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m....MwMw wwW(m M m)Www wMwM....m on 2001-07-23 07:20 [#00017216] | |||||||||
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Let the battle commence... |
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Lt. Gerbal Malone from the Woodchip Cage on 2001-07-23 09:25 [#00017242] | |||||||||
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Please let me sodomise you Jesus, I'll be real gentle and wont sway to the sides. |
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fishbulb from fishbulb on 2001-07-23 09:26 [#00017243] | |||||||||
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[cough] |
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fishbulb from fishbulb on 2001-07-23 09:27 [#00017244] | |||||||||
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holy splatting winter turkey, batman! |
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chicken paste man!! on 2001-07-23 09:31 [#00017248] | |||||||||
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hsdkbsiabsai ....ooooooooooooop! |
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fishbulb from fishbulb on 2001-07-23 09:34 [#00017251] | |||||||||
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[fishbulb] why do i speak? [dog-man] i don't know. [fishbulb] when do i speak? [cat-man] knod it now. [fishbulb] how do i speak? [dog-bulb] kind'o town. [fishbulb] where do i speak? [cat-bulb] dink no wot! [fishbulb] drink fish bulb. the cola that is not a cola. |
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Alberto Refresho from Africa on 2001-07-23 09:49 [#00017262] | |||||||||
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1. EXT. BEAUMONTS' FRONT LAWN - DAY Blue skies. PAN SLOWLY DOWN to clean white picket fence, with beautiful red roses in front of it. Birds CHIRP in the distance. A faint sprinkler SOUND is heard. Very sweet MUSIC is playing. DISSOLVE TO: 2. EXT. TREE - DAY A songbird SINGS in the tree. DISSOLVE TO: 3. EXT. CROSSWALK - SHADY STREET - DAY A very clean uniformed, smiling POLICEMAN with arms outstretched allows clean happy SCHOOL CHILDREN to cross the street safely. DISSOLVE TO: 4. EXT. SHADY STREET - DAY A bright red gorgeous fire engine is moving very slowly down the street. We MOVE IN to see the happy face of a FIREMAN. DISSOLVE TO: 5. EXT. FLOWER GARDEN - DAY Yellow tulips sway in a warm afternoon breeze. DISSOLVE TO: 6. EXT. BEAUMONTS' FRONT LAWN - DAY The same white picket fence with roses in front of it. PANNING SLOWLY now away from the roses down to the rich green lawn and over to the sprinkler which goes around and around shooting water droplets sparkling in the light. This is slightly SLOW MOTION and DREAMY. DISSOLVE TO: 7. EXT. BEAUMONTS' FRONT LAWN - DAY CLOSER ON WATER DROPLETS. The water droplets are somewhat abstracted as they dance in the light. PAN DOWN now to the green grass, traveling along the grass. The MUSIC becomes fainter as we MOVE SUDDENLY under the grass, now as if in a dark forest. SLOWLY MOVING THROUGH. The grass is like great timbers. It is GETTING DARKER and ominous SOUNDS come up as we discover black insects crawling and scratching in the darkness. FADE TO: 8. EXT. BEAUMONT'S FRONT LAWN - DAY MR. BEAUMONT is watering flowers and grass with the hose. He is dressed in khaki trousers, canvas shoes, old white shirt, straw hat and dark glasses. CLOSE - MR. BEAUMONT watches his watering, then looks up. The sky and the neighborhood are reflected in his dark glasses. He moves his false teeth around a little in his mouth, jutting out his chin in the process. He's thinking about who knows what. He looks back down at his lawn. CLOSEUP - WATER ON GRASS The water hits the grass and mats it down. WIDER - MR. BEAUMONT moves the hose over a bush and gets a kink in it. Water stops coming out of the nozzle and there is a LOUD HISSING NOISE of water under pressure. CLOSEUP - KINK IN HOSE Loud HISSING NOISE. Mr. Beaumont goes around the bush and is undoing the kink when he is suddenly hit with a tremendous seizure. CLOSEUP - MR. BEAUMONT He's doubling over and falls to the ground. He continues to grasp onto the hose. Water shoots crazily onto the driveway and his car. Mr. Beaumont seems to be in tremendous pain. CUT TO: 9. INT. BEAUMONTS' LIVING ROOM - DAY Mrs. Beaumont is curled up on the couch, smoking a cigarette and watching T.V. It's a daytime soap. CLOSEUP - MRS. BEAUMONT Takes a big drag of her cigarette and luxuriously french inhales a huge quantity of blue smoke. She's enjoying her show. CUT TO: 10. EXT. BEAUMONTS' FRONT LAWN - DAY CLOSEUP - MR. BEAUMONT His teeth are crooked in his mouth now as he tries to scream. No sound is coming out. WATER SOUND is loud. WIDER - MR. BEAUMONT Water is still spraying out over the driveway and onto the car and into the yard beyond. A small boy, GREGG, appears wearing only white underpants and a white t-shirt. He holds a large red popsicle. Gregg waddles around looking at the crazy water show. He holds his hand out to get it wet in the spray. This makes him screw up his face in a laugh. He waddles over and looks at Mr. Beaumont on the ground. Mr. Beaumont seems to be worse now, unconscious, but still gripping the hose tightly. His clothes are sopping wet. 11. EXT. GREGG'S HOUSE - DAY Screen window of Gregg's house. Gregg's mother calls out but remains looking at a bowl she is holding in her hands. GREGG'S MOTHER (calling out) Gregg. Billy's waiting for his teddy. She then turns to look out. GREGG'S MOTHER (continuing) GREGG! Billy's waiting for his teddy, honey. CUT TO: 12. EXT. BEAUMONTS' FRONT LAWN - DAY GREGG'S MOTHER P.O.V. THROUGH SCREEN WINDOW IN THE DISTANCE, she sees Gregg's back, a bush, some legs with wet khaki trousers and water squirting up in the air. GREGG'S MOTHER (V.O.) TOM!!! CUT TO: 13. EXT. COLLEGE CAMPUS BUILDING - NIGHT TRAVELING along sidewalk, bushes, to lighted windows of an auditorium. MUSIC is heard. 14. INT. COLLEGE AUDITORIUM - NIGHT A dance is going on. Sixties MUSIC plays, performed by a live band on stage. College kids dance. A COLLEGE BOY enters the auditorium, urgently looking for someone. He quickly approaches a GIRL. COLLEGE BOY Louise? Where's Jeffrey? His mother's on the phone - it's an emergency. LOUISE He disappeared to the men's room a little while ago. I'm getting very tired of waiting - let's go find him. 15. INT. JANITOR'S QUARTERS - COLLEGE - NIGHT We MOVE INTO the face of JEFFREY. He is hiding behind a furnace. He is fascinated by a sight beyond in the darkness of this basement room. He sees a male student trying to rape his girlfriend. She is crying and telling him to stop but the boy keeps forcing her down toward the ground. forcing her clothes off her. Jeffrey at this point hears his name being called. Each time he hears his name the caller is closer. The boy is now hurting the girl. Before Jeffrey leaves the furnace room he yells out: JEFFREY Hey, shit head. Leave her alone. Don't force girls! The couple looks up but cannot see Jeffrey. The boy is scared and releases the girl who promptly pulls farther away, crying. Jeffrey leaves the furnace room. 16. INT. HALLWAY - COLLEGE - NIGHT Louise and the college student see him and move quickly toward him. COLLEGE BOY Jeffrey, your mother's on the phone. It's an emergency. LOUISE Thanks for keeping me waiting so long. As Jeffrey moves quickly toward the telephone. JEFFREY I'm sorry, Louise. 17. INT. PHONE/HALLWAY - COLLEGE - NIGHT The phone dangles on its cord in the foreground as Jeffrey moves toward it in the background. Louise slowly follows Jeffrey, but stays in back of him. Jeffrey picks up the phone. JEFFREY Hello. Mom? What's wrong with Dad?. What's happening?. Come home? Sure I will. 18. INT. BEAUMONT'S BEDROOM - NIGHT Mrs. Beaumont sits talking on the phone in a dark quiet bedroom. MRS. BEAUMONT I mean, for good, Jeffrey. CUT TO: 19. INT. PHONE/HALLWAY - COLLEGE - NIGHT CLOSEUP - JEFFREY JEFFREY For good?. I can't. Mom. Not right in the middle of the term. CUT TO: 20. INT. BEAUMONT'S BEDROOM - NIGHT MRS. BEAUMONT (now looks very tired and poor health) Jeffrey. honey. Your father's condition is serious. It's going to cost so much. We just won't have the money to keep you in school. I'm telling you this now, so that you can get your things together and check out of school, honey, or whatever you have to do. it'll save you another trip back. You're going to have to work at the store. CUT TO: 21. INT. PHONE/HALLWAY - COLLEGE - NIGHT CLOSEUP - JEFFREY JEFFREY (crying) Mom. Louise looks at Jeffrey crying, then turns away. Jeffrey hangs up the phone. CUT TO: 22. INT. BEAUMONT'S BEDROOM - NIGHT Mrs. Beaumont hangs up her phone. just next to the phone traveling into a shadow is a winged termite. FADE TO: 23. INT. GIRLS DORM LOBBY - COLLEGE - NIGHT Jeffrey is waiting in a girls dorm lobby for Louise. Girls are milling around. Louise gets off an elevator with some other girls. She forces a smile at Jeffrey as she comes toward him. JEFFREY Can't you come to the damn airport? LOUISE Jeffrey. I can't. I really can't. I have to go to that class tonight. I can't get out of it. I really can't. I love you, Jeffrey. I'll miss you. JEFFREY Alright. I'll call you in a couple of days, you know. I'll let you know how things are. LOUISE Okay. I'll be here. You better git-going. I gotta go too sweetie. I hope your father's okay. I love you. I'm sorry, Jeffrey. JEFFREY I love you too, Louise. Damn it. I'll see you. They kiss. CUT TO: 24. EXT. LANDING STRIP A PLANE TAKES OFF DISSOLVE TO: 25. EXT. ANOTHER LANDING STRIP A PLANE LANDS 26. EXT. AIRPORT - NIGHT Jeffrey comes walking out of the airport, where his Mother and AUNT BARBARA, who is a very absent-minded little woman with very thick glasses, are waiting for him. They are parked illegally and another car is honking at them. Their trunk is open in anticipation of Jeffrey's things. They are waving and yelling at Jeffrey to get his attention. He finally joins them and kisses his Mother, then his Aunt. JEFFREY Hi Mom. Hi Aunt Barbara. They AD LIB hellos. MRS. BEAUMONT (a bit concerned) Where's all your things, Jeffrey? JEFFREY This is it. Mrs. Beaumont looks at Jeffrey. JEFFREY I sent a trunk home yesterday. This is all I have. AUNT BARBARA You look good, Jeffrey. Did you have a nice flight? JEFFREY Yeah. How's Dad? MRS. BEAUMONT He's alright. We'll tell you on the way home. 27. INT. BEAUMONT'S CAR - NIGHT They get in the car. Aunt Barbara is driving. She is not a good driver and makes Jeffrey nervous. He watches her every move from the back seat. They drive on surface streets. Many gas stations, traffic lights, bars. MRS. BEAUMONT He had a cerebral hemorrhage and they think there's some sort of clot, or tumor, or something in there. They're doing all sorts of tests. On the surface, he looks pretty good, but there are problems. They think he may have to stay in two weeks now, at least. You can go see him though tomorrow, Jeffrey. AUNT BARBARA They tore down the A & P, Jeffrey. Did you see that? JEFFREY Aunt Barbara that was 5 years ago. CUT TO: 28. EXT. BEAUMONTS' HOME - NIGHT The car pulls into the Beaumonts' driveway. The neighborhood is quiet and dark. CUT TO: 29. INT. BEAUMONTS' LIVING ROOM - NIGHT Jeffrey, Aunt Barbara, and Mrs. Beaumont enter the living room. Mrs. Beaumont turns on a table lamp. A cold circle of light hits the light blue rug. AUNT BARBARA Home again, home again, jiggidy jog. They look at Jeffrey. He looks at them. CUT TO: 30. INT. JEFFREY'S BEDROOM - NIGHT Jeffrey enters his small attic-type bedroom, turns on the overhead light, and sets his suitcase down. He goes to his desk and leans across it to look outside. JEFFREY'S P.O.V. - EXT. STREET The street is dark, except for a pool of light from a street light. CLOSEUP - JEFFREY A breeze of cold powerful string MUSIC blows as we watch Jeffrey stare into space. 31. INT. BEAUMONTS' KITCHEN/HALLWAY - DAY Mrs. Beaumont is calling upstairs to Jeffrey. MRS. BEAUMONT Jeffrey, breakfast is ready. JEFFREY (V.O.) (calling) Be right down. Mrs. Beaumont joins Aunt Barbara at the breakfast table in the kitchen. AUNT BARBARA This is marvelous jam. Are you going this morning? MRS. BEAUMONT I think Jeffrey would like to see his father alone. Jeffrey comes down the stairs. Everyone says their "good mornings," and Jeffrey sits down to breakfast. JEFFREY What time are visiting hours? MRS. BEAUMONT I've made arrangements with Dr. Gynde for 10:30. But Jeffrey, you'll have to walk over; I need the car this morning. JEFFREY Well. Okay. MRS. BEAUMONT Jeffrey, when you see your father. JEFFREY Yeah? MRS. BEAUMONT He doesn't know you're out of school. He thinks it's a vacation for you. JEFFREY What? MRS. BEAUMONT It would be too much for him. So please let him think as he does, that you're home just to see him. JEFFREY Thanks a lot, Mom. MRS. BEAUMONT .Jeffrey!. Nobody wanted you to leave school and go to work in the store. maybe going back to school will be an option one day. I hope so. AUNT BARBARA I think it's important not to get depressed. Depression is a terrible thing. They say it can bring on illness. JEFFREY (angry) Aunt Barbara. I'll try not to get depressed. CUT TO: 33. INT. HALLWAY - HOSPITAL - DAY Jeffrey follows a nurse to a hospital room. NURSE CINDY Please wait outside while Dr. Gynde prepares him to see you. JEFFREY Prepares him? She peers into the room. Jeffrey does too. 34. INT. HOSPITAL ROOM - DAY All he can see are curtains surrounding a bed and stacks of medical machinery. Doctor Gynde comes out from behind the curtains and walks to Jeffrey. DR. GYNDE Hello Jeffrey. JEFFREY Hello, Doctor Gynde. How is he? DR. GYNDE He's fighting hard. Jeffrey. it's very important that your father doesn't try to move. he's been immobilized. It would be very painful for him. sit close. you do the talking and moving. He knows you're here. He became very emotional. I don't think he likes the idea of you seeing him like this. Nurse Cindy goes to the bed. She begins to pull the curtains back revealing Mr. Beaumont. NURSE CINDY (smiling a big smile) Mr. Beaumont! Your son is here to visit you. Then we see Mr. Beaumont. He has numerous tubes and needles going into different parts of him. A stainless steel device holds his head perfectly still. Nurse Cindy picks up a tray and leaves. JEFFREY (shocked but concealing it) Hi Dad. MR. BEAUMONT (speaking as plainly as possible, but sounds like mumbling) Hey Jeff. Jeffrey goes to him and puts out his hand to shake his father's hand but remembers his father cannot move. Jeffrey pats him on the shoulder. JEFFREY Looks like they've got you strapped in pretty good. MR. BEAUMONT (lips moving but hardly any sound) uh uh. JEFFREY Are you feeling okay? MR. BEAUMONT (more mumbling) uh uh. Tears well up in Mr. Beaumont's eyes. Before Jeffrey can stop him he reaches for Jeffrey's hand, then struggling against tremendous pain he manages to form words. MR. BEAUMONT (more plainly but under strain) Good to see you, son. JEFFREY (holding back tears) It's good to see you, Dad. Jeffrey squeezes his father's hand. 35. EXT. VACANT FIELD - DAY Jeffrey is walking down a dirt road on his way home. He kicks up little clouds of dust as he walks. He has some time to think about things. He sees a green bottle in the distance. He gathers up a few more rocks and pitches them one by one at the bottle. He misses. He looks for a few more good rocks to throw and while looking through some tall grass and weeds, he sees something strange. He looks closer. It is a HUMAN EAR, covered with crawling ants. Jeffrey immediately stands up and looks around. All he sees are houses - some laundry drying - a very peaceful scene. No one seems to be around - No one seems to be watching him. He looks again at the ear. We are so close we can hear ants racing frantically around the ear into it. There is dried blood on part of it. Jeffrey finds a brown paper bad and using a twig, he pushes the ear onto it. Again, he stands up and looks around. IN THE DISTANCE, a MAN goes into the back door of a house. Nothing more. Jeffery hurries off, carrying the bag with the ear in it. CUT TO: 36. EXT. POLICE DEPARTMENT - DAY Jeffrey goes up the front steps... 37. INT. POLICE DEPARTMENT - DAY ... and to the Reception Desk. A POLICE OFFICER is standing behind the counter. JEFFREY Hello. could you tell me if Detective Williams is still working here? POLICE OFFICER He's up in Room 221. Right up the stairs. CUT TO: 38. INT. ROOM 221 - POLICE STATION - DAY Jeffrey enters Room 221 and sees the desk marked, "DETECTIVE J.D. WILLIAMS," however, the desk is empty. TWO MEN are talking at the end of the room; one of them comes toward Jeffrey. JEFFREY Are you Detective Williams? DETECTIVE WILLIAMS Yes. JEFFREY My name is Jeffrey Beaumont - I live near you. I believe you know my father, Tom Beaumont - Beaumont's Hardware Store? DETECTIVE WILLIAMS Sure I do. I understand he's in the hospital. How is he? JEFFREY He's alright, I guess. I hope. They're doing tests, that's why I'm home from school. I was over at the hospital this morning and I was going home and in the field behind our neighborhood. there behind Vista, I found an ear. DETECTIVE WILLIAMS (matter of factly) You did? A human ear? JEFFREY Yeah. I've got it here in this bag. I thought I should bring it to you. DETECTIVE WILLIAMS Yep, that's right. Let's take a look at it. Jeffrey opens the bag and lets Detective Williams look inside. DETECTIVE WILLIAMS (continuing) That sure looks like a human ear, doesn't it?. Let's run it down to the Coroner's Office and see what they make of it. Then, I want you to show me exactly where you found it. CUT TO: 39. INT. CORONER'S OFFICE - DAY Jeffrey, Detective Williams, and an OLD CORONER'S OFFICER are looking at the ear, which is sitting in a medical dish on a table. CORONER'S OFFICER The tests will take awhile. Meanwhile, we'll check the morgue records. I don't recall anything coming in minus an ear. The Coroner's Officer turns to Jeffrey. CORONER'S OFFICER (continuing) Now if you'd found a jaw or let's say, a heart, or even an arm, we would assume that there was a corpse, however, a finger or an ear. the person may very well be alive somewhere. JEFFREY What can you tell about the person from the ear? CORONER'S OFFICER Well. when the tests are done, quite a lot . Sex, blood type, whether or not the ear came off a dead person. Right now, I know what you know. It's a real human ear. The human was, or is, Caucasian. . also. It looks like the ear was cut off with scissors. 40. EXT. VACANT FIELD - DAY Jeffrey is out with Detective Williams and a CREW OF OFFICERS who have roped off the area and are doing a grid search. A POLICE PHOTOGRAPHER is also there taking flash pictures all around the field, especially where Jeffrey has told them he found the ear. Detective Williams takes Jeffrey aside. DETECTIVE WILLIAMS By the way, Jeffrey, this story isn't going to the press and I'm going to ask you to consider all you've heard strictly confidential. Do not discuss this business with anyone, but me, or other police personnel. Got it? JEFFREY Got it. Thanks for letting me in on as much as you did. DETECTIVE WILLIAMS Come on. I'll drive you home. It's on my way. CUT TO: 41. INT. BEAUMONTS' KITCHEN - NIGHT Mrs. Beaumont and Aunt Barbara are doing the dishes. The news is on a small portable television. There is a broadcast on the mounting crime wave. INSERT T.V. SCREEN A series of murders are being discussed and a police drawing mug shot is shown on the screen of the suspect who is at large. CUT TO: 42. INT. JEFFREY'S BEDROOM - NIGHT Jeffrey is sitting at his desk daydreaming. He suddenly picks up the phone, hesitates, then dials. JEFFREY Hello?. LOUISE WERTHAM please. Louise? . is she there?. Louise? (very happy) Yeah! How are you? He's okay. in the hospital for tests. (very serious) I miss you so much. (smiling now) What have you been up to?. Louise, I don't know. I've got to see how my father is . It costs a fortune in that hospital. When did he ask you to that?. Look. I can't stop you. Go ahead. Just go ahead . I may never be back, go. ahead. Look Louise, stop trying to explain everything. Just do it. let's talk again in a couple of days or somethin', okay?. Yeah, I still love you. Goodbye Louise. Goodbye. Jeffrey sits alone in his room, thinking things over. SLOW DISSOLVE TO: 43. INT. CORONER'S OFFICE - NIGHT CLOSE UP - EAR IN MORTICIAN'S DISH VERY SLOWLY, we MOVE very close to the ear, gliding slowly around the crevices approaching the dark hole. A huge, low rushing of air SOUND, THEN DARKNESS. SLOW DISSOLVE TO: 44. INT. BEAUMONTS' LIVING ROOM - NIGHT Low light. Jeffrey enters the room. Aunt Barbara and Mrs. Beaumont are watching television. Aunt Barbara is knitting. JEFFREY I'm going out for awhile. MRS. BEAUMONT (looks at her watch) Do you want the car? JEFFREY No, I'm just gonna walk around. MRS. BEAUMONT Alright. AUNT BARBARA Jeffrey. you're not going down by Lincoln, are you? JEFFREY (yelling back) No. I'm just going to walk around the neighborhood. Don't worry. Aunt Barbara and Mrs. Beaumont continue watching the television. INSERT T.V. SCREEN On T.V. we see a man's shoes. He is sneaking slowly up some stairs. CUT TO: 45. EXT. NEIGHBORHOOD STREET - NIGHT Jeffrey walks along the dark streets. The same sombre MUSIC plays low and slow. Some of the houses have a few lights on, some are dark. Some windows have a slow uneven blue flashing light, indicating the television is on inside. Jeffrey continues walking through the night. In the trees, the shadows continuously re-arrange themselves in mysterious, sometimes frightening patterns. 46. EXT. WILLIAMS HOME - NIGHT Jeffrey finally comes to the house he's been looking for. He goes up the front walk. Now, at the last minute, he feels a little foolish and has second thoughts about knocking on the door. He looks in a window. Inside, he sees a nicely-lit living room. He goes ahead and knocks. A very pleasant-looking middle class WOMAN answers the door. JEFFREY Hello. uh. my name is Jeffrey Beaumont. Is Detective Williams in? MRS. WILLIAMS Oh, yes, Jeffrey. Come in. He'll be back any minute now. You're welcome to wait. Is it urgent? 47. INT. WILLIAMS' LIVING ROOM - NIGHT JEFFREY I just wanted to ask him a few questions, that's all. Maybe I better go. MRS. WILLIAMS Really, he'll be home soon, would you like a cup of coffee? JEFFREY (thinks a bit) Alright. 48. INT. WILLIAMS' KITCHEN - NIGHT She leads him back to the kitchen where she has him sit at the kitchen table. She pours him a cup of coffee. MRS. WILLIAMS I was sorry to hear about your father. I know your mother from church. It's such a shame. JEFFREY Yeah, I know. MRS. WILLIAMS Would you like a piece of cake? JEFFREY No. No thank you. MRS. WILLIAMS It's a real good chocolate cake. Duncan Hines' devil's food. real good. JEFFREY Yeah. okay. 49. INT. WILLIAMS' LIVING ROOM - NIGHT Out in the living room, SANDY WILLIAMS and her BOYFRIEND, MIKE SHAW, come up from the basement. They are both carrying books. Sandy is a very good looking, high school senior and Mike is a big, handsome football player type. 50. INT. WILLIAMS' KITCHEN - NIGHT MRS. WILLIAMS Sandy?. Sandy and Mike come into the kitchen. Jeffrey has a big piece of chocolate cake in his mouth. MRS. WILLIAMS (continuing) Jeffery, this is my daughter, Sandy, and. her boyfriend, Mike. They all say "Hi" to one another. SANDY Mike's gotta go. (to Jeffrey) Nice to meet you. MIKE Yeah, nice meetin' yuh. JEFFREY Yeah. It was nice meeting you too. They leave and go out the front door. MRS. WILLIAMS (smiles) He comes over to study. JEFFREY (smiles big) Yeah. The front door opens. DETECTIVE WILLIAMS (V.O.) Pam? MRS. WILLIAMS In the kitchen, John! Detective Williams comes into the kitchen surprised to see Jeffrey. DETECTIVE WILLIAMS Oh. Hello, Jeffrey. what's up? He kisses his wife. DETECTIVE WILLIAMS Come into the study a minute. JEFFREY (getting up) Excuse me, Mrs. Williams. MRS. WILLIAMS Certainly. Jeffrey follows Detective Williams into his study. CUT TO: 51. INT. DETECTIVE WILLIAMS' STUDY - NIGHT Detective Williams' study is filled with filing cabinets. The desk has two phones and is covered with papers and folders and a picture of Mrs. Williams and Sandy. The police radio is asking for Detective Williams as they enter. DETECTIVE WILLIAMS (to Jeffrey) Shut the door. Detective Williams speaks through the radio while Jeffrey shuts the door. DETECTIVE WILLIAMS (continuing; in radio) Detective Williams here. yeah. Tell him to go to Sergeant Milton. yeah, copy. (clicks off radio, turns to Jeffrey) Well, Jeffrey, you found something which is very interesting to us. Very interesting. I know you must be curious to know more. (scratches the middle of his back) But. I'm afraid I'm going to have to ask you not only not to tell anyone about your find, but also not to ask more about the case. One day. when it's all sewed up, I'll let you know all the details. Right now, though. I can't. JEFFREY |
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Baron Von Picklefoot from The keep me under the stairs with only a canned ham to keep me company on 2001-07-23 10:56 [#00017271] | |||||||||
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Yeah Il liked that movie "Blue Velvet " too I thought Dennis Hopper was great in it you should of kept going till he entered ! |
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Randalf the Gandalf Felcher from UK on 2001-07-23 12:49 [#00017305] | |||||||||
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Sometimes I worry about the mundanity of this board compared to another......seem's like you take away the Aphex Twin tag and you'd be left with a bunch of cabbageheads who would feel more at home at a Lynrd Skynrd net meeting......just my opinion.....so flame me as I know you will.... |
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cabbage head on 2001-07-23 18:37 [#00017398] | |||||||||
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i KIn cut Uff mi LIPS wifth Hedge a ma clippees! *clip clip clip* Woof! Woof! Woof! DDUUUUAHHHHHAhhhh!!!!!!!!!!!!!!!!!!! I can counth to eleven!1,2,3,6,7,9,13,107,1,056,483, 10! No! No raisiNs for you! |
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m....MwMw wwW(m M m)Www wMwM....m on 2001-07-24 08:20 [#00017508] | |||||||||
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Given: cheese=4 yummy=x Prove that 4=x I'm gonna marry Zelda! Back off Mutoid Man... *shwink shink chink* You like that, huh, I have it, you don't. It's called Meerio Twins. They're so much... the same PERSON- I say to them "You want ice cream cone?" BOTH of them say yes. WTF? *deet deet deet da da deet... doop. di di di da dip da dip dope dope da dip da da dip da da dip da* "CLINGON" "CLINGON" "WHEW" "CLINGON" |
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Tek from Australia on 2001-07-24 09:58 [#00017535] | |||||||||
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hahaha if you don't get that go here http://w1.871.telia.com/~u87119813/mario.swf |
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Baron Von Picklefoot from The keep me under the stairs with only a canned ham to keep me company on 2001-07-24 11:22 [#00017568] | |||||||||
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I keep my feet in a box under lock and key in my basement so that nobody steals them when I'm sleeping! Oh NO you people know too much already! You bunch of feet thieving bastards!!!! The Baron has spoken!!!! P.S. If ever find out who painted my head blue I will buy you a sandwich! STAY THE FUCK OFF MY LAWN OR MY KILLER GOAT WILL TAKE YOUR WALLET!!!!!!! |
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m....MwMw wwW(m M m)Www wMwM....m on 2001-07-25 09:45 [#00017760] | |||||||||
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I can fit a whole caterpr illa in my nose... I shaved my eyebrows- for captain Steve. ...I put some salt inmy mouth and put a slug in there. It felt yukky. Whatd you do today captain Steve? |
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you must be another handsome boy graduate. |
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what. the. fuck. |
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discipline makes things easier, organize your life. |
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word up brotha Travis |
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This thread rocks!!! |
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Messageboard index
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