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MUSIC:what do you look for
 

offline flea from depths of your mind (New Zealand) on 2002-07-14 22:26 [#00309187]
Points: 9083 Status: Regular



okay I was thinking if we had a kind of a list where
everyone's priorities lie in music it will be easier for us
to judge what everyone's recommendations and tastes sound
like..I have gone for 4 rough categoires..and I will order
them in my order of preference..feel free to shuffle it
around to suit your own tastes

1.Experimentation (structureless/formless/abstractions etc)
2.Innovation
(cuttinng edge studio wizardry knob twidling etc)
3.Beats
4.Melody


 

offline tolstoyed from the ocean on 2002-07-14 22:29 [#00309189]
Points: 50073 Status: Moderator



1.melody and beats
2.innovation
3.experimentation


 

offline Xanatos from New York City (United States) on 2002-07-14 22:32 [#00309192]
Points: 3316 Status: Moderator | Show recordbag



emotion


 

offline Smyrma from Beloit, WI (United States) on 2002-07-14 22:32 [#00309193]
Points: 2478 Status: Lurker



I like to hear music that requires musical talent to
perform/create and isn't just a rehash of other stuff.


 

offline Sepix from Major City (Austria) on 2002-07-14 22:33 [#00309196]
Points: 3110 Status: Lurker



beats and melodie =)


 

offline Sepix from Major City (Austria) on 2002-07-14 22:34 [#00309197]
Points: 3110 Status: Lurker



and hot chicks of course !


 

offline Ophecks from Nova Scotia (Canada) on 2002-07-14 22:34 [#00309199]
Points: 19190 Status: Moderator | Show recordbag



I don't know... I think a blend between melodies and
experimentation. I like guitars and nice vocals and stuff,
but not in a heavy metal or punk sense... too predictable.
More like the Beatles using guitars and melodic sense and
all that in something like ''Rain''... BUt with weird
lyrics, the strange ending with reverse singing, mixed with
the awesome singing and chorus... it's catchy but has it's
own quirks. Radiohead, too... memorable songs that aren't
too weird but are NOT ''normal''.

I'm not too into the formless stuff. The Beatles (again... I
know I'm bad) blend catchiness with psychosis in I am the
Walrus, that's how I like my experimentation. I want some
songwriting to temper the madness.

Beats... well, they're an afterthought, but I like alot of
music that centers itself around creative percussion. But I
like songwriting first and foremost.


 

offline Bob Mcbob on 2002-07-14 22:36 [#00309203]
Points: 9939 Status: Regular



thats kinda a crap list....
what makes u buy cds?

1 artist name
2 heard good reveiws
3 nice cover
4 right genre
5 recommended by other people
6 other....


 

offline Jarworski from The Grove (United Kingdom) on 2002-07-14 22:37 [#00309205]
Points: 10836 Status: Lurker



I'm with Xanatos... emotion... every time


 

offline marlowe from Antarctica on 2002-07-14 22:38 [#00309206]
Points: 24590 Status: Lurker



melody
innovation
beats
experimentation


 

offline flea from depths of your mind (New Zealand) on 2002-07-14 22:39 [#00309209]
Points: 9083 Status: Regular | Followup to Bob Mcbob: #00309203



actually..my idea was that once you are past the hype and
the packaging...


 

offline CORTEX from Canada on 2002-07-14 22:49 [#00309227]
Points: 3346 Status: Regular



innovation with a little melody.

i like how you managed to make 4 good catagories. couldntve
done it better myself.


 

offline Bob Mcbob on 2002-07-14 22:50 [#00309229]
Points: 9939 Status: Regular



oh right sorry....

its still too hard for me to answer


 

offline ecnadniarb on 2002-07-14 23:32 [#00309271]
Points: 24805 Status: Lurker | Show recordbag



Whether it sounds good or not. Nothing else.


 

offline Amonbrune from Vancouver (Canada) on 2002-07-14 23:35 [#00309275]
Points: 7327 Status: Addict



1: Melody
2: Experimentation
3: Innovation
4: Beats



 

offline Amonbrune from Vancouver (Canada) on 2002-07-14 23:36 [#00309276]
Points: 7327 Status: Addict



I don't like it when people say beats are everything...i
mean i don't know. not to put them down just...theres more
to music to me


 

offline flea from depths of your mind (New Zealand) on 2002-07-14 23:38 [#00309278]
Points: 9083 Status: Regular | Followup to Amonbrune: #00309276



I know what you mena ..I like my beats..fucked up with
plenty of Experimentation and Innovation..other wise they
can be boring..


 

offline mccabe from fuck knows .......I`m lost !!! on 2002-07-14 23:59 [#00309298]
Points: 908 Status: Lurker



depends on my mood


 

offline Monoid from one source all things depend on 2002-07-15 00:20 [#00309316]
Points: 11010 Status: Lurker



Minimalstic STUFF, with lotsa bleeps, bloops, crr, pff,
shhh, uhhh, sounds !


 

offline flea from depths of your mind (New Zealand) on 2002-07-15 00:22 [#00309318]
Points: 9083 Status: Regular | Followup to Monoid: #00309316



hmm..we will call it
Experimentation and Innovation then


 

offline korben dallas from nz on 2002-07-15 02:01 [#00309424]
Points: 4605 Status: Regular



Shouldn't it be what do you listen for? :)

dunno if i can put a hierarchical structure to it.

beats higher up than melody, sometimes experimentation,
although i generally think innovation ahead (only by a
whisker) of experimentation.

Two parallel hierarchies if you like.
A1. Beats............... B1. Innovation
A2. Melody............. B2. Experimentation

Tho any of these if really good can act as trumps?


 

offline pachi from yo momma (United States) on 2002-07-15 02:04 [#00309425]
Points: 8984 Status: Lurker



complexity
structure
dynamics
tone
uniqueness
beats
innovation
experimentation
aesthetics


 

offline corngrower from the fertile grounds of Iowa, w (United States) on 2002-07-15 02:04 [#00309426]
Points: 4404 Status: Lurker



1) Emotion
2) Inovation
3) Melody
4) Beats


 

offline pachi from yo momma (United States) on 2002-07-15 02:12 [#00309433]
Points: 8984 Status: Lurker



wow i said a mouthful =þ


 

offline JivverDicker from my house on 2002-07-15 02:16 [#00309434]
Points: 12102 Status: Regular



Emotion is first......

If you are thinking about proggraming skills, levels etc.
ther's somethnig wrong.
emotion. that's all you need.

Everyone that copies AFX or AE suck.

Why emulate? it's so cheap. everyone can copy.

do something personal.



 

offline marlowe from Antarctica on 2002-07-15 02:42 [#00309441]
Points: 24590 Status: Lurker | Followup to JivverDicker: #00309434



most wise


 

offline korben dallas from nz on 2002-07-15 02:53 [#00309442]
Points: 4605 Status: Regular



perhaps though, these elements are an attempt to (as
impossible as this is) reduce emotion to components - and
see what components in general have the greatest effect.

ie. what sort of stuff gives you the goose bumps? is it (in
general) something with wicked beats, or a nice melody - or
both?!


 

offline aron from saskatoon (Canada) on 2002-07-15 02:54 [#00309443]
Points: 3756 Status: Lurker



1. emotion
2. melody
3. tecnique
4. beat
5. complexity



 

offline The_Funkmaster from St. John's (Canada) on 2002-07-15 04:10 [#00309462]
Points: 16280 Status: Lurker



1. Melody
2. Beats
3. Emotion
4. Innovation
5. Experimentalism...

innovation and experimentalism isn't that important to me...
I don't really look for it at all... if it's there, fine...


 

offline ceiling_fan from Glasgow (United Kingdom) on 2002-07-15 04:45 [#00309488]
Points: 93 Status: Lurker



firstly the piece should be catchy and re-listenable from
the outset...

further listens to it uncover the true emotion of the song


 

offline DeLtoiD from Ontario on 2002-07-15 04:47 [#00309490]
Points: 2934 Status: Lurker



invoking feeling.


 

offline revpersona from Plainfield (United States) on 2002-07-15 06:11 [#00309522]
Points: 3167 Status: Lurker



1.Melody
2.Beats

I really don't care if it might be similar to something else
or if it's not experimental.

I just care how it sounds.


 

offline Zeus from San Francisco (United States) on 2002-07-15 07:04 [#00309545]
Points: 14042 Status: Lurker



emotion

just because it doesnt have a beat... or its not
innovative... doesnt mean it isnt good. Dont limit
yourself... there is alot of beautiful music out there...

but things that catch my attention are beats, and sounds. A
sound that is unfamiliar is great.
I guess that falls under programming...

Melody is good... but I dont like too straightforward of a
melody... well.. at least most of the time. And it its
there, I like it real simple.

I like minimalistic harmony.

At school, we learn all these crazy harmony techniques
etc... but I just dont like them. Its too much.

so uh... yeah.

And things that I usually dont like are singing and rapping.
Unless its in the right context (come to daddy, milkman,
windowlicker, untitled, red hot car, the messed up stuff of
prefuse73... these are all good). Im just not a fan of
straight ahead singing/lyrics. Unless its like the Beatles
or something.

Vocal samples are good though. Like BoC stuff... little
clips of people speaking etc...

so yeah.


 

offline Zeus from San Francisco (United States) on 2002-07-15 07:07 [#00309546]
Points: 14042 Status: Lurker



and innovative stuff is always good... as long as it has
emotional purposes... not just doing something wierd for the
heck of it.

And stuff that sounds unique... thats a really broad
statement. To my parents... all my music sounds alike. To
me... all thier music sounds alike.

Theres a fine line... of course if someone can be very
unique and good... thats great...

but I think alot of people we credit with being very
unique... arnt as unique as we like to think...

but blatent rippoffs or copy artists arnt cool.


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 22:26 [#00311689]
Points: 9083 Status: Regular



hmm..I personally think emotions are overrated..for the
genre we are discussing..if you are going into a composition
creating songs to appeal to the emotions..it's just cheap
and sensationalist..that's what the Elton Johns and the Eric
Claptons were placed on this earth for..if on the other hand
emotional tension arises as a natural part of the process
out of an artist somehow managing to graft a piece of their
mood and their self a that precise moment of creation..then
it can be the most beautiful thing...to me that is the
classic departure point..and what the makes the beauty and
melancholy of some of autechre's work so much superior to
BoC...I mean even the song titles of Ae are intentionally
elusive and indecipherable..the packaging and graphics are
sparse and minimal..and yet the material can be emotionally
engaging..why?..because it hasn't been quantified and
classified..and you can easily attach any emotion and
feeling from your own experience to it..


 

offline Zeus from San Francisco (United States) on 2002-07-16 22:29 [#00311695]
Points: 14042 Status: Lurker | Followup to flea: #00311689



autechre is highly emotional

i dont mean emotional in the sappy sense...like elton john

but music needs to hit something deep within you

autechre hits deep with in me... as does afx, BoC,
squarepusher etc.


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 22:37 [#00311708]
Points: 9083 Status: Regular | Followup to Zeus: #00311695



hmm..emotions that arise out of the collison of the elements
I listed appeal more to me..than those artificially and
superficially grafted on top...and I agree about the
problems with compositional madness of classic trainign in
music...I was learning the classical guitar(dont ask) and
several other music theory courses..by the end of it I got
so sich of it..that I couldn't bear to listen to lisen to
anything remotly tonal...I ventured deep into machine noise
based industrial...I have slowly made my way back and out of
the wastelands..but I still struggle with digesting and
producing melodies..


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 22:42 [#00311709]
Points: 9083 Status: Regular | Followup to Zeus: #00311695



hmm..emotions that arise out of the collison of the elements
I listed appeal more to me..than those artificially and
superficially grafted on top...and I agree about the
problems with compositional madness of classic training in
music...I was learning the classical guitar(dont ask) and
several other music theory courses..by the end of it I got
so sich of it..that I couldn't bear to listen to lisen to
anything remotly tonal...I ventured deep into machine noise
based industrial...I have slowly made my way back and out of
the wastelands..but I still struggle with digesting and
producing melodies..


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 22:42 [#00311710]
Points: 9083 Status: Regular | Followup to Zeus: #00311695



hmm..emotions that arise out of the collison of the elements
I listed appeal more to me..than those artificially and
superficially grafted on top...and I agree about the
problems with compositional madness of classic trainign in
music...I was learning the classical guitar(dont ask) and
several other music theory courses..by the end of it I got
so sich of it..that I couldn't bear to listen to lisen to
anything remotly tonal...I ventured deep into machine noise
based industrial...I have slowly made my way back and out of
the wastelands..but I still struggle with digesting and
producing melodies..


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 22:42 [#00311711]
Points: 9083 Status: Regular | Followup to Zeus: #00311695



hmm..emotions that arise out of the collison of the elements
I listed appeal more to me..than those artificially and
superficially grafted on top...and I agree about the
problems with compositional madness of classic trainign in
music...I was learning the classical guitar(dont ask) and
several other music theory courses..by the end of it I got
so sich of it..that I couldn't bear to listen to lisen to
anything remotly tonal...I ventured deep into machine noise
based industrial...I have slowly made my way back and out of
the wastelands..but I still struggle with digesting and
producing melodies..


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 22:43 [#00311712]
Points: 9083 Status: Regular



yikes..


 

offline JivverDicker from my house on 2002-07-16 22:57 [#00311726]
Points: 12102 Status: Regular | Followup to flea: #00311712



you can say that again..


 

offline Laqeuro from New York City (United States) on 2002-07-16 22:58 [#00311727]
Points: 3167 Status: Regular



shit i enjoy listening to!


 

offline Quoth from Sweden on 2002-07-16 22:59 [#00311732]
Points: 3840 Status: Lurker



3
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3


 

offline JivverDicker from my house on 2002-07-16 23:04 [#00311738]
Points: 12102 Status: Regular | Followup to flea: #00311711



nobody said emotions are tonal. It could be a cheesey chord
progression or some RND LFO granular tricks.


 

offline Quoth from Sweden on 2002-07-16 23:07 [#00311741]
Points: 3840 Status: Lurker



what exactly is a "chessey chord progression" b/c i know
what a chord progression is, i just don't know what a
"cheesey" one sounds like... erm... you must be some type of
weird serial killer with 32 tities to go around ms.
JivverDicker


 

offline JivverDicker from my house on 2002-07-16 23:11 [#00311744]
Points: 12102 Status: Regular



my two 'tities' are perfectly formed young man. I know you
know what cheesey chord progressions are, I've checked your
music before. I prefer your hair like that quoth, your
mullet was funny though!


 

offline flea from depths of your mind (New Zealand) on 2002-07-16 23:37 [#00311784]
Points: 9083 Status: Regular | Followup to JivverDicker: #00311744



I mmeant the seven tones..it just aint enough and hence
soundscorny..mixed chromatics are better..but most of the
cultures of the worlds have many tones in between the C and
the D and the E


 

offline Zeus from San Francisco (United States) on 2002-07-16 23:41 [#00311789]
Points: 14042 Status: Lurker | Followup to flea: #00311784



um...

theres 12 tones man :)



 

offline Zeus from San Francisco (United States) on 2002-07-16 23:42 [#00311792]
Points: 14042 Status: Lurker | Followup to flea: #00311784



and I REALLY REALLY REALLY disagree with the 12 tones not
being enough, and hence sounds corny.

maybe if you are looking at it from a begginers point of
view...

but man, it goes so much deeper.


 


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