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OMFG
 

offline B3n from Manchester (United Kingdom) on 2002-04-14 20:55 [#00174084]
Points: 4700 Status: Lurker



I work for weeks on tracks sometimes and find it quite
difficult. So I leave the one I'm working on and start work
on a semi-cheesy four to the floor track in orion and it
sounds good and I did it in a night!

god,


 

offline marlowe from Antarctica on 2002-04-14 20:58 [#00174087]
Points: 24578 Status: Lurker



funny how that happens ain't it?


 

offline Zen Storm from St. Charles (United States) on 2002-04-14 22:05 [#00174216]
Points: 1044 Status: Lurker



my music is kinda Meshuggah style, but i know what you mean,
I use a 32-track digital recorder, but sometimes i'll plug
everything in to my shitty Tascam 4-track and it will sound
awesome, damn machines


 

offline regital from Baltimore (United States) on 2002-04-14 22:34 [#00174286]
Points: 800 Status: Lurker



It's not whether it takes one night or one month to create a
song, it's how good it sounds in the end.


 

offline Netlon Sentinel from eDe (Netherlands, The) on 2002-04-14 22:48 [#00174334]
Points: 4736 Status: Lurker



i did about 20 songs all with the fruityloops 3.3 demo.
which meant that i had to complete every one of them in one
take.....

the up side is that a song you create in one take will
retain much if not all of the emotions and feelings that you
intended for it.


 

offline B3n from Manchester (United Kingdom) on 2002-04-14 22:52 [#00174347]
Points: 4700 Status: Lurker



yeah....you can here a track too much


 

offline roygbivcore from Joyrex.com, of course! on 2002-04-14 23:09 [#00174376]
Points: 22557 Status: Lurker



tascam four tracks aren't that bad... :sad face: sorry, i
just don't do smileys. i've done some good shit with
tascams, but i'm not sure if you're talking about digital or
analog. i'm going to upload some tracks i did to mp3.com
soon, if i can get my connection to work. i prefer the
lesser quality some times... music thats incredibly clean
makes me angry. like it's lost all of it's humanity already.


 

offline B3n from Manchester (United Kingdom) on 2002-04-14 23:15 [#00174392]
Points: 4700 Status: Lurker



I don't care, I'm open to any kind


 

offline cygnus from nowhere and everyplace on 2002-04-14 23:16 [#00174395]
Points: 11920 Status: Regular



what do you use to sample?


 

offline cygnus from nowhere and everyplace on 2002-04-14 23:23 [#00174406]
Points: 11920 Status: Regular



i get geat noises with my Sony ECM-MS957, its incredible the
bass you can pickup from everyday things combined w/ a
minidisc


 

offline Zombiekev from Ardmore (United States) on 2002-04-14 23:51 [#00174465]
Points: 2857 Status: Lurker



sometimes you just bust out the sweet sound.

sometimes you can't.


 

offline B3n from Manchester (United Kingdom) on 2002-04-14 23:54 [#00174470]
Points: 4700 Status: Lurker



I sampled a lecture on the tudors on my phones memo
function!


 

offline cygnus from nowhere and everyplace on 2002-04-15 00:11 [#00174515]
Points: 11920 Status: Regular



whats fun is silverware

you can make alll sorts of amazing beats sampling silveware
with a microphone


 

offline roygbivcore from Joyrex.com, of course! on 2002-04-15 04:48 [#00174876]
Points: 22557 Status: Lurker



i just covered come to daddy with my tascam. i unplugged my
effects pedal while i recorded the drum track and left it
on, and i got this really cool flanger feed back that went
along with the beat pretty well. mistakes kick ass!


 

offline marlowe from Antarctica on 2002-04-15 05:32 [#00174939]
Points: 24578 Status: Lurker | Followup to Netlon Sentinel: #00174334



yeah i used to do that with the old rebirth demo - i had
some great tracks recorded live straight to tape - 15
minutes making patterns, 15 minutes recording :) it was
great!


 


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