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 Now online (1)Roger Wilco ...and 459 guests Last 5 registered Oplandisks nothingstar N_loop yipe foxtrotromeo Browse members... |
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Members 8025Messages 2614240 Today 9 Topics 127550 |
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Whenever I listen to the quieter and weirder middle tracks of Confield, I always seem to imagine a huge, weird, spaceship moving over a futuristic, yet dark and abandoned city...(those bells especially make me think of a huge, grey, overpowering object.) Am I abnormal? |
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I imagine: a cute dog |
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That part of Confield is like listening to a huge supercomputer take in data, crunch it and spit out data that would probably take the human race thousands of years to decode... And of course I'm abby normal! " ~ |
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I see the textures, maybe a bit like the gantz graf-video.. |
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I thought you were Abby Hoffman |
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A...cute dog? Well...that's interesting. When you actually analyze them, those tracks aren't too complicated-they still manage to be very nice though. And of course, fucked-up sounding (in a good way, natch) |
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frosty the snowman wrestling pingu the penguin?.. no..I dont Imagine..I try and listen and see into and thru the structures... |
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you don't have to analyze the tracks to hear they're not that complicated.. just listen.. |
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I imagine autechre laughing at me everytime i turn it on beause it's complete garbage. " I cant beleive they buy this, we can make anything and it'l sell" -ae ( i am an autechre fan, btw) |
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"you don't have to analyze the tracks to hear they're not that complicated.. just listen.." Eh? Anyway...can anyone tell me if track 5 (soz-got this recently and can't be arsed to look at the track names :D) is constantly changing, or am I imagining it? (I know it has an ubrupt change towards the end, but I mean in between) Also, has anyone noticed the main sound in this uses a sample of a buzzing wasp..? |
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I picture my brain melting and running out my ears. Or maybe I'm just looking the mirror. I hate Confield. |
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well.. analyzing to me means sitting down and listening to the tracks and disecting them. no need for that. |
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"I imagine autechre laughing at me everytime i turn it on beause it's complete garbage. " I cant beleive they buy this, we can make anything and it'l sell" -ae " I must say, I think this with some of their music-namely ep7, which I can't bear (don't bother flaming me, it's my opinion) However, for some reason, I like Confield, on an emmotinal level especially. |
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I picture nothing, for I have never heard Confield. Can someone compare it to another album? Like the style...etc. |
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no. not really.. |
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you mean 'parhelic triangle' - amazing track, my current favourite. the crunching beat is constantly changing yes, the melody not so much. where do you hear the wasps? I would be seriously surprised if ae use 'clean' samples though.. |
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The only I can compare it to are the best ideas of LP5 and ep7, merged together in a rich, textured sonic tapestry. I haven't heard ANYTHING yet that comes close to Confield. |
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It's just noise. No rythem or anything. It's not even good noise, it's just.....noise... |
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You OBVIOUSLY haven't heard the album. Get yo' ass to Soulseek, boy. >:| |
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good noise. bad noise. shut up. |
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Ok, maybe ill give it another try.... I only listened to it twice when i first got it. |
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VI Scose Poise: Forms...hard to say. Lots of white in it though...in fact its a very white song for me. tiny silver balls in a white colored vacuum i guess. Cfern: Transformations. Dark mysterious hallways. Forbidding. Its sean and rob trying to control something wild...cause the rhythm gets under their power sometime in the song at the 3 min mark roughly. Pen Expers: A very wild song where something is trying to happen but its surrounding is very dence. It has a huge dose of anxiety in it for me....and like the feeling when you're underwater and are trying to breath from what little air you get from the top. The tune that comes in (the strings) try their best to get through the dense rubbery textures but then fall away under the force and pressure its surroundings. Sim Gishel: Rubbery. Dense. Stretched music in my opinion. Parhelic Triangle: A sea of rubberish water on a distant planet. very dark out ... only hints of nearby planets above its mountainous landscape and coastal regions. a scary image for me is the sea filled with bouys (water markers for boats so they know where to go). Another image i see is the progression of hypnotism...the bells would seem to be hypnotising something unseen. neurological information is all those gurgly noises. Bine: Fierce. The first time I heard it i understood bine as an opera. you've got your strings in the background...rather normal / avant garde. I tried to imagine them by themselves...would be nice to hear. and then you have all your noise on top...which is acting according to the strings. its an opera at a microscopic level. tiny organisms shoot about while others hover around in a state of stasis like a humming birds wings. Eidetic Casein: Architechure (sp?). this is the song that looks like confield's cover. so i basically see the cover with this song. Uviol: Ice. foreign landscapes. glistening sun on ice formations. sounds coming from in caves at water drops. boiling mud puddles start burbling at their sched |
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Twice? TWICE? *rolls eyes* I suppose you only listen to everything you get TWICE? I have no problem people criticizing albums, as long as they give reasonable thought and time to their arguments... Come on, Asche XL. Time to get with it. o_O |
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bugger it cut off... uviol: "at their scheduled time in the day halfway through the song." Lentic Catachresis: is the track that takes us back to our world so to speak and it shows us them in their studio working away. the randomness we get is them 'leaving the building' so to speak. |
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I associate most of the confield with Architechture, I dunno, like that "Fritz Lang" movie Metropolis....If had to make a video for "Bine" Id just film some ugly "Bauhaus" Buildings.. |
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nothing, nothing at all |
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how can you say confield is noise? its the most mature thing out there in terms of sound. it takes everything out. its autechre at their finest imo. nothing will compare with it at all! its perfect. in everyway. |
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