 |
|
You are not logged in! F.A.Q Log in Register |
 |
|
 |
 (nobody)...and 339 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
 |
Members 8025Messages 2614103 Today 0 Topics 127542 |
|
|||||||||
| |||||||||
|
|
Live digital recording, not soundboard. No messing about. |
||||||||
|
|
|||||||||
| |||||||||
|
|
We all realize whoever gets a soundboard recording first will be biggest IDM god of the past 3 years right? We should start a donation site / paypal / wiki thing that collects all kinds of money to be slipped to the soundguy for the opportunity to jack into the board. |
||||||||
|
|
|||||||||
| |||||||||
|
|
GREAT IDEA thanks brisk |
||||||||
|
|
|||||||||
| |||||||||
|
|
Brisk- This is the best recording of this tour to date. THANK YOU. |
||||||||
|
|
|||||||||
| |||||||||
|
|
PS- That girl to the left needs to be smacked. |
||||||||
|
|
|||||||||
| |||||||||
|
|
i give thansk |
||||||||
|
|
|||||||||
| |||||||||
|
|
OMG OMG OMG. Brisk. Near IDM god status. So far you win until a soundboard is posted. |
||||||||
|
|
|||||||||
| |||||||||
|
|
props to the man! |
||||||||
|
|
|||||||||
| |||||||||
|
|
Thanking before listening. :) |
||||||||
|
|
|||||||||
| |||||||||
|
|
downloading now. eternal thanks! |
||||||||
|
|
|||||||||
| |||||||||
|
|
Best recording so far of the tour! Tonnes of thansk! |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeah, thanks a lot! |
||||||||
|
|
|||||||||
| |||||||||
|
|
What is up with Toronto and recording Autechre shows? The 2001 Confield recording from Toronto was also amazing. Great shit. |
||||||||
|
|
|||||||||
| |||||||||
|
|
nice one!! thanks brisk :) |
||||||||
|
|
|||||||||
| |||||||||
|
|
yea thanks. I don't know if you guys know or not, but we have a remastered version of the LA set on WATMM that sounds a little better than this. Some of the highs are lost in the remastered version though. Whatever. |
||||||||
|
|
|||||||||
| |||||||||
|
|
w00t |
||||||||
|
|
|||||||||
| |||||||||
|
|
You should check my second remastering, posted in . The highs aren't crippled in that one (not that they were crippled; but you get the picture); they're even slightly enhanced in this second version. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Albeit Toronto being a little bit off center and heavy to the left, as a source material for remastering, I find it to be a superior recording then the LA show. With some treatment, this remastered would be better than LA remastered in the end. |
||||||||
|
|
|||||||||
| |||||||||
|
|
fluorescent grey and I should perhaps do some work then! :) I let him give it a go first, if he wants to that is.. his first remastering effort sounded very neat, even though it lacked the punch and power; but that's where I entered the tweak zone.. go go go |
||||||||
|
|
|||||||||
| |||||||||
|
|
im being honest here i dont think this Toronto show is superior maybe the bass came through more clean but just about everything else sounds worse to my ears. Even if we did try to clean this up i still dont think it would sound as good as LA. but again perception is everything and both recordings sound pretty different from one another. This one has a lot more of the reverb club room sound, which some people tend to like. I prefer the closer up recordings. |
||||||||
|
|
|||||||||
| |||||||||
|
|
also anyone else wondering exactly what AE is doing 'live'? ive listened so far to 4 of their sets on this tour and they are nearly identical to eachother. A lot less noticeable variation than in the 2005 untilted tour. Since its so dark when they play i wasn't able to actually tell what they were changing or tweaking live. from what im able to tell it seems like theyve written a 50 minute long 'song' on the monomachine & machinedrum to automatically play out with possibly them changing the tempo manually and adding some glitchy effects on top. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Autechre live includes: Sean: Program Machinedrum and monomachine. Press play. Twiddle knobs to make it sound more glitchy and add some reverb effects here and there. Rob: Program Nord Modular. Press Akai MPC buttons live. Frankly, with the quality of their live shows, I don't care what they do. The lights are out. It's about the music. Not about the performance. And the performance for them is mostly about the money, not the experience. Even if they were playing live keyboards, you wouldn't be able to see it anyway so what's the difference? I like their musics. |
||||||||
|
|
|||||||||
| |||||||||
|
|
NEATO THANKS |
||||||||
|
|
|||||||||
| |||||||||
|
|
im not faulting AE for wanting to make easy money and not have to put into too many actual live elements. I personally would probably do the same thing on a world tour, its exhausting in and of itself to travel to a new town each day and have to stay up till fucking 2-3 in the morning in a smokey loud ass club. |
||||||||
|
|
|||||||||
| |||||||||
|
|
this is great |
||||||||
|
|
|||||||||
| |||||||||
|
|
that whole bit before io is about the best thing ive ever heard |
||||||||
|
|
|||||||||
| |||||||||
|
|
sorry this is obviously a better recording than the la one. get your ears checked. |
||||||||
|
|
|||||||||
| |||||||||
|
|
lol ....get your ego checked sad person |
||||||||
|
|
|||||||||
| |||||||||
|
|
glotch, odds are good the 2001 toronto confield show was recorded by the same guy... pasting from the nfo file for the recent toronto recording: DPS with a new Shiny Boots of Leather production... Note to nukers and other freaks - source is WAV (16/44.1) from digital recorder + external mic from the audience. I don't think the "rules" really address the new technology, so I'm tagging -WAV-AUD in hopes that confusion is minimal. I hope you appreciate the increase in sound quality over our older -MD-AUD recordings! Autechre. It doesn't get any more DPSish than this... This was a tight, 1hour long, danceable set of freaked electro, with ae's worst pointless noodling tendencies kept to a bare minimum. The room was hot, sweaty and dark. Some notes on concert-going etiquette: 1. doing the interpretive tai-chi robot dance - yes! 2. bringing your 3 day old body odour and chatting with your fellow bearded indie-rock buddies all night - no! This guy doesn't know what he's talking about: http://music.guardian.co.uk/live/story/0,,2261916,00.html Sick sick show. You should check out the tour if at all possible. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Interesting first post yarv. Where'd you read the NFO from? I'd like a copy of the original wav. |
||||||||
|
|
|||||||||
| |||||||||
|
|
anybody get a chance to grab the vancouver 2008 recording off watmm downloads before watmm shut down today? i have no idea what quality it was, but i wanted to check it out! |
||||||||
|
|
|||||||||
| |||||||||
|
|
grabbing it now. Seems like watmm is back up. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Its not superb. |
||||||||
|
|
|||||||||
| |||||||||
|
|
re the nfo and whatnot, all over slsk etc, glotch. |
||||||||
|
|
|||||||||
| |||||||||
|
|
re nfo h20 radium slsk etc brb wtf gtg ttyl afaik |
||||||||
|
|
|||||||||
| |||||||||
|
|
= Remastered + split version |
||||||||
|
|
|||||||||
| |||||||||
|
|
Thank yuo and furtuerimage too! |
||||||||
|
|
|||||||||
| |||||||||
|
|
yea, this sounds aight if it werent for that annoying girl in there. so what, no soundboards at all from this tour? nothing? ae cant even leak one for us? |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeah. Absolutely whack. |
||||||||
|
|
|||||||||
| |||||||||
|
|
still nothing? how disappointing. i have recently been revisiting all the quari stuff and am loving it. its all drippy and wintery |
||||||||
|
|
|||||||||
| |||||||||
|
|
yeah this is still the best recording. the "remastered" versions are no good to my ears. More is lost in the translation than gained. The lack of a soundboard for this tour is so disappointing. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Why the fuck is there not a soundboard of this tour? |
||||||||
|
|
|||||||||
| |||||||||
|
|
There are soundboards... it's just the bastards that recorded them won't let go of them. Either that or they're saying they've got a soundboard to be more popular amongst the fanboys. dunno. |
||||||||
|
|
|||||||||
| |||||||||
|
|
theres some good audio with some of the video of em live out there. someone should at least rip the audio from the videos too. |
||||||||
|
|
|||||||||
| |||||||||
|
|
Give me links and I'll gladly do it. |
||||||||
|
|
|||||||||
| |||||||||
|
|
they are just posturing i bet. if someone had 1, it would be out. |
||||||||
|
|
|||||||||
| |||||||||
|
|
where are the good audio/video clip links? youtube? |
||||||||
|
|
|||||||||
| |||||||||
|
|
has anyone any idea what consequences a sound engineer has for releasing their own recorded soundboard on the internets, im assuming its a massive legal issue which could result in a possible sueing, to me im surprised we dont see more soundboard recordings showing up on the net, |
||||||||
|
|
|||||||||
| |||||||||
|
|
i guess what i meant is one of those was probably recorded in full and say for example, the chicago show...it has pretty good sound quality up there on youtube... |
||||||||
|
|
|||||||||
| |||||||||
|
|
I don't totally get why Ae would be so against that though. They've said in interviews they don't mind it happening. Besides, where the material they play live hasn't actually been released properly, it's more difficult in court as there isn't so much evidence in Ae/Warp's favour. |
||||||||
|
|
|||||||||
|
Messageboard index
|
|||||||||
