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 (nobody)...and 265 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2613463 Today 1 Topics 127501 |
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I can. I tried really hard. And now I can. It's just a fourth dimension, nothing special, I already had three. It's just a dimension like the other three. No ghosts or visual time or any of that stuff. The world as I knew it looks more flat now though. |
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liar |
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you mean time? x y z + time? |
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no this fourth dimension is in space, like the other three |
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but at which plane doeseth it travel? |
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? |
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w ? x y z + t? |
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What's a dimension? |
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its a thingy. |
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My model predicts the abstraction of the 3 ancient pyramids of Giza in a 3D trace of the pyramid in numerical values inside the world wide web using 2 portals in a perspective I think to be isometric. a third portal represents the starting point 0 (private), and the Y axis going through the first portal conceived as a basic numeric plan (WATMM), and a second (XLT) in which (through the aid of two faces, plus a third representing the extension of the Y axis and mathematically, the numerical sequence going upwards) happens the reunification with the top of the pyramid in chronological order. applying the same concept, the second polygon envelopes around a longitudinal axis using my room's ground as a basis,relying on my two faces for the upwards movement, that of my real persona and my Internet persona, which climbs up to the full moon (physically, looking up in the sky; afterwise, by virtually following the control phase of the moon on the internet or conversely, depeding on the weather) the top of the pyramid, thus the 2 dimensions 3+3 plus the variable time, that represents the is the invisible dimension, the illusion and the syncronicity. i like to picture this as the smaller pyramid, of which you can see the top as the feeling, a chemical reaction that is called emotion. you can feel but you can't grasp. you can consider the idea of fourth dimension as something having an abstract, but semantic significance such as interactivity, or thinking , or the art of listening da music. in this model, I'd have to subtract one point to retrieve the perfection of the harmony mathematics above described. or tomorrow, i'd go back to today to retrieve the perfection of a full moon, so it's quite interac |
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tive.. subctact 2 lol |
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*tract, 3 |
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go to bed |
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you wouldn't treat me this way if i was famous, damnit from now on call me Mohamed the First , the Dinasty 0 |
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*chuckles* :) |
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yes mohamed, you can clearly see that to find the values of x, y and z we convert the formula into its dimensions. On the left-hand side the dimension of the period is [T], the dimension of mass is [M]x, the dimension of the length of the pendulum is [L]y and the dimension of g is [LT-2]. [T]=[M]x[L]y[LT-2]z. Equating left-hand indices with matching dimensions on the right-hand side. [M]: 0=x [L]: 0=y+z [T]: 1=-2z From this we can deduce that z=-1/2, while y=1/2 and x=1/2 Substituting these values into the original equation we obtain. T=m0l1/2g-1/2= k(l/g)1/2. Where k is a constant of proportionality. Compare this with the equation for the period of a pendulum T=2&pi(l/g)1/2. The form of the equation is correct, but it cannot determine the constant of proportionality. well anyone can clearly see how this works! clearly |
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well i can't understand a shit but and the end is the same 'but it cannot determine the constant of proportionality' i'm not going crazy after aural sections, Pi greco and stuff i guess symbols have been invented for some reason no? or what the fuck am i doing here between the stars |
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way too many chiyo-chans on this thread... or is that some trick to make us see in 4 dimensions? |
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2 0 7 3 0 6 sono due linee parallele che formano un piano numerico base (watmm). osservazioni: formano la base quadrata, scambiando il 3 con lo 6 o il 2 e il 7 ottengo un movimento di due diagonali a-->b. le ottengo anche con la moltiplicazione 7 per tre e sei per due, 21 e 12. entrambi i risultati formano due linee orizzonali o verticali: sia con la somma di 2 e 7, 3 e 6 ottengo 9. con la sottrazione di 7 e 6, 3 e 2 ottengo uno. moltiplicando invece 7 per due (14) e 6 per 3 (18) e sottraendo il primo dal secondo ottengo 4, i numeri dei quattro angoli della base quadrata. il numero 3102 mutato in 0123 del sito xxx mi offre la base da cui far partire (O) l'asse Y, il movimento ascendente è garantito dalla sequenza 11123 nel sito xlt. (Il termine piramide deriva dalla lingua greca (πυραμίς ). Alcuni storici ritengono che il termine greco a sua volta provenga dal termine egizio per-em-us che nel Papiro di Rhind è usato per rappresentare l'altezza della piramide (alla lettera "ciò che va su"); i greci, applicando la figura retorica della sineddoche (la parte per il tutto e viceversa), lo avrebbero poi usato per indicare l'intera opera monumentaria. infine, anche in ordine temporale, ho ottenuto tramite l'utilizzo di due facce i numeri 28 e 2 il vertice piramidale 282 (S) che congiunge la poligono. |
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goodnight |
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Hold it, pay close attention!! freqy take ur brain to another dimension. |
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congs |
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tanks |
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and what mushrooms are you on? |
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big please answer the acid droplet creature. you may need some carbohydrates? eat some sugary things. |
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i'm sure to take my four dimensional vitamins! |
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