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 Now online (1)big ...and 263 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614069 Today 13 Topics 127541 |
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MIXMONSTERMASH Skinny Puppy - Epilogue-First Aid / Dr. Dooom - Neighbors Next Door / Scorn - Far In Out Autechre - Iera / DJ Andy Smith (Geoff Barrow - GB Beats/Jungle Brothers - How Ya Want It) / Glenn Branca - L'eve Future / Angelo Badalamenti - Police (Lost Highway ST) Nurse With Wound - Chicken Concret / Samhain - Unholy Passion / Otto Von Schirac - Lunatic Nitrates / Dü - Straobeik Portishead - Humming / Coil - Remote Viewing 2 / Pisgah - Cthulhu / Genius/GZA - Swordsmen |
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YEAH!!!!! At last i have glasse in my ears, I typed that pretty good yes? |
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dID you say my track was in it or is that a drunken mistake of mine? ---------^ this is a question |
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not in this. you have to give me something to remix. |
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OH RIGHT. i think i'm going to choose my favorite: TIME TRIED TO BREAK THIS. I made it a few months ago and i want someone to play with it. It will certainly be a challenge glases > glasse. I hope you can handle THE MELODY! it's hard. ----I LUV DA MIX "W 'Y NEIGHBOURS NEXT DOOR DOWN ON THE NEXT FLOOR!" |
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nice. yea hook me up i am up to the test. |
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...listening now |
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Hedphucker HAS to luv this! |
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well if he does great if not i want his critique |
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i'll say, the individual sections of this are excellent - great track selection for mash-ups. i don't know most of the original tracks and i have a hard time discerning which parts are from which, so from that standpoint youve done your job. the transitions between the sections however leave a bit more to be desired. they sound like there should be some more intricate filter work to move the parts into and out of each other, not just a simple cross-fade. (a large chunk of my transitions are done by bringing in one part with the bass cut and rolling up a low pass filter, then slowly bringing back the bass on the previous track to drop the low end of the next at some later time). but this is from a strictly constructive standpoint, it still gets a thumbs up from me. |
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Fair enough. I can see what you are saying going from neighbors next door to when the sped up rap kicks in, if i didnt know that the first section of sped up rap is still neighbors next door (it is like an inhale then drop). Going from that track into the weirdo monkey rock I just wanted to get it real sparse for a sec for those weirdo samples to start. I think if I performed it live with a controller hooked up it would sound more visceral maybe. But yea I am glad you like it thanks for all the comments. |
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performing live (as opposed to playing prescribed parts), whether it be on computer or physical instrument, adds such a dare i say human quality to the music - i bet if you had been able to record automations for those transitions instead of drawing an envelope they would have been a lot more satisfying. and actually, the parts where you brought in the vocals weren't what troubled me, those worked pretty well actually, it was more particularly the transition into iera where it just felt like things got a bit lost. in a live situation, you would hear this immediately and just speed up the transition, but as it was there were just a few too many bars where not enough was happening to keep keen interest. as i said before, these are constructive comments - overall it was a great sounding mix. i personally wish i would get more feedback like this myself - learning from mistakes yada yada yada. |
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I don't see Monster Mash in there, which is the reason I came in! |
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That's a good point. It really should be! "t'was a grave yard smash" <----to a massive beat |
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I actually downloaded it and considered using it, but then i didn't Then I thought I remembered hearing bits of it on that Mike and Rich CD, but I couldn't find it so maybe it was something else. |
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C'mon people are you too scared of the monsters? We got ghasts, ghouls, trolls, gremlins, wendigo. I got the muthaf@ CHUPAKABRA This is what you get: A head nodding crown, little bit gangsta, little bit industrial, even a hint of dub. Totally scarey! An oozing, disgusting monster mash filling. Totally abstract deconstructed rhythm and rap. It's like gooeey tar dripping between your teeth. You will want to remove your own guts! This is layered on top of a dada crunch you cannot resist. So silly, yet *important*. We got monkeys and chickens and most importantly Glenn Danzig!!! All this on top of another head nodding heel. We know your trip to hell wore you out, so we'll finish with some easier listening. Still plenty sPoOkY, but damn jammin too. |
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yea you are right about iera. I tried to be respectful of the original material and adapt to what they are doing. With that song, it is just a really slow, almost medative burn after that first initial section starts to wind down (which in the case of this mix is when the first sped up rap winds down too.) What I tried to do was grab onto a loop from ae that was the most head nodding out of that section and repeat it, alternating with more the deconstructed parts from the track. Then I start to bring the andy smith/geoff barrow track in underneath it (although quiet and subtle) to give it a subtle hook while maintaining the sparse, abstract atmosphere. |
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mega bump |
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bodypoppin nonstopping anything but notrocking bad aaaasss beats |
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NON OF Y'ALLL GOT DA BALLS FO THE MONSTERMIX. FOOOOO LS |
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