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 (nobody)...and 97 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2608905 Today 0 Topics 127233 |
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:-/ |
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some reviewer called the SMD album "Temporary Pleasure" as "just a showcase for the production abilities of James Ford" the guy didn't mean it as a compliment, but i thought: he's magnificent some random youtube comment, "the sounds are just so godly clear," and yep. then the same reviewer with the above comment, commented on the helixing in pinball, yep ...but he did rock music before, never really cared to check it out. and to hear he's signed to warp for rock, should you be accurate, does not particularly interest me either. in fact, what you linked seems thoroughly on the "let's try to make music as moody and dull as pink floyd" |
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my first cpn, community psychiatric nurse recommended them to me, he is mates with them, havent seen that guy in a long time, his name was matt, good guy, knew a lot about drugs and helping people who hear voices in their mind |
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It’s good tho |
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Not surprised warp.is signing stuff like this. Now they better come up with a new boc, or afx soon |
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Golly, who knew there was a market for an ersatz Pink Floyd Magnetic Fields. This shit needs to be heard. |
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remember when the WARP site had all those mad blocks that would move when you mouseovered them |
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remember when boards of canada had that macromedia shockwave maze |
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i think james ford does a lot of cocaine. i'm not judging; it seems to work |
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nevermind that; sorry. i'm really just saying what i feel i was thinking, though. i was complaining in one of my threads i'm posting music, like -- phrasing it better here, then i did there -- i need someone who really knows what they're doing to just utterly tear into this pile of tracks and make a very firm list of what i am doing wrong. and hell. if the guy had a half hour, he'd probably be perfect. |
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mix-wise, i mean. frequencies. transients. etc. actual composition not the question. questionable as it may be |
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it's tough to even define my problem(s). i grew up with a soundblaster 16 and i kind of like the warmness of a mid-range mud. but i am forever arguing with myself about... eq, multiband comp, 150-300hz? dfghjk then the bass, i need to roll some of this off, but i don't quite... standard solutions don't fit cloud of comments going from 2-10khz then, really, given how i do, what should my compressor approach be? on top of the EQ hangups? i am getting good enough that tracks sound reasonably loud, that they barely have to be normalized; not even compressed. or at least, it doesn't sound too out of place. but no, there's something with EQ, compression, it's there but i'm just smashing my hed against the wall good luck with pink droid. |
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~ oh that'd help first two, didn't actually do much to them. eq, maybe a little compress third an earlier take where raw mix wasn't as good; would like to clean it up fourth an earlier take where raw mix wasn't as good; i tried to clean it up. it certainly feels more present on headphones. but probably good if you want to be all "no, nope, not quite there" for anyone bored really, suppose |
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