 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 Now online (2)belb recycle ...and 152 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2613408 Today 0 Topics 127499 |
|
|||||||||
| |||||||||
|
|
anyone have this machine? |
||||||||
|
|
|||||||||
| |||||||||
|
|
this is nice. a friend has an H8000FW. pretty expensive |
||||||||
|
|
|||||||||
| |||||||||
|
|
it's good i guess but doesn't it seem like cheating sometimes, this gear fetishism? just splurging a load of $$$ for more varied / nicer / richer sounds? it's not exactly inclusive, i think wave choppin' in free / pirate software etc is more ethical. though i guess i would say that being broke |
||||||||
|
|
|||||||||
| |||||||||
|
|
When are we going to hear your music, mermaidman? |
||||||||
|
|
|||||||||
| |||||||||
|
|
you can definitely make a whole album with something like jeskola buzz on a pentium mmx you find in your dads garage and its amazing and even interesting conceptually. when im lazy i play around with korg gadget and it would be enough to make a whole album with it you must admit though, that there is something in the sound of some machines that melts your face i bet it all can be emulated with a pc these days. but i also think its actually easier to buy some machines, than waiting for the right software to come out. a midi verb ii for example cost me 30 bucks and its just awesome. nobody wanted to emulate cheap 12 bit delays, because why should they. so the only way to get this sound is by buying this clunky rack piece arca is producing mostly on a computer. and his stuff is versatile you could say. but im getting ear fatigue from his shit. and i think its because he made his stuff with just a few tools, mainly with izotope iris. its missing some frequencies in the spectrum, its missing the muffelige, pappige, versiffte rundheit |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeah i like the idea of making the best of what you have but i wouldn't say no to a eventide rack |
||||||||
|
|
|||||||||
| |||||||||
|
|
not good/interesting enough to share |
||||||||
|
|
|||||||||
| |||||||||
|
|
i had an eventide space and hated it because it wasn't very transparent; it was kinda like having your original sound and then adding reverb on top of it instead of melding your sound & the reverb together. it also sounded very cold to me. but it seems the older eventide rackmounts are still held in high regard, it's too bad they're expensive as fuck tho. |
||||||||
|
|
|||||||||
| |||||||||
|
|
of course, this is coming from someone with an alesis microverb III in his rack, so i may not have room to talk. but then again, it seems a lot of the older braindance stuff was done on alesis reverbs, so maybe that's why i'm so partial to it. i'm now mostly trying to find good reverb pedals for my setup, the 2 i have my eye on right now are the afterneath & avalance run from earthquaker devices. |
||||||||
|
|
|||||||||
| |||||||||
|
|
there is not so much new technology happening music wise, eh? im always looking for stuff. physical modelling and working with dynamics based on simulations of physical behaviour is interesting. making sound on a GEFORCE GTX 1080 could be interesting, too also additive synthesis stuff i dig warp artists from the 90s until the noughties lived in the golden age. on one side, they could buy an analog moog for 150 bucks in a thrift store because people wanted to buy the new stuff and got rid of the old. on the other side computers were getting more powerful, every year (i have a macbook from 2013 with 16gb ram, new laptops mostly ship with 16gb ram, stagnation that never happened before) so people could have bedroom studios and experiment with powerful new software today we still have all these possibilities, but they are available at different conditions. at the end its the music that counts. if its good, its good. who cares how its done. but i like technology. and i like to find out about stuff and search for machines and concepts. for me its a big part of electronic music |
||||||||
|
|
|||||||||
| |||||||||
|
|
that's more of a bricasti or a quantec you're looking for |
||||||||
|
|
|||||||||
| |||||||||
|
|
empress reverb is pretty good |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeah I love gabor lazar's last album, I read he's using reaktor for sound with max for sequencing. possibly a modded lazerbass, it has that really raw additive sound. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Mermaidman = afx confirmed |
||||||||
|
|
|||||||||
| |||||||||
|
|
really!? interesting to hear. I always thought he uses max only |
||||||||
|
|
|||||||||
| |||||||||
|
|
that riff doesn't sound quite right |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
