01 15:00 [#00764076]
Points: 5739 Status: Regular



to be honest i use 5/4 a lot... not more recently tho... ive
been kinda not thinking about things and they've been 4/4...
my recent track "Droma" tho would go 4/4 into 3/4 into
4/4...


 

offline Sanguine from San Francisco (United States) on 2003-07-01 17:24 [#00764338]
Points: 859 Status: Lurker



Time signature basics:

Usually when it's an odd beat you can still find "beats" in
it. The key is subdividing it by certain guidelines, and of
course, changing it up some.

A good example is "Mock Tudor" by Orbital, on the first
"Style" single and the second disk of "The Altogether"

You can subdivide many ways... when you have a song in 5/4
for example, you can cut it into 4 + 1, giving it an extra
beat at the end and effectively slowing the song down, or
like Brubeck and do it 3+2 which makes it more fluid.

Tool uses a lot of off rythmn stuff in Laterelis, which is
probably my favorite album

Brubeck being a fantastic example... Blue Rondo Ala Turk is
in 9/8, which is subdivided into 6+3, or even more
accurately, 2+2+2+3, with three quick 2 beat rythmns
followed by a triplet.

Experiment with subdivisions, put a kick/snare on a couple
beats in the measure and fool with the things below.

Of course this is the typical way of doing things. If you
just use one really hard beat, you can make the song
effectively in 5 or 7 or 13 or whatever, but it makes it
much harder to listen to in an electronica sense.

Putting beats OVER other beats is a pain in the ass. I've
played tons of piano pieces where you need to do that,
Rachmaninoff notably comes to mind, and it's difficult. It's
difficult to do well, it's difficult to do internal
polyrythmns, at least with melodic lines. With drums, a
little bit of spice can speed up the feel of the piece, or
slow it down, depending on the numbers.

I'll put together some examples if you guys want to learn
some more... I can pull some specific parts out of CDs I
have and show the difference


 

offline Oddioblender from Fort Worth, TX (United States) on 2003-07-01 17:32 [#00764352]
Points: 9601 Status: Lurker



Damn I love polyrhythms.


 


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