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Junktion
from Northern Jutland (Denmark) on 2003-07-01 14:00 [#00763956]
Points: 9713 Status: Lurker | Followup to JAroen: #00763832
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right click and "save target as..." ....
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eXXailon
from purgatory on 2003-07-01 14:07 [#00763968]
Points: 6745 Status: Lurker | Followup to JAroen: #00763845
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hmmm....don't see that happening...would be very original though. Four bars and your track would be complete! :P
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mappatazee
from ¨y¨z¨| (Burkina Faso) on 2003-07-01 14:09 [#00763970]
Points: 14294 Status: Lurker
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I made this track in (i)/0.27385 time. It is pretty phat
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teapot
from Paddington (Australia) on 2003-07-01 14:55 [#00764066]
Points: 5739 Status: Regular
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im a big fan of 1.7/3.333333333333
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teapot
from Paddington (Australia) on 2003-07-01 15:00 [#00764076]
Points: 5739 Status: Regular
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to be honest i use 5/4 a lot... not more recently tho... ive been kinda not thinking about things and they've been 4/4... my recent track "Droma" tho would go 4/4 into 3/4 into 4/4...
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Sanguine
from San Francisco (United States) on 2003-07-01 17:24 [#00764338]
Points: 859 Status: Lurker
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Time signature basics:
Usually when it's an odd beat you can still find "beats" in it. The key is subdividing it by certain guidelines, and of course, changing it up some.
A good example is "Mock Tudor" by Orbital, on the first "Style" single and the second disk of "The Altogether"
You can subdivide many ways... when you have a song in 5/4 for example, you can cut it into 4 + 1, giving it an extra beat at the end and effectively slowing the song down, or like Brubeck and do it 3+2 which makes it more fluid.
Tool uses a lot of off rythmn stuff in Laterelis, which is probably my favorite album
Brubeck being a fantastic example... Blue Rondo Ala Turk is in 9/8, which is subdivided into 6+3, or even more accurately, 2+2+2+3, with three quick 2 beat rythmns followed by a triplet.
Experiment with subdivisions, put a kick/snare on a couple beats in the measure and fool with the things below.
Of course this is the typical way of doing things. If you just use one really hard beat, you can make the song effectively in 5 or 7 or 13 or whatever, but it makes it much harder to listen to in an electronica sense.
Putting beats OVER other beats is a pain in the ass. I've played tons of piano pieces where you need to do that, Rachmaninoff notably comes to mind, and it's difficult. It's difficult to do well, it's difficult to do internal polyrythmns, at least with melodic lines. With drums, a little bit of spice can speed up the feel of the piece, or slow it down, depending on the numbers.
I'll put together some examples if you guys want to learn some more... I can pull some specific parts out of CDs I have and show the difference
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Oddioblender
from Fort Worth, TX (United States) on 2003-07-01 17:32 [#00764352]
Points: 9601 Status: Lurker
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Damn I love polyrhythms.
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