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 Now online (3)recycle big belb ...and 408 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614083 Today 3 Topics 127542 |
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Space music is not sad or happy.. we who can understand this message can only teach our ambient peeps about truth (ae at OSCILATOR track NO.3) |
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it's okay |
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it's one of my two friends |
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are you sure? |
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hiv positive. |
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yes |
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i'm down! |
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Music is a super-stimulus for the perception of musicality, where "musicality" is actually a perceived property of speech. "Musicality" refers to the property of music that determines how "good" it is, how strong an emotional effect it has, and how much we enjoy listening to it. The theory implies that ordinary speech also has this property, in a manner which may vary as a person speaks. The musicality of speech is much more subtle than that of music, but it provides important information which the listener's brain processes (without conscious awareness of the processing), in order to derive some information about the internal mental state of the speaker. This information is applied to modulate the listener's emotional response to speech, and this accounts for the emotional effect of music. What distinguishes the super-stimulus theory from all other serious attempts to explain music scientifically is that it starts from a simple assumption that music perception must be an information processing function, and this assumption results in quite specific explanations of how major aspects of music such as scales, regular beat and harmony are processed in the brain. It is the first theory to explain the perception of musical scales without a priori assuming the existence of musical scales. (The theory has to do this, because it is a theory of music perception as an aspect of speech perception, and musical scales do not occur in normal speech.) |
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It gets me from A to B. |
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it dosent love me back |
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