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The key to a well-aged movie...
 

offline ijonspeches from 109P/Swift-Tuttle on 2012-08-14 17:41 [#02439410]
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...often is the score.
if you liked the music back then,
chances are high it takes you right where it struck you,
back when you watched a flick in its prime.
and if it was crap you watched as a youth,
especially the soundtrack bears a huge comedic potential
:)

what are your favourite movie scores?



 

offline Ceri JC from Jefferson City (United States) on 2012-08-14 18:10 [#02439413]
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Four movie scores really stand out for me:
Recently:
1. Drive - Chromatics and Kavinsky get all the love and it's
true the latter in particular fits the film like a bright
red suede cut off glove, but I have a soft spot for the
flawless 80s synth-pop of Desire's Under Your Spell.
2. Layer Cake - Aria from Faust by Lisa Gerrard. Holy shit
this is good.
3. Romeo and Juliet (Baz Luhrman's one) - Radiohead's
excellent, yet strangely obscure Talkshow Host is
particularly good.
4. Trainspotting - Great throughout, not a bad track on it,
but Blur's
Sing is Damon Albarn at his least punchable*.

Not in the same league as the above four's, but a special
award for "Good soundtrack, for a shit film" goes to A Life
Less Ordinary. Best track on it by a country mile is Sneaker
Pimps' Velvet Divorce.

*NB: This is the Seymour version; sadly the pricks at EMI
have blocked all the recordings of the Blur version from the
film.


 

offline Ceri JC from Jefferson City (United States) on 2012-08-15 00:16 [#02439454]
Points: 23533 Status: Moderator | Followup to ijonspeches: #02439410 | Show recordbag



What's yours?


 

offline RussellDust on 2012-08-15 00:35 [#02439459]
Points: 16053 Status: Lurker



It's silly to say that it's key. It's important in some
films but it's not necessary . I doubt many people can
remember the music of all their favourite movies. There's
some classics though.
E.T and Jacob's Ladder are two scores i never forgot from
day one. I'm guessing we all remember Star Wars or Superman.
2001 A Space Odyssey, A Clockwork Orange (ok most of his
movies). I think it was a necessity when the first movies
came out. Hitchcock obviously. Rocky.. Sorry i'm boring
myself to sleep. Night night


 

offline Portnoy on 2012-08-15 06:26 [#02439466]
Points: 1491 Status: Regular



Easy ones:

Blade Runner
The Virgin Suicides (although she seems to use more Moon
Safari in the film than the score itself)
You and me and everyone we know.
Donnie Dickhead.

Erm..

the Dumb & Dumber soundtrack!

Lost in Translation

The Good, the bad and the Ugly.

American Beauty? Thomas Newman scores have this nice
melancholy feeling.

Are we differentiating between score and soundtrack?

Anyway,

Where the wild things are.

Mark Mothersbaugh and Wes Anderson soundtracks in
general....Seau Jorge doing Bowie...

Ah, there's plenty.

Love on a real train in Risky Business and also in the Squid
and the Whale.

etc...


 

offline Portnoy on 2012-08-15 08:29 [#02439467]
Points: 1491 Status: Regular



Ah yes, how could I forget the most amazing

Popul Vuh's music to the Herzog films....amazing.

And as RusselDust mentioned Kubrick, I would like to say the
Schubert number is fantastic in Barry Lyndon.

Nino Rota for Juliet of the Spirits and 8 1/2.

And the music for Wicker Man.


 

offline ijonspeches from 109P/Swift-Tuttle on 2012-08-15 10:27 [#02439470]
Points: 7840 Status: Regular | Followup to RussellDust: #02439459 | Show recordbag



well i said it often is the key, to be a pleasant rewatch.
the thread-title itself was mere attention-catching .-)
and of course i dont just rewatch it because i was fond of
the music. But its a thing that really stands out to me much
more than certain lines or even shots or the plot in a
matter of getting back to the feeling of the film. Just a
few seconds of the score can turn back time and bring me
right back at the emotions of the film and to the emotions i
had at the age i watched a film. Also i dont rewatch a
movie, that hasnt had any other qualities, but the
soundtrack and score is one of the key aspect for me for a
movie work and especially to link emotions to it.




 

offline ijonspeches from 109P/Swift-Tuttle on 2012-08-15 10:46 [#02439471]
Points: 7840 Status: Regular | Followup to Ceri JC: #02439454 | Show recordbag



once upon a time in america, a fistful of dynamite,
bad taste :)
for soundtracks for example fear and loathing in las vegas,
reservoir dogs and yes definitely trainspotting.
i dont have all that many on my mind actually,
its just when i rewatch a film its so striking and
powerful.
Sadly if the score sucks its hard to still enjoy the film.


 

offline hedphukkerr from mathbotton (United States) on 2012-08-15 15:59 [#02439490]
Points: 8833 Status: Regular | Followup to ijonspeches: #02439470



considering smell is the sense most closed tied to memory, i
think your head is going to explode with nostalgia once we
invent smell-o-vision.


 

offline ijonspeches from 109P/Swift-Tuttle on 2012-08-15 17:27 [#02439497]
Points: 7840 Status: Regular | Followup to hedphukkerr: #02439490 | Show recordbag



hahaha, not sure about that :)
unless grenouille was the "master of scents"
in those productions...



 

offline Steinvordhosbn from London (United Kingdom) on 2012-08-15 18:34 [#02439507]
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Wim Merten's music for "Belly of an Archtiect" always drops
me straight back into the atmos. Same with John Carpenter's
scores but most of all "Assault on Precinct 13". The remake
of "Solaris" has a great soundtrack. Ummm.


 

offline dariusgriffin from cool on 2012-08-16 04:21 [#02439515]
Points: 12394 Status: Regular



My favourite films have next to no music :|


 

offline Ceri JC from Jefferson City (United States) on 2012-08-17 13:11 [#02439623]
Points: 23533 Status: Moderator | Followup to Steinvordhosbn: #02439507 | Show recordbag



Good call, AoP13 is a great score.


 

offline AMPI MAX from United Kingdom on 2012-08-17 16:14 [#02439626]
Points: 10789 Status: Regular



these are the ones that take me to film memory places
blade, terminator 1/2, alien 3,
blade runner, hackers, lady vengeance,
natural born killers, predator, ju on,
pi



 

offline ijonspeches from 109P/Swift-Tuttle on 2012-08-17 23:53 [#02439642]
Points: 7840 Status: Regular | Followup to AMPI MAX: #02439626 | Show recordbag



ah yeah, T1 and Predator burned their way deep into
my harddrive aswell.
T1´s raw synth score sets the movie on play
in my mind instantly and the pop tracks written for it
forever connect the music, with 80´s people dancing in
slow motion. one of the few soundtrack-cds on my pc,
together with blade runner, morricone and tarantino.



 

offline ijonspeches from 109P/Swift-Tuttle on 2012-08-17 23:57 [#02439643]
Points: 7840 Status: Regular | Show recordbag



still curious what rather unkown gems appear...
the belly of a architect track on youtube the other day was
insanely beautyful!


 

offline obara from Utrecht on 2012-08-18 08:10 [#02439647]
Points: 19368 Status: Lurker



radio on (1980) - if you like Kraftwerk ;]
blade runner
the hitcher (1986)
nighthawks


 

offline jnasato from 777gogogo (Japan) on 2012-08-18 13:33 [#02439649]
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Back To The Future


 

offline dave_g from United Kingdom on 2012-08-19 22:14 [#02439736]
Points: 3372 Status: Lurker



The Taking of Pelham 123.
Get Carter.
Escape from New York.
Death Wish.
The Third Man.


 

offline AMPI MAX from United Kingdom on 2012-08-19 22:45 [#02439738]
Points: 10789 Status: Regular | Followup to ijonspeches: #02439642



T1 is such a good film. but srsly that club scene where its
playing 'you got me burnin' is somehow the strongest bit for
me. best film memory ever


 

offline pac_1231 from Misery (United States) on 2012-08-20 02:47 [#02439746]
Points: 10 Status: Lurker



The score for Pi was pretty good, I mean what director has
the balls to put a song from Autechre in their movie, I
think it was one of the songs from Incunabula


 

offline Ceri JC from Jefferson City (United States) on 2012-08-20 10:53 [#02439752]
Points: 23533 Status: Moderator | Followup to pac_1231: #02439746 | Show recordbag



The OST stuff on Pi is good too, by Clint Mansell IIRC (who
I generally like).


 

offline jnasato from 777gogogo (Japan) on 2012-08-25 19:53 [#02440050]
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...Alas, the real Max Cohen is working at Burger King,
listening to Mansell's amen breaks, wishing he was as cool
as the film. The Burger King manager goes, "Max, you can't
come to work with all that paint on your body", then Max
replies angrily, "BUT HOW ELSE AM I SUPPOSED TO LIVE IN
BLACK AND WHITE YOU CUNT!!!" *fired and banned from posting
on the Burger King message boards*


 

offline atwood from The Library (United Kingdom) on 2012-08-25 21:20 [#02440052]
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The score from the film Contagion is very good.
I agree with Portnoy about Barry Lyndon.
Also Ernst Reijsegers score for Cave of Forgotten
Dreams(Herzog)is almost divine.


 

offline obara from Utrecht on 2012-08-26 08:59 [#02440065]
Points: 19368 Status: Lurker | Followup to atwood: #02440052



thx for reminder about Contagion, I've seen it recently and
my ears noticed lots of yummy electronic sounds throughout


 


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