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Back from the dead....
 

offline manifestevil from Australia on 2015-04-24 09:56 [#02486216]
Points: 986 Status: Regular



Evil has manifested once more.....
For those unfamiliar with myself, i frequented here many
moons ago.
Dormant for many years, I HAVE RETURNED! (As i see has
xltronic).

I am manifesting now sounds of slaughter and will provide
details to those interested (Avoiding spam in first post).

Infernal greetings to those that may remember me. For those
of the uninitiated....
I AM MANIFESTEVIL! The Dr of sound slaughter (with an
obvious propensity for the dramatic and theatric).


 

offline SignedUpToLOL from Zuckuss fanfiction (United Kingdom) on 2015-04-24 15:24 [#02486224]
Points: 2853 Status: Regular



I am interested in your "sounds of slaughter".

 

offline manifestevil from Australia on 2015-04-25 11:32 [#02486241]
Points: 986 Status: Regular



Then I am obliged to reveal them...

soundcloud.com/manifestevil

Dead, but not buried: unearthed relics

Dead, but not buried: ancient relics

 

offline -crazone from smashing acid over and over on 2015-04-25 18:00 [#02486244]
Points: 11230 Status: Regular | Show recordbag



nothing wrong with your music. How do you work? it sounds
like you are using a lot of sample based programs?


 

offline manifestevil from Australia on 2015-04-26 02:58 [#02486249]
Points: 986 Status: Regular



Predominantly early versions of acid. Some experimentation
with trackers and drum machine.
The examples provided, mainly detail a period of 8-15 years
ago.
Over time, I developed a process centering around a large
bank of orchestral instrument samples. Each instrument had
samples of each note in the chromatic scale, multiple
octaves and the variations in musical articulation.
I sequenced the samples in a manner much the same as a
composer arranging an orchestral piece. The drums and
percussion were added later.
Once completed, i would export the samples from acid to
cubase, where I may apply further effects or simply master.

I have begun to distance my self from previous sampling of b
grade horror one liners and schlock fx. Preferring now, to
concentrate on orchestral samples as a means of composition.

I am still composing my first track back from many years of
being dormant. It may take some time to find my feet. I do
plan to continue in much the same manner as previously
mentioned however, I remain open to experimentation.


 

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